Part 26

Accordingly we find the Emperor artistically arranging everything and succeeding particularly well in anything of an historical and especially of a military nature. The spring and autumn parades of the Berlin garrison on the Tempelhofer Field--an area large enough, it is said, to hold the massed armies of Europe--with their gatherings of from 30,000 to 60,000 troops of all arms, serve at once to excite the Berliner's martial enthusiasm, while at the same time it obscurely reminds him that if he treats the dynasty disrespectfully he will have a formidable repressive force to reckon with. Hence at manoeuvres the Emperor is accompanied by an enormous suite; whenever he motors down Unter den Linden it is at a quick pace, which impresses the crowd while it lessens the chances of the bomb-thrower or the assassin. The scene of the reception of Prince Chun at the New Palace was a great success as an artistic performance, and the pageants at the restoration of the Hohkönigsburg and at the Saalburg festival were of the same artistic order.

The Emperor's theatrical interest and attention when in Berlin are concentrated on the Berlin Royal Opera and the Berlin Royal Theatre (Schauspielhaus), and when in Wiesbaden on the Royal Festspielhaus at that resort. When in his capital he goes very rarely to any other place of theatrical entertainment. His interest in the royal opera and theatre both in Berlin and Wiesbaden is personal and untiring, and he has done almost as much or more for the adequate representation of grand opera in his capital as the now aged Duke of Saxe-Meiningen did, through his famous Meiningen players, for the proper presentation of drama in Germany generally. The revivals of "Aida" and "Les Huguenots" under the Emperor's own supervision are accepted as faultless examples of historical accuracy in every detail and of good taste and harmony in setting.

In a well-informed article in the Contemporary Review Mr. G. Valentine Williams writes:

"Once the rehearsals of a play in which the Emperor is interested are under way he loses no time in going to the theatre to see whether the instructions he has appended to the stage directions in the MS. are being properly carried out. Some morning, when the vast stage of the opera is humming with activity, the well-known primrose-coloured automobile will drive up to the entrance and the Emperor, accompanied only by a single adjutant, will emerge. In three minutes William II will be seated at a big, business-like table placed in the stalls, before him a pile of paper and an array of pencils. When he is in the house there is no doubt whatever in anyone's mind as to who is conducting the rehearsal. His intendant stands at his side in the darkened auditorium and conveys his Majesty's instructions to the stage, for the Emperor never interrupts the actors himself. He makes a sign to the intendant, scribbles a note on a sheet of paper, while the intendant, who is a pattern of unruffled serenity, just raises his hand and the performance abruptly ceases. There is a confabulation, the Emperor, with the wealth of gesture for which he is known, explaining his views as to the positions of the principals, the dresses, the uniforms, using anything, pencil, penholder, or even his sword to illustrate his meaning. Again and again up to a dozen times the actors will be put through their paces until the imperial Regisseur is entirely satisfied that the right dramatic effect has been obtained.

"All who have witnessed the imperial stage-manager at work agree that he has a remarkable flair for the dramatic. Very often one of his suggestions about the entrances or exits, a piece of 'business' or a pose, will be found on trial to enhance the effect of the scene. A story is told of the Emperor's insistence on accuracy and the minute attention he pays to detail at rehearsal. After his visit to Ofen-Pest some years ago for the Jubilee celebration, which had included a number of Hungarian national dances, the Emperor stopped a rehearsal of the ballet at the Berlin opera while a Czardas was in progress and pointed out to the balletteuses certain minor details which were not correct.

"In his attitude to the Court actors and actresses he displays the charm of manner which bewitches all with whom he comes in contact. He calls them 'meine Schauspieler,' which makes one think of 'His Majesty's Servants' of Shakespeare's Globe Theatre. This practice sometimes has amusing results. Once when the Theatre Royal comedian, Dr. Max Pohl, was suddenly taken ill the Emperor said to an acquaintance, 'Fancy, my Pohl had a seizure yesterday;' and the acquaintance, thinking he was referring to a pet dog replied, commiseratingly: 'Ah, poor brute!' After rehearsal the Emperor often goes on to the stage and talks with the actors about their parts.

