The two operations of the infantry attack now are the rush and the “scrap.” These come after the artillery preparation. Against the rush, the machine gun is pitted. The machine gun becomes lighter and more and more controllable by one man; as it does so the days of the rifle draw to a close. Against the machine gun we are now directing the “Tank,” which goes ahead and puts out the machine gun as soon as it begins to sting the infantry rush. We are also using the swooping aeroplane with a machine gun. Both these devices are of British origin, and they promise very well.
After the rush and the scrap comes the organisation of the captured trench. “Digging in” completes the cycle of modern infantry fighting. You may consider this the first or the last phase of an infantry operation. It is probably at present the least worked-out part of the entire cycle. Here lies the sole German superiority; they bunch and crowd in the rush, they are inferior at the scrap, but they do dig like moles. The weakness of the British is their failure to settle down. They like the rush and the scrap; they press on too far, they get outflanked and lost “in the blue”; they are not naturally clever at the excavating part of the work, and they are not as yet well trained in making dug-outs and shelter-pits rapidly and intelligently. They display most of the faults that were supposed to be most distinctively French before this war came to revolutionise all our conceptions of French character.
Now the operations of this modern infantry, which unlike any preceding infantry in the history of war does not fight in disciplined formations but as highly individualised specialists, are determined almost completely by the artillery preparation. Artillery is now the most essential instrument of war. You may still get along with rather bad infantry; you may still hold out even after the loss of the aerial ascendancy, but so soon as your guns fail you approach defeat. The backbone process of the whole art of war is the manufacture in overwhelming quantities, the carriage and delivery of shell upon the vulnerable points of the enemy's positions. That is, so to speak, the essential blow. Even the infantryman is now hardly more than the residuary legatee after the guns have taken their toll.
I have now followed nearly every phase in the life history of a shell from the moment when it is a segment of steel bar just cut off, to the moment when it is no more than a few dispersed and rusting rags and fragments of steel--pressed upon the stray visitor to the battlefield as souvenirs. All good factories are intensely interesting places to visit, but a good munition factory is romantically satisfactory. It is as nearly free from the antagonism of employer and employed as any factory can be. The busy sheds I visited near Paris struck me as being the most living and active things in the entire war machine. Everywhere else I saw fitful activity, or men waiting. I have seen more men sitting about and standing about, more bored inactivity, during my tour than I have ever seen before in my life. Even the front line trenches seem to slumber; the Angel of Death drowses over them, and moves in his sleep to crush out men's lives. The gunfire has an indolent intermittence. But the munition factories grind on night and day, grinding against the factories in Central Europe, grinding out the slow and costly and necessary victory that should end aggressive warfare in the world for ever.
It would be very interesting if one could arrange a meeting between any typical Allied munition maker on the one hand, and the Kaiser and Hindenburg, those two dominant effigies of the German nationalists' dream of “world might.” Or failing that, Mr. Dyson might draw the encounter. You imagine these two heroic figures got up for the interview, very magnificent in shining helms and flowing cloaks, decorations, splendid swords, spurs. “Here,” one would say, “is the power that has held you. You were bolstered up very loyally by the Krupp firm and so forth, you piled up shell, guns, war material, you hoped to snatch your victory before the industrialisation and invention of the world could turn upon you. But you failed. You were not rapid enough. The battle of the Marne was your misfortune. And Ypres. You lost some chances at Ypres. Two can play at destructive industrialism, and now we out-gun you. We are piling up munitions now faster than you. The essentials of this Game of the War Lord are idiotically simple, but it was not of our choosing. It is now merely a question of months before you make your inevitable admission. This is no war to any great commander's glory. This gentleman in the bowler hat is the victor, Sire; not you. Assisted, Sire, by these disrespectful-looking factory girls in overalls.”
For example, there is M. Citroen. Before the war I understand he made automobiles; after the war he wants to turn to and make automobiles again. For the duration of the war he makes shell. He has been temporarily diverted from constructive to destructive industrialism. He did me the honours of his factory. He is a compact, active man in dark clothes and a bowler hat, with a pencil and notebook conveniently at hand. He talked to me in carefully easy French, and watched my face with an intelligent eye through his pince-nez for the signs of comprehension. Then he went on to the next point.
He took me through every stage of his process. In his office he showed me the general story. Here were photographs of certain vacant fields and old sheds--“this place”--he indicated the altered prospect from the window--“at the outbreak of the war.” He showed me a plan of the first undertaking. “Now we have rather over nine thousand workpeople.”
He showed me a little row of specimens. “These we make for Italy. These go to Russia. These are the Rumanian pattern.”
