A Week in Paris--Objects and Occurrences--National Library--A French Route--Fashionable French Supper--Conceits--Presentation at Court--Audience.
AS my purpose in visiting France was not to see Paris, I resolved to make my stay in this gay capital as short as possible. I entered it on the Tuesday afternoon, and determined to leave it and pursue my journey into the provinces on the following Monday. I had therefore little time to see the singularities of this celebrated metropolis; but I made the best of this time, and had the advantage of Mr. Younge's knowledge and guidance.
There is no place in the world, perhaps, more distinguished for literary eminence, in every part of art and science, than Paris. The literary institutions of Paris, therefore, were the objects of my first visit. Every capital has its theatres, public gardens, and palaces; but Paris alone has its public libraries on a scale of equal utility and magnificence. In Paris alone, science seems to be considered as an object of importance to mankind, and therefore as a suitable object for the protection of Government. In Paris alone, to say all in a word, the poorest student, the most ragged philosopher, has all the treasures of princes at his command; the National Library opens at his call, and the most expensive books are delivered for his use.
On the morning following my arrival, Mr. Younge accompanied me to the National Library. On entering it, we ascended a most superb staircase painted by Pellegrine, by which we were led to the library on the first floor. It consists of a suite of spacious and magnificent apartments, extending round three sides of a quadrangle. The books are ranged around the sides, according to the order of the respective subjects, and are said to amount to nearly half a million. Each division has an attending librarian, of whom every one may require the book he wishes, and which is immediately delivered to him. Being themselves gentlemen, there is no apprehension that they will accept any pecuniary remuneration; but there is likewise a strict order that no money shall be given to any of the inferior attendants. There are tables and chairs in numbers, and nothing seemed neglected, which could conduce even to the comfort of the readers.
The most complete department of the library is that of the manuscripts. This collection amounts to nearly fifty thousand volumes, and amongst them innumerable letters, and even treatises, by the early kings of France. A manuscript is shewn as written by Louis the Fourteenth: it is entitled, "Memoirs of his own Time, written by the King himself." I much doubt, however, the authenticity of this production. Louis the Fourteenth had other more immediate concerns than writing the history of France. France is full of these literary forgeries. Every king of France, if the titles of books may be received as a proof of their authenticity, has not only written his life, but written it like a philosopher and historian, candidly confessing his errors and abusing his ministers.
The second floor of the building contains the genealogies of the French families. They are deposited in boxes, which are labelled with the several family names. They are considered as public records, and are only producible in the courts of justice, in order to determine the titles to real property. No one is allowed to copy them except by the most special permission, which is never granted but to histriographers of established name and reputation. The cabinet of antiques is stated to be very rich, and, to judge by appearances, is not inferior to its reputation. The collection was made by Caylus. It chiefly consists of vases, busts, and articles of domestic use amongst the Romans. The greater part of them have been already copied as models, in the ornamenting of furniture, by the Parisian artists. This fashion indeed is carried almost to a mania. Every thing must be Greek and Roman without any reference to Nature or propriety. For example, what could be so absurd as the natural realization of some of these capricious ornaments? What lady would chose to sleep in a bed, up the pillars of which serpents were crawling? Yet is such realization the only criterion of taste and propriety.
The cabinet of engravings detained us nearly two hours. The portfeuilles containing the prints are distributed into twelve classes. Some of these divisions invited us to a minute inspection. Such was the class containing the French fashions from the age of Clovis to Louis the Sixteenth. In another class was the costume of every nation in the world; in a third, portraits of eminent persons of all ages and nations; and in a fourth, a collection of prints relating to public festivals, cavalcades, tournaments, coronations, royal funerals, &c. France is the only kingdom in the world which possesses a treasure like this, and which knows how to estimate it at its proper value.
From the National Library we drove to the Athenee, a library and lecture institution, supported by voluntary subscription. It is much of the same nature as an institution of a similar kind in London, termed the British Institute; but the French Athenaeum has infinitely the advantage. The subscription is cheaper, being about four Louis annually, and the lectures are more elegant, if not more scientific. There are usually three lectures daily; the first on sciences, and the other two on belles lettres. The lecture on science is considered as very able, but those on the belles lettres were merely suited, as I understood, to French frivolity. The rooms were so full as to render our stay unpleasant, and we thereby lost an anatomy lecture, which was about to commence. I should not forget to mention, that all the Parisian journals and magazines, and many of the German periodical works, were lying on the tables, and the library seemed altogether as complete as it was comfortable. The subscribers are numerous, and the institution itself in fashion. How long it will so last, no one will venture to predict.
The library of the Pantheon and that of the Institute finished our morning's occupation. They are both on the same scale and nearly on the same general plan as the National Library. The library of the Institute, however, is only open to foreigners and the members of the Institute. The Institute holds its sitting every month, and, according to all report, is then frivolous enough. I had not an opportunity of being present at one of these sittings, but from what I heard, I did not much regret my disappointment.