"A Hohenzollern must not be shown on the stage without the express permission of the Emperor, and in general, if politics are mixed up in an objectionable way with the action of the drama, the play will be forbidden. Above all the Emperor will not tolerate indecency, nor the mere suggestion of it, in the plays given at the royal theatres. An anecdote about Herr Josef Lauff's Court drama 'Frederick of the Iron Tooth,' dealing with an ancestor, an Elector of Brandenburg, and on which Leoncavallo, at the Emperor's request, wrote the opera 'Der Roland von Berlin,' shows the Emperor's strictness in this respect. Frederick of the Iron Tooth is a burgher of Berlin who leads a revolt against the Elector. In order to heighten Frederick's hate, Lauff wove in a love theme into the drama. The wife of Ryke, burgomaster of Berlin, figured as Frederick's mistress and egged on her lover against the Elector, because the latter had hanged her brothers, the Quitzows, notorious outlaws of the Mark Brandenburg. The Emperor cut out the whole episode when the play was submitted to him in manuscript. The marginal note in his big, bold handwriting ran: 'Eine Courtisane kommt in einem Hohenzollerstück nicht vor' (A courtesan has no place in a Hohenzollern drama)."

The Emperor's constant change of uniform is often said to be a sign of his liking for the theatrical, and writers have compared him on this account with lightning-change artists like the great Fregoli. Rather his respect for and reliance on the army, a sense of fitness with the occasion to be celebrated, a feeling of personal courtesy to the person to be received, are the motives for such changes. The Paris Temps published the following incident apropos of the Emperor's visit to England in November, 1902. When, on arriving at Port Victoria, the royal yacht Hohenzollern came in view, the members of the English Court sent to welcome the Emperor saw him through their glasses walking up and down the captain's bridge wearing a long cavalry cloak over a German military uniform. When they stepped on board they found him in the undress uniform of an English admiral. They lunched with him, and in the afternoon, when he left for London, he was wearing the uniform of an English colonel of dragoons. Arrived in London, he left for Sandringham, and must have changed his dress en route, for he left the train in a frock-coat and tall hat.

Perhaps the most notable theatrical event of the reign hitherto was the production at the Royal Opera in 1908 of the historic pantomime "Sardanapalus." The Emperor's idea, as he said himself, was to "make the Museums speak," to which a Berlin critic replied, "You can't dramatize a museum." The ballet, for it was that as well as a pantomime, engrossed the Emperor's time and attention for several weeks. He spent hours with the great authority on Assyriology, Professor Friedrich Delitzsch, going over reliefs and plans taken from the Kaiser Friedrich Museum or borrowed from museums in Paris, London, and Vienna, decided on the costumes and designed the war-chariots to be used in the ballet. The notion was to rehabilitate the reputation of Asurbanipal, the second-last King of Assyria, whom the Greeks called "Sardanapalus," who reigned in Nineveh six hundred years before Christ, over Ethiopia, Babylon and Egypt, and whom Lord Byron, accepting the Greek story, represented as the most effeminate and debauched monarch the world had ever known.

Professor Delitzsch, with a wealth of recondite learning, showed, on the contrary, that Sardanapalus was a wise and liberal-minded monarch, who, rather than fall into the hands of the Medes, built himself a pyre in a chamber of his palace and perished on it with his wives, his children, and his treasure. The whole four acts, with the various ballets, gave a perfectly faithful representation of the period as described by Diodorus and Herodotus, and as plastically shown on the reliefs discovered at Nineveh by Sir Henry Layard and subsequently by German excavators. Over £10,000 was spent upon the production, and the public were worked up to a great pitch of curiosity concerning it. But it was a complete failure as far as the public were concerned. "Heavens!" exclaimed one critic, "what a bore!" This, however, was not the fault of the Emperor, but was due to want of interest on the part of a public whose enthusiasm for the events and characters of times so remote could only be kindled by a genius, and a dramatic one. The Emperor is no such genius, nor had he one at command.

