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Part 7

Vignettes of San Francisco · Almira Morey — chapter 7 of 15 · ~1,722 words · public domain

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Cosmos is coming soon, dressed in her very feminine clothes, and the coreopsis has come on ahead. All old-timers are represented there, honeysuckle, wormwood, petunias, rosemary, gilias, mignonette, heliotrope and foxgloves. If they can not all be there together, all are there at some time in the summer. Montbretia, Japanese sunflower, larkspur, columbine and gourds all have their time and place and opportunity in this San Francisco garden. And the hollyhocks, the bossy things, I’ve a mind to leave them out. Besides I know some gossip about them. When Zoe was away to Yosemite one morning they were all leaning over from too much moonshine or too much sunshine and--well, I won’t repeat what the marigolds told me about them.

Besides it is time to come away from Zoe’s garden, which is everybody’s garden.

Children on the Sidewalk

When you were a little girl, when you were a little boy, where did you play? Was it in a barn? Was it a city park? Did you hunt gophers on the plains of Iowa? Perhaps it was in a California poppy field. Perhaps a graveyard. I played in one, and remember very vividly the grave of Josephine Sarah Huthinson who died at the age of 11 months, and had a little lamb on the top of her stone and an inscription: “Except ye become as little children ye shall not enter into the Kingdom of Heaven.” Many delightful games we played around the grave of little Josephine.

Wherever childhood found us we played, and out of our environment and often in spite of it, lived in a delightful world of our own into which no grownup ever really entered. Now, you and I, grownup, walk along the sidewalks of San Francisco and all we see under our calloused old feet is a sidewalk. But to children even a sidewalk blossoms with possibilities. Who but a child invented: “Step on a crack, you break your mother’s back.” Only the other day I saw a kiddie avoiding every crack and muttering some incantation as he walked along.

And out of the sidewalk grew all the different types of kiddie kars and coasters that are so prevalent. I saw a whole load of children zipping down a steep San Francisco hill the other day much as we children coasted down winter hills on wicked “double rippers.” A hill and gravity and a lot of kids, what possibilities. And out of the sidewalk have evolved those nameless explosives that have been so popular over the recent Fourth. A row of kids sitting on a curb, one of them darts out to the car track, a car comes, great expectancy from the kids, terrific noise, annoyed looks on the faces of sour adults, unbounded joy from a row of kids sitting on the curb.

Recently I saw a tomboy who had organized the children in her block, and had confiscated an alley between two straight gray houses, and I don’t know what the game was but it entailed trips on a car down the alley and a very bossy motorman, and “turns,” over which everyone quarreled.

Some dainty little Chinese girls were playing a sidewalk game with a white stone which was a version of an old, old child game. The child would hop to the stone and kick it away and hop to it again until she missed, the object being to beat her opponent in the distance traveled. And I saw some exquisite little Japanese girls playing jump rope and chanting one of the numerous litanies that go with that beautiful game.

The sidewalks of San Francisco. They are full of adventure. Robert Louis Stevenson would have seen it all. But to our dull eyes are only gray cement block. Just a sidewalk to us and to kiddies there are mountains in which Roy Gardner hides, and woods, and Tom Mix on a horse dashes right past us and we never see him at all.

Feet That Pass on Market St.

There is something about walking along Market street with the procession of people that passes all day, ah, how shall I express it? It is thrilling and it is amusing; it is cosmic and it is puny. It is often ridiculous and always sublime. Sometimes when we are in most of a hurry the consciousness of the procession will come to us. It is as though we were one of a moving crowd that never began and will never end. At such times we listen to the sound of their feet, the steady, unceasing step by step, an endless tramp as though it were beating out the rhythm--“Eternity, eternity, eternity.”

As we pass voices call to us from the wayside, a cripple so far down below us on the very ground offering his silent pencils; the allurement of flowers; a hoarse newsboy with his old, old face screwed into a thousand anxious wrinkles; a blind man, silent supplicant, twirling his thumbs; and from the windows the call of strawberries at 15 cents a basket. Overhead an aeroplane hums its way and receives from us the tribute of an upward glance. We gaze upward and think how many years before our day aeroplanes were flying overhead in the dreams of men who passed and passed in the long procession.

