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Part 4

Winter Sunshine · John Burroughs — chapter 4 of 18 · ~3,831 words · public domain

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Hence the fastidiousness of the professional walker in choosing or admitting a companion, and hence the truth of a remark of Emerson, that you will generally fare better to take your dog than to invite your neighbor. Your cur-dog is a true pedestrian, and your neighbor is very likely a small politician. The dog enters thoroughly into the spirit of the enterprise; he is not indifferent or preoccupied; he is constantly sniffing adventure, laps at every spring, looks upon every field and wood as a new world to be explored, is ever on some fresh trail, knows something important will happen a little farther on, gazes with the true wonder-seeing eyes, whatever the spot or whatever the road finds it good to be there,--in short, is just that happy, delicious, excursive vagabond that touches one at so many points, and whose human prototype in a companion robs miles and leagues of half their power to fatigue.

Persons who find themselves spent in a short walk to the market or the post-office, or to do a little shopping, wonder how it is that their pedestrian friends can compass so many weary miles and not fall down from sheer exhaustion; ignorant of the fact that the walker is a kind of projectile that drops far or near according to the expansive force of the motive that set it in motion, and that it is easy enough to regulate the charge according to the distance to be traversed. If I am loaded to carry only one mile and am compelled to walk three, I generally feel more fatigue than if I had walked six under the proper impetus of preadjusted resolution. In other words, the will or corporeal mainspring, whatever it be, is capable of being wound up to different degrees of tension, so that one may walk all day nearly as easy as half that time, if he is prepared beforehand. He knows his task, and he measures and distributes his powers accordingly. It is for this reason that an unknown road is always a long road. We cannot cast the mental eye along it and see the end from the beginning. We are fighting in the dark, and cannot take the measure of our foe. Every step must be preordained and provided for in the mind. Hence also the fact that to vanquish one mile in the woods seems equal to compassing three in the open country. The furlongs are ambushed, and we magnify them.

Then, again, how annoying to be told it is only five miles to the next place when it is really eight or ten! We fall short nearly half the distance, and are compelled to urge and roll the spent ball the rest of the way. In such a case walking degenerates from a fine art to a mechanic art; we walk merely; to get over the ground becomes the one serious and engrossing thought; whereas success in walking is not to let your right foot know what your left foot doeth. Your heart must furnish such music that in keeping time to it your feet will carry you around the globe without knowing it. The walker I would describe takes no note of distance; his walk is a sally, a bonmot, an unspoken jeu d'esprit; the ground is his butt, his provocation; it furnishes him the resistance his body craves; he rebounds upon it, he glances off and returns again, and uses it gayly as his tool.

I do not think I exaggerate the importance or the charms of pedestrianism, or our need as a people to cultivate the art. I think it would tend to soften the national manners, to teach us the meaning of leisure, to acquaint us with the charms of the open air, to strengthen and foster the tie between the race and the land. No one else looks out upon the world so kindly and charitably as the pedestrian; no one else gives and takes so much from the country he passes through. Next to the laborer in the fields, the walker holds the closest relation to the soil; and he holds a closer and more vital relation to nature because he is freer and his mind more at leisure.

Man takes root at his feet, and at best he is no more than a potted plant in his house or carriage till he has established communication with the soil by the loving and magnetic touch of his soles to it. Then the tie of association is born; then spring those invisible fibres and rootlets through which character comes to smack of the soil, and which make a man kindred to the spot of earth he inhabits.

The roads and paths you have walked along in summer and winter weather, the fields and hills which you have looked upon in lightness and gladness of heart, where fresh thoughts have come into your mind, or some noble prospect has opened before you, and especially the quiet ways where you have walked in sweet converse with your friend, pausing under the trees, drinking at the spring,--henceforth they are not the same; a new charm is added; those thoughts spring there perennial, your friend walks there forever.

We have produced some good walkers and saunderers, and some noted climbers; but as a staple recreation, as a daily practice, the mass of the people dislike and despise walking. Thoreau said he was a good horse, but a poor roadster. I chant the virtues of the roadster as well. I sing of the sweetness of gravel, good sharp quartz-grit. It is the proper condiment for the sterner seasons, and many a human gizzard would be cured of half its ills by a suitable daily allowance of it. I think Thoreau himself would have profited immensely by it. His diet was too exclusively vegetable. A man cannot live on grass alone. If one has been a lotus-eater all summer, he must turn gravel-eater in the fall and winter. Those who have tried it know that gravel possesses an equal though an opposite charm.