XI.

THE NEW CENTURY (continued)

1902-1904

King George V has hardly been sufficiently long on the English throne for a contemporary to judge of the personal relations that exist between his Majesty and the Emperor as chief representatives of their respective nations. The King of England was, until June, 1913, hindered by various circumstances from paying a visit to the Court of Berlin, and rumours were current that relations between the two rulers were not as friendly as they might and should be. There is now every indication that though the relations of people to people and Government to Government vary in degrees of coolness or warmth, the two monarchs are on perfectly good terms of cousinship and amity.

A visit paid by King George, when Prince of Wales, to the Emperor in Potsdam at the opening of 1902 testified to the goodwill that then subsisted between them. It was the evening before the Emperor's birthday, when the Emperor, at a dinner given by the officers of King Edward's German regiment, the 1st Dragoon Guards, addressed the English Heir Apparent in words of hearty welcome. The address was not a long one, but in it the Emperor characteristically seized on the motto of the Prince of Wales, "Ich dien" (I serve), to make it the text of a laudatory reference to his young guest's conduct and career. In its course the Emperor touched on the Prince's tour of forty thousand miles round the world, and the effect his "winning personality" had had in bringing together loyal British subjects everywhere, and helping to consolidate the Imperium Britannicum, "on the territories of which," as the Emperor said, doubtless with an imperial pang of envy, "the sun never sets." The Prince, in his reply, tendered his birthday congratulations, and expressed his "respect" for the Emperor, the appropriate word to use, considering the ages and royal ranks of the Emperor and his younger first cousin.

With 1902 may be said to have begun the Emperor's courtship (as it is often called in Germany) of America. His advances to the Dollar Princess since then have been unremitting and on the whole cordially, if somewhat coyly, received.

The growth of intercourse of all kinds between Germany and the United States is indeed one of the features of the reign. There are several reasons why it is natural that friendly relationship should exist. It has been said on good authority that thirty millions of American citizens have German blood in their veins. Frederick the Great was the first European monarch to recognize the independence of America. German men of learning go to school in America, and American men of learning go to school in Germany. A large proportion of the professors in American universities have studied at German universities. The two countries are thousands of miles apart, and are therefore less exposed to causes of international jealousy and quarrel between contiguous nations. On the other hand, the new place America has taken in the Old World, dating, it may be said roughly, from the time of her war with Spain (1898); the increase of her influence in the world, mainly through the efforts of brave, benevolent, and able statesmen; the expansion of her trade and commerce; the increase of the European tourist traffic;--these factors also to some extent account for the growth of friendly intercourse between the peoples.

Nor should the bond between the two countries created by intermarriage be overlooked. If the well-dowered republican maid is often ambitious of union with a scion of the old European nobility, the usually needy German aristocrat is at least equally desirous of mating with an American heiress notwithstanding the vast differences in race-character, political sentiment, manners, and views of life--and especially of the status and privileges of woman--that must fundamentally separate the parties. Great unhappiness is frequently the result of such marriages, perhaps it may be said of a large proportion of international marriages, but cases of great mutual happiness are also numerous, and help to bring the countries into sympathy and understanding. Prince Bülow, when Chancellor, reminded the Reichstag, which was discussing an objection raised to the late Freiherr Speck von Sternburg, when German Ambassador to America, that he had married an American lady, that though Bismarck had laid down the rule that German diplomatists ought not to marry foreigners, he was quite ready to make exceptions in special cases, and that America was one of them. The Emperor is well known to have no objection to his diplomatic representative at Washington being married to an American, but rather to prefer it, provided, of course, that the lady has plenty of money.

A difficulty between Germany and Venezuela arose in 1902 owing to the ill-treatment suffered by German merchants in Venezuela in the course of the civil war in that country from 1898 to 1900.