We returned home to dress for dinner. Mr. Younge informed, me, that he expected a very large party in the evening, chiefly French, and as his lady herself was a French woman, and had arranged her domestic establishment accordingly, I felt some curiosity.
About eight, or nearer nine, Mr. Younge and myself, with two or three other of the dinner company, were summoned up to the drawing-room. The summons itself had something peculiar. The doors of the parlour, which were folding, were thrown open, and two female attendants, dressed like vestals, and holding torches of white wax, summoned us by a low curtsey, and preceded us up the great staircase to the doors of the anti-chamber, where they made another salutation, and took their station on each side. The anti-chamber was filled with servants, who were seated on benches fixed to the wall, but who did not rise on our entry. Some of them were even playing at cards, others at dominos, and all of them seemed perfectly at their ease. The anti-chamber opened by an arched door-way into an handsome room, lighted by a chandelier of the most brilliant cut glass; the pannels of the room were very tastily painted, and the glasses on each side very large, and in magnificent frames. The further extremity of this room opened by folding doors into the principal drawing-room, where the company were collected. It was brilliantly lighted, as well by patent lamps, as by a chandelier in the middle. The furniture had a resemblance to what I had seen in fashionable houses in England. The carpet was of red baize with a Turkish border, and figured in the middle like an harlequin's jacket. The principal novelty was a blue ribbon which divided the room lengthways, the one side of it being for the dancers, the other for the card-players. The ribbon was supported at proper distances by white staves, similar to those of the court ushers.
The ball had little to distinguish it from the balls of England and America, except that the ladies danced with infinitely more skill, and therefore with more grace. The fashionable French dancing is exactly that of our operas. They are all figurantes, and care not what they exhibit, so as they exhibit their skill. I could not but figure to myself the confusion of an English girl, were she even present at a French assembly. Yet so powerful is habit, that not only did the ladies seem insensible, but even the gentlemen, such as did not dance, regarded them with indifference.
Cotillons and waltzes were the only dances of the evening. The waltzes were danced in couples, twenty or thirty at a time. The measure was quick, and all the parties seemed animated. I cannot say that I saw any thing indecorous in the embraces of the ladies and their partners, except in the mere act itself; but the waltz will never become a current fashion in England or America.
There is no precedency in a French assembly except amongst the Military. This is managed with much delicacy. Every group is thrown as much as possible into a circle. The tables are all circular, and cotillons are chiefly preferred from having this quality.
I did not join the card-players; there were about half a dozen tables, and the several parties appeared to play very high. When the game, or a certain number of games were over, the parties rose from their seats, and bowing to any whom they saw near them, invited them to succeed them in their seats. These invitations were sometimes accepted, but more frequently declined. The division of the drawing-room set apart for the card-players served rather as a promenade for the company who did not dance; they here ranged themselves in a line along the ribbon, and criticised the several dancers. Some of these spectators seemed most egregious fops. One of them, with the exception of his linen, was dressed completely in purple silk or satin, and another in a rose-coloured silk coat, with white satin waistcoat and small clothes, and white silk stockings. The greater part of the ladies were dressed in fancy habits from the antique. Some were sphinxes, some vestals, some Dians, half a dozen Minervas, and a score of Junos and Cleopatras. One girl was pointed out to me as being perfectly a l'Anglaise. Her hair, perfectly undressed, was combed off her forehead, and hung down her back in its full length behind. She reminded me only of a school-boy playing without his hat.
We were summoned to the supper table about three in the morning. This repast was a perfect English dinner. Soup, fish, poultry and ragouts, succeeded each other in almost endless variety. A fruit-basket was served round by the servants together with the bread-basket, and a small case of liqueurs was placed at every third plate. Some of these were contained in glass figures of Cupids, in which case, in order to get at the liqueur, it was necessary to break off a small globule affixed to the breast of the figure. The French confectioners are more ingenious than delicate in these contrivances; but the French ladies seem better pleased with such conceit in proportion to their intelligible references. Some of these naked Cupids, which were perfect in all their parts, were handed from the gentlemen to the ladies, and from the ladies to each other, and as freely examined and criticised, as if they had been paintings of birds. The gentlemen, upon their parts, were equally as facetious upon the naked Venuses; and a Swan affixed to a Leda, was the lucky source of innumerable pleasant questions and answers. Every thing, in a word, is tolerated which can in any way be passed into an equivoque. Their conversation in this respect resembles their dress--no matter how thin that covering may be, so that there be one.