It spurs to action. The foot tastes it and henceforth rests not. The joy of moving and surmounting, of attrition and progression, the thirst for space, for miles and leagues of distance, for sights and prospects, to cross mountains and thread rivers, and defy frost, heat, snow, danger, difficulties, seizes it; and from that day forth its possessor is enrolled in the noble army of walkers.

III. THE SNOW-WALKERS

He who marvels at the beauty of the world in summer will find equal cause for wonder and admiration in winter. It is true the pomp and the pageantry are swept away, but the essential elements remain,--the day and the night, the mountain and the valley, the elemental play and succession and the perpetual presence of the infinite sky. In winter the stars seem to have rekindled their fires, the moon achieves a fuller triumph, and the heavens wear a look of a more exalted simplicity. Summer is more wooing and seductive, more versatile and human, appeals to the affections and the sentiments, and fosters inquiry and the art impulse. Winter is of a more heroic cast, and addresses the intellect. The severe studies and disciplines come easier in winter. One imposes larger tasks upon himself, and is less tolerant of his own weaknesses.

The tendinous part of the mind, so to speak, is more developed in winter; the fleshy, in summer. I should say winter had given the bone and sinew to Literature, summer the tissues and blood.

The simplicity of winter has a deep moral. The return of nature, after such a career of splendor and prodigality, to habits so simple and austere, is not lost upon either the head or the heart. It is the philosopher coming back from the banquet and the wine to a cup of water and a crust of bread.

And then this beautiful masquerade of the elements,--the novel disguises our nearest friends put on! Here is another rain and another dew, water that will not flow, nor spill, nor receive the taint of an unclean vessel. And if we see truly, the same old beneficence and willingness to serve lurk beneath all.

Look up at the miracle of the falling snow,--the air a dizzy maze of whirling, eddying flakes, noiselessly transforming the world, the exquisite crystals dropping in ditch and gutter, and disguising in the same suit of spotless livery all objects upon which they fall. How novel and fine the first drifts! The old, dilapidated fence is suddenly set off with the most fantastic ruffles, scalloped and fluted after an unheard-of fashion! Looking down a long line of decrepit stone wall, in the trimming of which the wind had fairly run riot, I saw, as for the first time, what a severe yet master artist old Winter is. Ah, a severe artist! How stern the woods look, dark and cold and as rigid against the horizon as iron!

All life and action upon the snow have an added emphasis and significance. Every expression is underscored. Summer has few finer pictures than this winter one of the farmer foddering his cattle from a stack upon the clean snow,--the movement, the sharply defined figures, the great green flakes of hay, the long file of patient cows, the advance just arriving and pressing eagerly for the choicest morsels,--and the bounty and providence it suggests. Or the chopper in the woods,--the prostrate tree, the white new chips scattered about, his easy triumph over the cold, his coat hanging to a limb, and the clear, sharp ring of his axe. The woods are rigid and tense, keyed up by the frost, and resound like a stringed instrument. Or the road-breakers, sallying forth with oxen and sleds in the still, white world, the day after the storm, to restore the lost track and demolish the beleaguering drifts.

All sounds are sharper in winter; the air transmits better. At night I hear more distinctly the steady roar of the North Mountain. In summer it is a sort of complacent purr, as the breezes stroke down its sides; but in winter always the same low, sullen growl.

A severe artist! No longer the canvas and the pigments, but the marble and the chisel. When the nights are calm and the moon full, I go out to gaze upon the wonderful purity of the moonlight and the snow. The air is full of latent fire, and the cold warms me--after a different fashion from that of the kitchen stove. The world lies about me in a "trance of snow." The clouds are pearly and iridescent, and seem the farthest possible remove from the condition of a storm,--the ghosts of clouds, the indwelling beauty freed from all dross. I see the hills, bulging with great drifts, lift themselves up cold and white against the sky, the black lines of fences here and there obliterated by the depth of the snow. Presently a fox barks away up next the mountain, and I imagine I can almost see him sitting there, in his furs, upon the illuminated surface, and looking down in my direction. As I listen, one answers him from behind the woods in the valley. What a wild winter sound, wild and weird, up among the ghostly hills! Since the wolf has ceased to howl upon these mountains, and the panther to scream, there is nothing to be compared with it. So wild! I get up in the middle of the night to hear it. It is refreshing to the ear, and one delights to know that such wild creatures are among us. At this season Nature makes the most of every throb of life that can withstand her severity. How heartily she indorses this fox! In what bold relief stand out the lives of all walkers of the snow! The snow is a great tell-tale, and blabs as effectually as it obliterates. I go into the woods, and know all that has happened. I cross the fields, and if only a mouse has visited his neighbor, the fact is chronicled.