Thence to the first stage, the chopping up of the iron bars, the furnace, the punching out of the first shape of the shell; all this is men's work. I had seen this sort of thing before in peace ironworks, but I saw it again with the same astonishment, the absolute precision of movement on the part of the half-naked sweating men, the calculated efficiency of each worker, the apparent heedlessness, the real certitude, with which the blazing hot cylinder is put here, dropped there, rolls to its next appointed spot, is chopped up and handed on, the swift passage to the cooling crude, pinkish-purple shell shape. Down a long line one sees in perspective a practical symmetry, of furnace and machine group and the shells marching on from this first series of phases to undergo the long succession of operations, machine after machine, across the great width of the shed in which eighty per cent of the workers are women. There is a thick dust of sounds in the air, a rumble of shafting, sudden thuddings, clankings, and M. Citroen has to raise his voice. He points out where he has made little changes in procedures, cut out some wasteful movement.... He has an idea and makes a note in the ever-ready notebook.
There is a beauty about all these women, there is extraordinary grace in their finely adjusted movements. I have come from an after-lunch coffee upon the boulevards and from watching the ugly fashion of our time; it is a relief to be reminded that most women can after all be beautiful--if only they would not “dress.” these women wear simple overalls and caps. In the cap is a rosette. Each shed has its own colour of rosette.
“There is much esprit de corps here,” says M. Citroen.
“And also,” he adds, showing obverse as well as reverse of the world's problem of employment and discipline, “we can see at once if a woman is not in her proper shed.”
Across the great sheds under the shafting--how fine it must look at night!--the shells march, are shaped, cut, fitted with copper bands, calibrated, polished, varnished....
Then we go on to another system of machines in which lead is reduced to plastic ribbons and cut into shrapnel bullets as the sweetstuff makers pull out and cut up sweetstuff. And thence into a warren of hot underground passages in which run the power cables. There is not a cable in the place that is not immediately accessible to the electricians. We visit the dynamos and a vast organisation of switchboards....
These things are more familiar to M. Citroen than they are to me. He wants me to understand, but he does not realise that I would like a little leisure to wonder. What is interesting him just now, because it is the newest thing, is his method of paying his workers. He lifts a hand gravely: “I said, what we must do is abolish altogether the counting of change.”
At a certain hour, he explained, came pay-time. The people had done; it was to his interest and their that they should get out of the works as quickly as possible and rest and amuse themselves. He watched them standing in queues at the wickets while inside someone counted; so many francs, so many centimes. It bored him to see this useless, tiresome waiting. It is abolished. Now at the end of each week the worker goes to a window under the initial of his name, and is handed a card on which these items have been entered:
Balance from last week. So many hours at so much. Premiums.
The total is so many francs, so many centimes. This is divided into the nearest round number, 100, 120, 80 francs as the case may be, and a balance of the odd francs and centimes. The latter is carried forward to the next week's account. At the bottom of the card is a tear-off coupon with a stamp, coloured to indicate the round sum, green, let us say, for 100, blue for 130 francs. This is taken to a wicket marked 100 or 130 as the case may be, and there stands a cashier with his money in piles of 100 or 130 francs counted ready to hand; he sweeps in the coupon, sweeps out the cash. “Next!”
I became interested in the worker's side of this organisation. I insist on seeing the entrances, the clothes-changing places, the lavatories, and so forth of the organisation. As we go about we pass a string of electric trolleys steered by important-looking girls, and loaded with shell, finished as far as these works are concerned and on their way to the railway siding. We visit the hospital, for these works demand a medical staff. It is not only that men and women faint or fall ill, but there are accidents, burns, crushings, and the like. The war casualties begin already here, and they fall chiefly among the women. I saw a wounded woman with a bandaged face sitting very quietly in the corner.
The women here face danger, perhaps not quite such obvious danger as the women who, at the next stage in the shell's career, make and pack the explosives in their silk casing, but quite considerable risk. And they work with a real enthusiasm. They know they are fighting the Bloches as well as any men. Certain of them wear Russian decorations. The women of this particular factory have been thanked by the Tsar, and a number of decorations were sent by him for distribution among them.
The shell factory and the explosives shed stand level with the drill yard as the real first stage in one of the two essential punches in modern war. When one meets the shell again it is being unloaded from the railway truck into an ammunition dump. And here the work of control is much more the work of a good traffic manager than of the old-fashioned soldier.