So much for a French assembly or fashionable rout, which certainly excells an English one in elegance and fancy, as much as it falls short of it in substantial mirth. The French, it must be confessed, infinitely excell every other nation in all things connected with spectacle, and more or less this spectacle pervades all their parties. They dance, they converse, they sing, for exhibition, and as if they were on the stage. Their conversation, therefore, has frequently more wit than interest, and their dancing more vanity than mirth. They seem in both respects to want that happy carelessness which pleases by being pleased. A Frenchwoman is a figurante even in her chit-chat.
It may be expected that I did not omit to visit the theatres. Mr. Younge accompanied me successively to nearly all of them--two or three in an evening. Upon this subject, however, I shall say nothing, as every book of travels has so fully described some or other of them, that nothing in fact is further required.
I had resolved not to leave Paris without seeing the Emperor, and being informed that he was to hold an audience on the following day, I applied to Mr. Younge to procure my formal introduction. With this purpose we waited upon General Armstrong, who sent my name to the Grand Chamberlain with the necessary formalities. This formality is a certificate under the hand of the Ambassador; that the person soliciting the introduction has been introduced at his own Court, or that, according to the best knowledge of the Ambassador, he is not a Merchant--a Negociant actuel. It may be briefly observed, however, that the French Negotiant answers better to the English Mechanic, than to the honorable appellation, Merchant.--General Armstrong promised me a very interesting spectacle in the Imperial audience. "It's the most splendid Court in Europe," said he: "the Court of London, and even of Vienna, will not bear a comparison with it." Every one agreed in the justice of this remark, and my curiosity was strongly excited.
On the appointed day, about three o'clock, Mr. Younge accompanied me to the Palace, where we were immediately conducted to a splendid saloon, which is termed the Ambassadors' hall. Refreshments were here handed round to the company, which was very numerous, and amongst them many German Princes in their grand court dress. The conversation became very general; those who had seen Bonaparte describing him to those who were about to be introduced. Every one agreed that he was the most extraordinary man that Europe had produced in many centuries, and that even his appearance was in no slight degree indicative of his character. "He possesses an eye," said one gentleman, "in which Lavater might have understood an hero." Mr. Younge confirmed this observation, and prepared me to regard him with more than common attention.
The doors of the saloon were at length thrown open, and some of the officers of the Grand Chamberlain, with white wands and embroidered robes and scarfs, bowing low to the company, invited us, by waving their staves, to follow them up the grand staircase. Every one now arranged themselves, in pairs, behind their respective Ambassadors, and followed the ushers in procession, according to the precedence of their respective countries, the Imperial, Spanish, and Neapolitan Ambassadors forming the van. The staircase was lined on both sides with grenadiers of the Legion of Honour, most of whom, privates as well as officers, were arrayed in the order. The officers, as we passed, exchanged salutes with the Ambassadors; and as the Imperial Ambassador, who led the procession, reached the door of the anti-chamber, two trumpeters on each side played a congratulatory flourish. The ushers who had led us so far, now took their stations on each side the door, and others, in more splendid habits, succeeded them in the office of conducting us.
We now entered the anti-chamber, in which was stationed the regular guard of the palace. We were here saluted both by privates and officers, the Imperial Guard being considered as part of the household. From the anti-chamber we passed onwards through nearly a dozen most splendid apartments, and at length reached the presence-chamber.
My eyes were instantly in search of the Emperor, who was at the farther extremity, surrounded by a numerous circle of officers and counsellors. The circle opened on our arrival, and withdrew behind the Emperor. The whole of our company now ranged themselves, the Ambassadors in front, and their several countrymen behind their respective Ministers.
Bonaparte now advanced to the Imperial Ambassador, with whom, when present, he always begins the audience. I had now an opportunity to regard him attentively. His person is below the middle size, but well composed; his features regular, but in their tout ensemble stern and commanding; his complexion sallow, and his general mien military. He was dressed very splendidly in purple velvet, the coat and waistcoat embroidered with gold bees, and with the grand star of the Legion of Honour worked into the coat.
He passed no one without notice, and to all the Ambassadors he spoke once or twice. When he reached General Armstrong, he asked him, whether America could not live, without foreign commerce as well as France? and then added, without waiting for his answer, "There is one nation in the world which must be taught by experience, that her Merchants are not necessary to the existence of all other nations, and that she cannot hold us all in commercial slavery: England is only sensible in her compters."
The audience took up little less than two hours, after which the Emperor withdrew into an adjoining apartment; and the company departed in the same order, and with the same appendages, as upon their entrance.
CHAP. X.
Departure from Paris for the Loire--Breakfast at Palaiseau--A Peasant's Wife--Rambouillet--Magnificent Chateau--French Cure--Chartres--Difference of Old French and English Towns--Subterraneous Church--Curious Preservation of the Dead--Angers--Arrival at Nantes.
Travels Through the South of France and the Interior of Provinces of Provence and Languedoc in the Years 1807 and 1808 · The Wunder Library — complete classics, free to read, with narration.