The red fox is the only species that abounds in my locality; the little gray fox seems to prefer a more rocky and precipitous country, and a less rigorous climate; the cross fox is occasionally seen, and there are traditions of the silver gray among the oldest hunters. But the red fox is the sportsman's prize, and the only fur-bearer worthy of note in these mountains. [Footnote: A spur of the catskills.]

I go out in the morning, after a fresh fall of snow, and see at all points where he has crossed the road. Here he has leisurely passed within rifle-range of the house, evidently reconnoitring the premises with an eye to the hen-roost. That clear, sharp track,--there is no mistaking it for the clumsy footprint of a little dog. All his wildness and agility are photographed in it. Here he has taken fright, or suddenly recollected an engagement, and in long, graceful leaps, barely touching the fence, has gone careering up the hill as fleet as the wind.

The wild, buoyant creature, how beautiful he is! I had often seen his dead carcass, and at a distance had witnessed the hounds drive him across the upper fields; but the thrill and excitement of meeting him in his wild freedom in the woods were unknown to me till, one cold winter day, drawn thither by the baying of a hound, I stood near the summit of the mountain, waiting a renewal of the sound, that I might determine the course of the dog and choose my position,--stimulated by the ambition of all young Nimrods to bag some notable game. Long I waited, and patiently, till, chilled and benumbed, I was about to turn back, when, hearing a slight noise, I looked up and beheld a most superb fox, loping along with inimitable grace and ease, evidently disturbed, but not pursued by the hound, and so absorbed in his private meditations that he failed to see me, though I stood transfixed with amazement and admiration, not ten yards distant. I took his measure at a glance,--a large male, with dark legs, and massive tail tipped with white,--a most magnificent creature; but so astonished and fascinated was I by this sudden appearance and matchless beauty, that not till I had caught the last glimpse of him, as he disappeared over a knoll, did I awake to my duty as a sportsman, and realize what an opportunity to distinguish myself I had unconsciously let slip. I clutched my gun, half angrily, as if it was to blame, and went home out, of humor with myself and all fox-kind. But I have since thought better of the experience, and concluded that I bagged the game after all, the best part of it, and fleeced Reynard of something more valuable than his fur, without his knowledge.

This is thoroughly a winter sound,--this voice of the hound upon the mountain,--and one that is music to many ears. The long trumpet-like bay, heard for a mile or more,--now faintly back in the deep recesses of the mountain,--now distinct, but still faint, as the hound comes over some prominent point and the wind favors,--anon entirely lost in the gully,--then breaking out again much nearer, and growing more and more pronounced as the dog approaches, till, when he comes around the brow of the mountain, directly above you, the barking is loud and sharp. On he goes along the northern spur, his voice rising and sinking as the wind and the lay of the ground modify it, till lost to hearing.

The fox usually keeps half a mile ahead, regulating his speed by that of the hound, occasionally pausing a moment to divert himself with a mouse, or to contemplate the landscape, or to listen for his pursuer. If the hound press him too closely, he leads off from mountain to mountain, and so generally escapes the hunter; but if the pursuit be slow, he plays about some ridge or peak, and falls a prey, though not an easy one, to the experienced sportsman.

A most spirited and exciting chase occurs when the farm-dog gets close upon one in the open field, as sometimes happens in the early morning. The fox relies so confidently upon his superior speed, that I imagine he half tempts the dog to the race. But if the dog be a smart one, and their course lie downhill, over smooth ground, Reynard must put his best foot forward, and then sometimes suffer the ignominy of being run over by his pursuer, who, however, is quite unable to pick him up, owing to the speed. But when they mount the hill, or enter the woods, the superior nimbleness and agility of the fox tell at once, and he easily leaves the dog far in his rear. For a cur less than his own size he manifests little fear, especially if the two meet alone, remote from the house. In such cases, I have seen first one turn tail, then the other.

