Part 44

The boy brought a roast chicken, a jar of marmalade and a bottle of wine from the pantry. The burglar seized a knife and fork sullenly.

“It’s only been an hour,” he grumbled, “since I had a lobster and a pint of musty ale up on Broadway. I wish these story writers would let a fellow have a pepsin tablet, anyhow, between feeds.”

“My papa writes books,” remarked Tommy.

The burglar jumped to his feet quickly.

“You said he had gone to the opera,” he hissed, hoarsely and with immediate suspicion.

“I ought to have explained,” said Tommy. “He didn’t buy the tickets.” The burglar sat again and toyed with the wishbone.

“Why do you burgle houses?” asked the boy, wonderingly.

“Because,” replied the burglar, with a sudden flow of tears. “God bless my little brown-haired boy Bessie at home.”

“Ah,” said Tommy, wrinkling his nose, “you got that answer in the wrong place. You want to tell your hard-luck story before you pull out the child stop.”

“Oh, yes,” said the burglar, “I forgot. Well, once I lived in Milwaukee, and—”

“Take the silver,” said Tommy, rising from his chair.

“Hold on,” said the burglar. “But I moved away.” I could find no other employment. For a while I managed to support my wife and child by passing confederate money; but, alas! I was forced to give that up because it did not belong to the union. I became desperate and a burglar.”

“Have you ever fallen into the hands of the police?” asked Tommy.

“I said ‘burglar,’ not ‘beggar,’” answered the cracksman.

“After you finish your lunch,” said Tommy, “and experience the usual change of heart, how shall we wind up the story?”

“Suppose,” said the burglar, thoughtfully, “that Tony Pastor turns out earlier than usual to-night, and your father gets in from ‘Parsifal’ at 10.30. I am thoroughly repentant because you have made me think of my own little boy Bessie, and—”

“Say,” said Tommy, “haven’t you got that wrong?”

“Not on your coloured crayon drawings by B. Cory Kilvert,” said the burglar. “It’s always a Bessie that I have at home, artlessly prattling to the pale-cheeked burglar’s bride. As I was saying, your father opens the front door just as I am departing with admonitions and sandwiches that you have wrapped up for me. Upon recognizing me as an old Harvard classmate he starts back in—”

“Not in surprise?” interrupted Tommy, with wide, open eyes.

“He starts back in the doorway,” continued the burglar. And then he rose to his feet and began to shout “Rah, rah, rah! rah, rah, rah! rah, rah, rah!”

“Well,” said Tommy, wonderingly, “that’s, the first time I ever knew a burglar to give a college yell when he was burglarizing a house, even in a story.”

“That’s one on you,” said the burglar, with a laugh. “I was practising the dramatization. If this is put on the stage that college touch is about the only thing that will make it go.”

Tommy looked his admiration.

“You’re on, all right,” he said.

“And there’s another mistake you’ve made,” said the burglar. “You should have gone some time ago and brought me the $9 gold piece your mother gave you on your birthday to take to Bessie.”

“But she didn’t give it to me to take to Bessie,” said Tommy, pouting.

“Come, come!” said the burglar, sternly. “It’s not nice of you to take advantage because the story contains an ambiguous sentence. You know what I mean. It’s mighty little I get out of these fictional jobs, anyhow. I lose all the loot, and I have to reform every time; and all the swag I’m allowed is the blamed little fol-de-rols and luck-pieces that you kids hand over. Why, in one story, all I got was a kiss from a little girl who came in on me when I was opening a safe. And it tasted of molasses candy, too. I’ve a good notion to tie this table cover over your head and keep on into the silver-closet.”

“Oh, no, you haven’t,” said Tommy, wrapping his arms around his knees. “Because if you did no editor would buy the story. You know you’ve got to preserve the unities.”