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Act Ii.--the Master of Ceremonies Carried to the Front a Big and Rough

Tropic Days · E. J. Banfield — chapter 4 of 7 · ~164 words · public domain

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sapling. The fires glowed again, the orchestra clicked and thumped, and a single boy in an ancient red handkerchief and chalks danced into the light, and, keeping time with the music, began in pantomime to fashion the sapling into a sword, using a fictitious shell, with which he scraped off imaginary bark. While absorbed in his work, his companions came from the screen in haste, skipping round him and mimicking all his actions and grunting in unison with him, while making the sand-ridge to quiver with intensity of tread. Presently all flopped down on haunches in close formation round the sword-maker, still maintaining rhythmical sway of body and limb, and while some held the sapling, others toiled strenuously towards the completion of a good and true weapon, the master of ceremonies encouraging and exhorting the workers until nature could hold out no longer, and they bounded to their feet and, with grunts and signs and with bodies reeking with perspiration, whirled away into darkness.

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