Idly we glimpse faces that pass us in the procession that meets ours. We pass them and are never the wiser for the struggle and tragedy that may be going on behind their show of brave masks. A man clutching his last dime and wondering whether to spend it for rolls and coffee or coffee and rolls. A business man absorbed and a lady pondering deeply some detail of her dress. A young girl with soft un-massaged chin hurrying to keep a tryst with her “friend,” and country folks, their feet sore on the unaccustomed pavements, glad to be going home soon.

It is such an orderly procession and although they all seem to be walking along forever, there is an order in their going and each is on his way. Each one is free to go to his own place and yet no one is free. No one is free to leave the procession once he gets into it. Once a man is born he’s done for.

Let him veer one iota from that procession and soon there will come rumbling up to the curb a big black Maria and off he’s whisked away from his fellows. Let him but get into the wrong house or take the wrong overcoat or chuck the wrong person under the chin--Pff! Let him forget where the long procession leads and wander about a free spirit and his wanderings will lead him to the madhouse.

I love to be one of the procession that marches forever up and down Market street, such a brave procession.

Where the Centuries Meet

She was a tourist and she had just finished Sing Fat’s. As she passed out of the door she said smugly to her companion--“I don’t see anything so wonderful here.”

I was standing right there and said I: “Madame, if you have been through Sing Fat’s and have failed, to see anything wonderful then you should go home and give yourself the Benet test which is used to test the intelligence of children.” Oh, of course, I didn’t say this so that the lady could hear. The bravest speeches we humans make are never aloud. Then I continued: “Madame, you may travel far in mileage but you will never take anything back to Dingville, Kansas, richer than a souvenir ash tray.”

Why, just to take a trip from Sing Fat’s to the White House is a tremendous journey if one has the perceiving faculty. In Sing Fat’s a bit of old Cloissonne, tiny pieces of enamel on silver, done with infinite pains by hand labor, perhaps centuries ago, grown beautiful with age. In the White House georgette flowers, exquisite things made for the passing minute, a whiff and a whim and off they go. Just in these two there is a meeting of the centuries, Handcraft Days and the Machine Age--B. C. and A. D.--the oldest civilization in the world and the newest.

The most interesting thing in Chinatown are the Chinese. To some they all look alike, but to me they seem very human and individual and folksy. I find myself paraphrasing: “But for the grace of God there goes John Bradford,” and when I meet a crafty looking old Chinaman this whimsy comes to me, “If Deacon Bushnell who passed the plate in the Centerville Methodist Church had been a Chinaman this is the way he would have looked.” They are such small town folks. Even with the steady cycle of tourists they gaze at each newcomer as though he were the latest comer to Podunk. One day with a friend I called on a Chinese girl, and all the large family and their friends gathered around and discussed us and laughed among themselves and pointed at us. It was embarrassing but I was never once conscious of rudeness, simply a childlike curiosity and honesty.

In Chinatown the other day a peddler was selling spectacles and somehow the old men trying them on and squinting for “near” and for “far,” seemed so quaint and countrified and like a lot of old Yankees around a country store trying to get a “new pair of eyes, by Heck.” In Chinatown the tong men do not seem at all real and the hair raising movie serial with its Chinatown terrors, Buddhist idols that open and swallow the movie actors and floors that drop into dungeons, seem very remote.

Bags or Sacks

“Do you like cafeterias?” I asked.

“Don’t know,” he answered, “I’ve never played them.”

“What religion do you follow?” another man asked me.

In a mining camp they told me to take such and such a “trail.”

The point is, that we did not talk that way where I came from. Of course, I hasten to say, we doubtless talked some other way just as peculiar. And if I could detect our colloquialisms I would write a lot about them but alas I can’t. I was in the West two years before I noticed that a “trolley” is a “street car.”

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