A novel spectacle often occurs in summer, when the female has young. You are rambling on the mountain, accompanied by your dog, when you are startled by that wild, half-threatening squall, and in a moment perceive your dog, with inverted tail, and shame and confusion in his looks, sneaking toward you, the old fox but a few rods in his rear. You speak to him sharply, when he bristles up, turns about, and, barking, starts off vigorously, as if to wipe out the dishonor; but in a moment comes sneaking back more abashed than ever, and owns himself unworthy to be called a dog. The fox fairly shames him out of the woods. The secret of the matter is her sex, though her conduct, for the honor of the fox be it said, seems to be prompted only by solicitude for the safety of her young.

One of the most notable features of the fox is his large and massive tail. Seen running on the snow at a distance, his tail is quite as conspicuous as his body; and, so far from appearing a burden, seems to contribute to his lightness and buoyancy. It softens the outline of his movements, and repeats or continues to the eye the ease and poise of his carriage. But, pursued by the hound on a wet, thawy day, it often becomes so heavy and bedraggled as to prove a serious inconvenience, and compels him to take refuge in his den. He is very loath to do this; both his pride and the traditions of his race stimulate him to run it out, and win by fair superiority of wind and speed; and only a wound or a heavy and moppish tail will drive him to avoid the issue in this manner.

To learn his surpassing shrewdness and cunning, attempt to take him with a trap. Rogue that he is, he always suspects some trick, and one must be more of a fox than he is himself to overreach him. At first sight it would appear easy enough. With apparent indifference he crosses your path, or walks in your footsteps in the field, or travels along the beaten highway, or lingers in the vicinity of stacks and remote barns. Carry the carcass of a pig, or a fowl, or a dog, to a distant field in midwinter, and in a few nights his tracks cover the snow about it.

The inexperienced country youth, misled by this seeming carelessness of Reynard, suddenly conceives a project to enrich himself with fur, and wonders that the idea has not occurred to him before, and to others. I knew a youthful yeoman of this kind, who imagined he had found a mine of wealth on discovering on a remote side-hill, between two woods, a dead porker, upon which it appeared all the foxes of the neighborhood had nightly banqueted. The clouds were burdened with snow; and as the first flakes commenced to eddy down, he set out, trap and broom in hand, already counting over in imagination the silver quarters he would receive for his first fox-skin. With the utmost care, and with a palpitating heart, he removed enough of the trodden snow to allow the trap to sink below the surface. Then, carefully sifting the light element over it and sweeping his tracks full, he quickly withdrew, laughing exultingly over the little surprise he had prepared for the cunning rogue. The elements conspired to aid him, and the falling snow rapidly obliterated all vestiges of his work. The next morning at dawn he was on his way to bring in his fur. The snow had done its work effectually, and, he believed, had kept his secret well. Arrived in sight of the locality, he strained his vision to make out his prize lodged against the fence at the foot of the hill. Approaching nearer, the surface was unbroken, and doubt usurped the place of certainty in his mind. A slight mound marked the site of the porker, but there was no footprint near it. Looking up the hill, he saw where Reynard had walked leisurely down toward his wonted bacon till within a few yards of it, when he had wheeled, and with prodigious strides disappeared in the woods. The young trapper saw at a glance what a comment this was upon his skill in the art, and, indignantly exhuming the iron, he walked home with it, the stream of silver quarters suddenly setting in another direction.

The successful trapper commences in the fall, or before the first deep snow. In a field not too remote, with an old axe he cuts a small place, say ten inches by fourteen, in the frozen ground, and removes the earth to the depth of three or four inches, then fills the cavity with dry ashes, in which are placed bits of roasted cheese. Reynard is very suspicious at first, and gives the place a wide berth. It looks like design, and he will see how the thing behaves before he approaches too near. But the cheese is savory and the cold severe. He ventures a little closer every night, until he can reach and pick a piece from the surface. Emboldened by success, like other mortals, he presently digs freely among the ashes, and, finding a fresh supply of the delectable morsels every night, is soon thrown off his guard and his suspicions quite lulled. After a week of baiting in this manner, and on the eve of a light fall of snow, the trapper carefully conceals his trap in the bed, first smoking it thoroughly with hemlock boughs to kill or neutralize the smell of the iron. If the weather favors and the proper precautions have been taken, he may succeed, though the chances are still greatly against him.

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