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Part 24

Virgin Soil · Ivan Sergeevich Turgenev — chapter 24 of 92 · ~1,866 words · public domain

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“Yes.”

“What do you know? Has anyone been talking to you about me?”

“I know about your birth.”

“Who told you?”

“Why, Valentina Mihailovna, of course, whom you admire so much. She mentioned in my presence, just in passing you know, but quite intentionally, that there was a very interesting incident in your life. She was not condoling the fact, but merely mentioned it as a person of advanced views who is above prejudice. You need not be surprised; in the same way she tells every visitor that comes that my father was sent to Siberia for taking bribes. However much she may think herself an aristocrat, she is nothing more than a mere scandal-monger and a poser. That is your Sistine Madonna!”

“Why is she mine in particular?”

Mariana turned away and resumed her walk down the path.

“Because you had such a long conversation together,” she said, a lump rising in her throat.

“I scarcely said a word the whole time,” Nejdanov observed. “It was she who did the talking.”

Mariana walked on in silence. A turn in the path brought them to the end of the grove in front of which lay a small lawn; a weeping silver birch stood in the middle, its hollow trunk encircled by a round seat. Mariana sat down on this seat and Nejdanov seated himself at her side. The long hanging branches covered with tiny green leaves were waving gently over their heads. Around them masses of lily-of-the-valley could be seen peeping out from amidst the fine grass. The whole place was filled with a sweet scent, refreshing after the very heavy resinous smell of the pine trees.

“So you want to see the school,” Mariana began; “I must warn you that you will not find it very exciting. You have heard that our principal master is the deacon. He is not a bad fellow, but you can’t imagine what nonsense he talks to the children. There is a certain boy among them, called Garacy, an orphan of nine years old, and, would you believe it, he learns better than any of the others!”

With the change of conversation, Mariana herself seemed to change. She turned paler, became more composed, and her face assumed an expression of embarrassment, as if she were repenting of her outburst. She evidently wished to lead Nejdanov into discussing some “question” or other about the school, the peasants, anything, so as not to continue in the former strain. But he was far from “questions” at this moment.

“Mariana Vikentievna,” he began; “to be quite frank with you, I little expected all that has happened between us.” (At the word “happened” she drew herself up.) “It seems to me that we have suddenly become very... very intimate. That is as it should be. We have for some time past been getting closer to one another, only we have not expressed it in words. And so I will also speak to you frankly. It is no doubt wretched for you here, but surely your uncle, although he is limited, seems a kind man, as far as one can judge. Doesn’t he understand your position and take your part?”

“My uncle, in the first place, is not a man, he’s an official, a senator, or a minister, I forget which; and in the second, I don’t want to complain and speak badly of people for nothing. It is not at all hard for me here, that is, nobody interferes with me; my aunt’s petty pin-pricks are in reality nothing to me.... I am quite free.”

Nejdanov looked at her in amazement.

“In that case... everything that you have just told me—”

“You may laugh at me if you like,” she said. “If I am unhappy—it is not as a result of my own sorrows. It sometimes seems to me that I suffer for the miserable, poor and oppressed in the whole of Russia.... No, it’s not exactly that. I suffer—I am indignant for them, I rebel for them.... I am ready to go to the stake for them. I am unhappy because I am a ‘young lady,’ a parasite, that I am completely unable to do anything ... anything! When my father was sent to Siberia and I remained with my mother in Moscow, how I longed to go to him! It was not that I loved or respected him very much, but I wanted to know, to see with my own eyes, how the exiled and banished live.... How I loathed myself and all these placid, rich, well-fed people! And afterwards, when he returned home, broken in body and soul, and began humbly busying himself, trying to work ... oh ... how terrible it was! It was a good thing that he died... and my poor mother too. But, unfortunately, I was left behind.... What for? Only to feel that I have a bad nature, that I am ungrateful, that there is no peace for me, that I can do nothing—nothing for anything or anybody!”

Mariana turned away—her hand slid on to the seat. Nejdanov felt sorry for her; he touched the drooping hand. Mariana pulled it away quickly; not that Nejdanov’s action seemed unsuitable to her, but that he should on no account think that she was asking for sympathy.

Through the branches of the pines a glimpse of a woman’s dress could be seen. Mariana drew herself up.

“Look, your Madonna has sent her spy. That maid has to keep a watch on me and inform her mistress where I am and with whom. My aunt very likely guessed that I was with you, and thought it improper, especially after the sentimental scene she acted before you this afternoon. Anyhow, it’s time we were back. Let us go.”