The merchants complained that loans had been exacted from them by President Castro and his Government, and that munitions of war and cattle had been taken for the use of the army and left unpaid for. The amount of the claim was 1,700,000 Bolivars (francs), a sum that included the damage suffered by the merchants' creditors in Germany. Similar complaints were made by English and Italian merchants. After several efforts on the part of Germany to obtain redress had failed, negotiations were broken off, the diplomatic representative of Germany was recalled, and finally the combined fleets of England, Germany, and Italy established a blockade of the Venezuelan coast. The difficulty was eventually referred to the Hague Court of Arbitration, which allowed the claims and directed payment of them on the security of the revenues of the customs ports of La Guayra and Puerto Cabella.

For a time the action of the Powers caused discussion of the Monroe doctrine on both sides of the Atlantic. On this side it was pointed out that American susceptibilities had been respected by the conduct of the Powers in not landing troops, while on the other side there were not wanting voices to exclaim that the naval demonstration went too near being a breach of the hallowed creed--"hands off" the Western Hemisphere. The Monroe doctrine, it may be recalled, was contained in a message of President James Monroe, issued on February 2, 1823. It was drawn up by John Quincey Adams, and declared that the United States "regarded not only every effort of the Holy Alliance to extend its system to the Western Hemisphere as dangerous to the peace and freedom of the United States, but also every interference with the object of subverting any independent American Government in the light of unfriendliness towards America"; and it went on to declare that "the Continents of America should no more be regarded as fields for European colonization."

The day, of course, may come when the American claim to the control, if not physical possession, of half the earth will be questioned by the Powers of Europe; but at present, as far as Germany is concerned, and notwithstanding the absurd idea that Germany plans the seizure one day of Brazil, the doctrine is of merely academic interest. For a few days four years later it became the subject of lively discussion in Germany and America owing to the first American Roosevelt professor, Professor Burgess, referring to it in his inaugural lecture before the Emperor and Empress as an "antiquated theory." As soon, however, as it became apparent that Professor Burgess was giving utterance to a purely personal opinion, and was not in any sense the bearer of a message on the subject from the President, the discussion dropped.

Another American episode of the year was the visit of Prince Henry, the Emperor's brother, to the United States. Prince Henry left for America in February. The visit was in reality made in pursuance of the Emperor's world-policy of economic expansion, but there were not a few politicians in England and America to assert that it was part of a deep scheme of the Emperor's to counteract too warm a development of Anglo-American friendship. However that may be, the visit was a striking one, even though it gave no great pleasure to Germans, who could not see any particular reason for it, nor any prospect of it yielding Germany immediate tangible return for trouble and expense. Prince Henry, it is said, though the most genial and democratic of Hohenzollerns, was a little taken back at the American freedom of manners, the wringing of hands, the slapping on the back, and other republican demonstrations of friendship; but he cannot have shown anything of such a feeling, for he was fêted on all sides, and soon developed into a popular hero.

One of the incidents of the visit, previously arranged, was the christening of the Emperor's new American-built yacht, Meteor III, by Miss Alice Roosevelt, the President's daughter. On February 25th the Emperor received a cablegram from Prince Henry: "Fine boat, baptized by the hand of Miss Alice Roosevelt, just launched amid brilliant assembly. Hearty congratulations;" and at the same time one from the President's daughter: "To his Majesty the Kaiser, Berlin--Meteor successfully launched. I congratulate you, thank you for the kindness shown me, and send you my best wishes. Alice Roosevelt."

During the visit the Emperor cabled to President Roosevelt his thanks and that of his people for the hospitable reception of his brother by all classes, adding:

"My outstretched hand was grasped by you with a strong, manly, and friendly grip. May Heaven bless the relations of the two nations with peace and goodwill! My best compliments and wishes to Alice Roosevelt."

Reference to this cordial electric correspondence may close with mention of a telegram sent in reply to a message from Mr. Melville Stone, of the American Associated Press:

"Accept my thanks for your message. I estimate the great and sympathetic reception (it was a banquet) given to my dear brother by the newspaper proprietors of the United States very highly."