The dump I best remember I visited on a wet and windy day. Over a great space of ground the sidings of the rail-head spread, the normal gauge rail-head spread out like a fan and interdigitated with the narrow gauge lines that go up practically to the guns. And also at the sides camions were loading, and an officer from the Midi in charge of one of these was being dramatically indignant at five minutes' delay. Between these two sets of lines, shells were piled of all sizes, I should think some hundreds of thousands of shells altogether, wet and shining in the rain. French reservists, soldiers from Madagascar, and some Senegalese were busy at different points loading and unloading the precious freights. A little way from me were despondent-looking German prisoners handling timber. All this dump was no more than an eddy as it were in the path of the shell from its birth from the steel bars near Paris to the accomplishment of its destiny in the destruction or capture of more Germans.
And next the visitor meets the shell coming up upon a little trolley to the gun. He sees the gunners, as drilled and precise as the men he saw at the forges, swing out the breech block and run the shell, which has met and combined with its detonators and various other industrial products since it left the main dump, into the gun. The breech closes like a safe door, and hides the shell from the visitor. It is “good-bye.” He receives exaggerated warning of the danger to his ears, stuffs his fingers into them, and opens his mouth as instructed, hears a loud but by no means deafening report, and sees a spit of flame near the breech. Regulations of a severe character prevent his watching from an aeroplane the delivery of the goods upon the customers opposite.
I have already described the method of locating enemy guns and so forth by photography. Many of the men at this work are like dentists rather than soldiers; they are busy in carefully lit rooms, they wear white overalls, they have clean hands and laboratory manners. The only really romantic figure in the whole of this process, the only figure that has anything of the old soldierly swagger about him still, is the aviator. And, as one friend remarked to me when I visited the work of the British flying corps, “The real essential strength of this arm is the organisation of its repairs. Here is one of the repair vans through which our machine guns go. It is a motor workshop on wheels. But at any time all this park, everything, can pack up and move forward like Barnum and Bailey's Circus. The machine guns come through this shop in rotation; they go out again, cleaned, repaired, made new again. Since we got all that working we have heard nothing of a machine gun jamming in any air fight at all.”...
The rest of the career of the shell after it has left the gun one must imagine chiefly from the incoming shell from the enemy. You see suddenly a flying up of earth and stones and anything else that is movable in the neighbourhood of the shell-burst, the instantaneous unfolding of a dark cloud of dust and reddish smoke, which comes very quickly to a certain size and then begins slowly to fray out and blow away. Then, after seeing the cloud of the burst you hear the hiss of the shell's approach, and finally you are hit by the sound of the explosion. This is the climax and end of the life history of any shell that is not a dud shell. Afterwards the battered fuse may serve as some journalist's paper-weight. The rest is scrap iron.
Such is, so to speak, the primary process of modern warfare. I will not draw the obvious pacifist moral of the intense folly of human concentration upon such a process. The Germans willed it. We Allies have but obeyed the German will for warfare because we could not do otherwise, we have taken up this simple game of shell delivery, and we are teaching them that we can play it better, in the hope that so we and the world may be freed from the German will-to-power and all its humiliating and disgusting consequences henceforth for ever. Europe now is no more than a household engaged in holding up and if possible overpowering a monomaniac member.
Now the whole of this process of the making and delivery of a shell, which is the main process of modern warfare, is one that can be far better conducted by a man accustomed to industrial organisation or transit work than by the old type of soldier. This is a thing that cannot be too plainly stated or too often repeated. Germany nearly won this way because of her tremendously modern industrial resources; but she blundered into it and she is losing it because she has too many men in military uniform and because their tradition and interests were to powerful with her. All the state and glories of soldiering, the bright uniforms, the feathers and spurs, the flags, the march-past, the disciplined massed advance, the charge; all these are as needless and obsolete now in war as the masks and shields of an old-time Chinese brave. Liberal-minded people talk of the coming dangers of militarism in the face of events that prove conclusively that professional militarism is already as dead as Julius Caesar. What is coming is not so much the conversion of men into soldiers as the socialisation of the economic organisation of the country with a view to both national and international necessities. We do not want to turn a chemist or a photographer into a little figure like a lead soldier, moving mechanically at the word of command, but we do want to make his chemistry or photography swiftly available if the national organisation is called upon to fight.
We have discovered that the modern economic organisation is in itself a fighting machine. It is so much so that it is capable of taking on and defeating quite easily any merely warrior people that is so rash as to pit itself against it. Within the last sixteen years methods of fighting have been elaborated that have made war an absolutely hopeless adventure for any barbaric or non-industrialised people. In the rush of larger events few people have realised the significance of the rapid squashing of the Senussi in western Egypt, and the collapse of De Wet's rebellion in South Africa. Both these struggles would have been long, tedious and uncertain even in A.D. 1900. This time they have been, so to speak, child's play.
War and the Future: Italy, France and Britain At War · The Wunder Library — complete classics, free to read, with narration.