Mariana got up. Nejdanov rose also. She glanced at him over her shoulder, and suddenly there passed over her face an almost childish expression, making her embarrassment seem charming.

“You are not angry with me, are you? You don’t think I have been trying to win your sympathy, do you? No, I’m sure you don’t,” she went on before Nejdanov had time to make any reply; “you are like me, just as unhappy, and your nature... is bad, like mine. We can go to the school together tomorrow. We are excellent friends now, aren’t we?”

When Mariana and Nejdanov drew near to the house, Valentina Mihailovna looked at them from the balcony through her lorgnette, shook her head slowly with a smile on her lips, then returning through the open glass door into the drawing-room, where Sipiagin was already seated at preferences with their toothless neighbour, who had dropped in to tea, she drawled out, laying stress on each syllable: “How damp the air is! It’s not good for one’s health!”

Mariana and Nejdanov exchanged glances; Sipiagin, who had just scored a trick from his partner, cast a truly ministerial glance at his wife, looking her over from top to toe, then transferred this same cold, sleepy, but penetrating glance to the young couple coming in from the dark garden.

XIV

Two more weeks went by; everything in its accustomed order. Sipiagin fixed everyone’s daily occupation, if not like a minister, at any rate like the director of a department, and was, as usual, haughty, humane, and somewhat fastidious. Kolia continued taking lessons; Anna Zaharovna, still full of spite, worried about him constantly; visitors came and went, talked, played at cards, and did not seem bored. Valentina Mihailovna continued amusing herself with Nejdanov, although her customary affability had become mixed with a certain amount of good-natured sarcasm. Nejdanov had become very intimate with Mariana, and discovered that her temper was even enough and that one could discuss most things with her without hitting against any violent opposition. He had been to the school with her once or twice, but with the first visit had become convinced that he could do nothing there. It was under the entire control of the deacon, with Sipiagin’s full consent. The good father did not teach grammar badly, although his method was rather old-fashioned, but at examinations he would put the most absurd questions. For instance, he once asked Garacy how he would explain the expression, “The waters are dark under the firmament,” to which Garacy had to answer, by the deacon’s own order, “It cannot be explained.” However, the school was soon closed for the summer, not to be opened again until the autumn.

Bearing in mind the suggestion of Paklin and others, Nejdanov did all he could to come in contact with the peasants, but soon found that he was only learning to understand them, in so far as he could make any observation and doing no propaganda whatever! Nejdanov had lived in a town all his life and, consequently, between him and the country people there existed a gulf that could not be crossed. He once happened to exchange a few words with the drunken Kirill, and even with Mendely the Sulky, but besides abuse about things in general he got nothing out of them. Another peasant, called Fituvy, completely nonplussed him. This peasant had an unusually energetic countenance, almost like some brigand. “Well, this one seems hopeful at any rate,” Nejdanov thought. But it turned out that Fituvy was a miserable wretch, from whom the mir had taken away his land, because he, a strong healthy man, would not work. “I can’t,” he sobbed out, with deep inward groans, “I can’t work! Kill me or I’ll lay hands on myself!” And he ended by begging alms in the streets! With a face out of a canvas of Rinaldo Rinaldini! As for the factory men, Nejdanov could not get hold of them at all; these fellows were either too sharp or too gloomy. He wrote a long letter to his friend Silin about the whole thing, in which he bitterly regretted his incapacity, putting it down to the vile education he had received and to his hopelessly aesthetic nature! He suddenly came to the conclusion that his vocation in the field of propaganda lay not in speaking, but in writing. But all the pamphlets he planned did not work out somehow. Whatever he attempted to put down on paper, according to him, was too drawn out, artificial in tone and style, and once or twice—oh horror! he actually found himself wandering off into verse, or on a sceptical, personal effusion. He even decided to speak about this difficulty to Mariana, a very sure sign of confidence and intimacy! He was again surprised to find her sympathetic, not towards his literary attempts, certainly, but to the moral weakness he was suffering from, a weakness with which she, too, was somewhat familiar. Mariana’s contempt for aestheticism was no less strong than his, but for all that the main reason why she did not accept Markelov was because there was not the slightest trace of the aesthetic in his nature! She did not for a moment admit this to herself. It is often the case that what is strongest in us remains only a half-suspected secret.

Thus the days went by slowly, with little variety, but with sufficient interest.

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