The landlord was anxious for us to see Giovanni, his son. There was a village band performing up the street, in front of the house of a colonel who had come home wounded from Tripoli. Everybody in the village was wildly proud about the colonel and about the brass band, the music of which was execrable.
We just looked into the street. The band of uncouth fellows was playing the same tune over and over again before a desolate, newish house. A crowd of desolate, forgotten villagers stood round in the cold upper air. It seemed altogether that the place was forgotten by God and man.
But the landlord, burly, courteous, handsome, pointed out with a flourish the Giovanni, standing in the band playing a cornet. The band itself consisted only of five men, rather like beggars in the street. But Giovanni was the strangest! He was tall and thin and somewhat German-looking, wearing shabby American clothes and a very high double collar and a small American crush hat. He looked entirely like a ne'er-do-well who plays a violin in the street, dressed in the most down-at-heel, sordid respectability.
'That is he--you see, Signore--the young one under the balcony.'
The father spoke with love and pride, and the father was a gentleman, like Falstaff, a pure gentleman. The daughter-in-law also peered out to look at Il Giovann', who was evidently a figure of repute, in his sordid, degenerate American respectability. Meanwhile, this figure of repute blew himself red in the face, producing staccato strains on his cornet. And the crowd stood desolate and forsaken in the cold, upper afternoon.
Then there was a sudden rugged 'Evviva, Evviva!' from the people, the band stopped playing, somebody valiantly broke into a line of the song:
Tripoli, sarà italiana, Sarà italiana al rombo del cannon'.
The colonel had appeared on the balcony, a smallish man, very yellow in the face, with grizzled black hair and very shabby legs. They all seemed so sordidly, hopelessly shabby.
He suddenly began to speak, leaning forward, hot and feverish and yellow, upon the iron rail of the balcony. There was something hot and marshy and sick about him, slightly repulsive, less than human. He told his fellow-villagers how he loved them, how, when he lay uncovered on the sands of Tripoli, week after week, he had known they were watching him from the Alpine height of the village, he could feel that where he was they were all looking. When the Arabs came rushing like things gone mad, and he had received his wound, he had known that in his own village, among his own dear ones, there was recovery. Love would heal the wounds, the home country was a lover who would heal all her sons' wounds with love.
Among the grey desolate crowd were sharp, rending 'Bravos!'--the people were in tears--the landlord at my side was repeating softly, abstractedly: 'Caro--caro--Ettore, caro colonello--' and when it was finished, and the little colonel with shabby, humiliated legs was gone in, he turned to me and said, with challenge that almost frightened me:
'Un brav' uomo.'
'Bravissimo,' I said.
Then we, too, went indoors.
It was all, somehow, grey and hopeless and acrid, unendurable.
The colonel, poor devil--we knew him afterwards--is now dead. It is strange that he is dead. There is something repulsive to me in the thought of his lying dead: such a humiliating, somehow degraded corpse. Death has no beauty in Italy, unless it be violent. The death of man or woman through sickness is an occasion of horror, repulsive. They belong entirely to life, they are so limited to life, these people.
Soon the Giovanni came home, and took his cornet upstairs. Then he came to see us. He was an ingenuous youth, sordidly shabby and dirty. His fair hair was long and uneven, his very high starched collar made one aware that his neck and his ears were not clean, his American crimson tie was ugly, his clothes looked as if they had been kicking about on the floor for a year.
Yet his blue eyes were warm and his manner and speech very gentle.
'You will speak English with us,' I said.
'Oh,' he said, smiling and shaking his head, 'I could speak English very well. But it is two years that I don't speak it now, over two years now, so I don't speak it.'
'But you speak it very well.'
'No. It is two years that I have not spoke, not a word--so, you see, I have--'
'You have forgotten it? No, you haven't. It will quickly come back.'
'If I hear it--when I go to America--then I shall--I shall--'
'You will soon pick it up.'
'Yes--I shall pick it up.'
The landlord, who had been watching with pride, now went away. The wife also went away, and we were left with the shy, gentle, dirty, and frowsily-dressed Giovanni.
He laughed in his sensitive, quick fashion.
'The women in America, when they came into the store, they said, "Where is John, where is John?" Yes, they liked me.'
Twilight in Italy · The Wunder Library — complete classics, free to read, with narration.