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Tragic Sense of Life · Miguel de Unamuno — chapter 20 of 43 · ~3,186 words · public domain

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Pity, then, is the essence of human spiritual love, of the love that is conscious of being love, of the love that is not purely animal, of the love, in a word, of a rational person. Love pities, and pities most when it loves most.

Reversing the terms of the adage nihil volitum quin præcognitum, I have told you that nihil cognitum quin prævolitum, that we know nothing save what we have first, in one way or another, desired; and it may even be added that we can know nothing well save what we love, save what we pity.

As love grows, this restless yearning to pierce to the uttermost and to the innermost, so it continually embraces all that it sees, and pities all that it embraces. According as you turn inwards and penetrate more deeply into yourself, you will discover more and more your own emptiness, that you are not all that you are not, that you are not what you would wish to be, that you are, in a word, only a nonentity. And in touching your own nothingness, in not feeling your permanent base, in not reaching your own infinity, still less your own eternity, you will have a whole-hearted pity for yourself, and you will burn with a sorrowful love for yourself--a love that will consume your so-called self-love, which is merely a species of sensual self-delectation, the self-enjoyment, as it were, of the flesh of your soul.

Spiritual self-love, the pity that one feels for oneself, may perhaps be called egotism; but nothing could be more opposed to ordinary egoism. For this love or pity for yourself, this intense despair, bred of the consciousness that just as before you were born you were not, so after your death you will cease to be, will lead you to pity--that is, to love--all your fellows and brothers in this world of appearance, these unhappy shadows who pass from nothingness to nothingness, these sparks of consciousness which shine for a moment in the infinite and eternal darkness. And this compassionate feeling for other men, for your fellows, beginning with those most akin to you, those with whom you live, will expand into a universal pity for all living things, and perhaps even for things that have not life but merely existence. That distant star which shines up there in the night will some day be quenched and will turn to dust and will cease to shine and cease to exist. And so, too, it will be with the whole of the star-strewn heavens. Unhappy heavens!

And if it is grievous to be doomed one day to cease to be, perhaps it would be more grievous still to go on being always oneself, and no more than oneself, without being able to be at the same time other, without being able to be at the same time everything else, without being able to be all.

If you look at the universe as closely and as inwardly as you are able to look--that is to say, if you look within yourself; if you not only contemplate but feel all things in your own consciousness, upon which all things have traced their painful impression--you will arrive at the abyss of the tedium, not merely of life, but of something more: at the tedium of existence, at the bottomless pit of the vanity of vanities. And thus you will come to pity all things; you will arrive at universal love.

In order to love everything, in order to pity everything, human and extra-human, living and non-living, you must feel everything within yourself, you must personalize everything. For everything that it loves, everything that it pities, love personalizes. We only pity--that is to say, we only love--that which is like ourselves and in so far as it is like ourselves, and the more like it is the more we love; and thus our pity for things, and with it our love, grows in proportion as we discover in them the likenesses which they have with ourselves. Or, rather, it is love itself, which of itself tends to grow, that reveals these resemblances to us. If I am moved to pity and love the luckless star that one day will vanish from the face of heaven, it is because love, pity, makes me feel that it has a consciousness, more or less dim, which makes it suffer because it is no more than a star, and a star that is doomed one day to cease to be. For all consciousness is consciousness of death and of suffering.

Consciousness (conscientia) is participated knowledge, is co-feeling, and co-feeling is com-passion. Love personalizes all that it loves. Only by personalizing it can we fall in love with an idea. And when love is so great and so vital, so strong and so overflowing, that it loves everything, then it personalizes everything and discovers that the total All, that the Universe, is also a Person possessing a Consciousness, a Consciousness which in its turn suffers, pities, and loves, and therefore is consciousness. And this Consciousness of the Universe, which love, personalizing all that it loves, discovers, is what we call God. And thus the soul pities God and feels itself pitied by Him; loves Him and feels itself loved by Him, sheltering its misery in the bosom of the eternal and infinite misery, which, in eternalizing itself and infinitizing itself, is the supreme happiness itself.

God is, then, the personalization of the All; He is the eternal and infinite Consciousness of the Universe--Consciousness taken captive by matter and struggling to free himself from it. We personalize the All in order to save ourselves from Nothingness; and the only mystery really mysterious is the mystery of suffering.

Suffering is the path of consciousness, and by it living beings arrive at the possession of self-consciousness. For to possess consciousness of oneself, to possess personality, is to know oneself and to feel oneself distinct from other beings, and this feeling of distinction is only reached through an act of collision, through suffering more or less severe, through the sense of one's own limits. Consciousness of oneself is simply consciousness of one's own limitation. I feel myself when I feel that I am not others; to know and to feel the extent of my being is to know at what point I cease to be, the point beyond which I no longer am.

And how do we know that we exist if we do not suffer, little or much? How can we turn upon ourselves, acquire reflective consciousness, save by suffering? When we enjoy ourselves we forget ourselves, forget that we exist; we pass over into another, an alien being, we alienate ourselves. And we become centred in ourselves again, we return to ourselves, only by suffering.

Nessun maggior dolore che ricordarsi del tempo felice nella miseria

are the words that Dante puts into the mouth of Francesca da Rimini (Inferno, v., 121-123); but if there is no greater sorrow than the recollection in adversity of happy bygone days, there is, on the other hand, no pleasure in remembering adversity in days of prosperity.

"The bitterest sorrow that man can know is to aspire to do much and to achieve nothing" (polla phroneoita mêdenos chrateein)--so Herodotus relates that a Persian said to a Theban at a banquet (book ix., chap. xvi.). And it is true. With knowledge and desire we can embrace everything, or almost everything; with the will nothing, or almost nothing. And contemplation is not happiness--no! not if this contemplation implies impotence. And out of this collision between our knowledge and our power pity arises.

We pity what is like ourselves, and the greater and clearer our sense of its likeness with ourselves, the greater our pity. And if we may say that this likeness provokes our pity, it may also be maintained that it is our reservoir of pity, eager to diffuse itself over everything, that makes us discover the likeness of things with ourselves, the common bond that unites us with them in suffering.

Our own struggle to acquire, preserve, and increase our own consciousness makes us discover in the endeavours and movements and revolutions of all things a struggle to acquire, preserve, and increase consciousness, to which everything tends. Beneath the actions of those most akin to myself, of my fellow-men, I feel--or, rather, I co-feel--a state of consciousness similar to that which lies beneath my own actions. On hearing my brother give a cry of pain, my own pain awakes and cries in the depth of my consciousness. And in the same way I feel the pain of animals, and the pain of a tree when one of its branches is being cut off, and I feel it most when my imagination is alive, for the imagination is the faculty of intuition, of inward vision.

Proceeding from ourselves, from our own human consciousness, the only consciousness which we feel from within and in which feeling is identical with being, we attribute some sort of consciousness, more or less dim, to all living things, and even to the stones themselves, for they also live. And the evolution of organic beings is simply a struggle to realize fullness of consciousness through suffering, a continual aspiration to be others without ceasing to be themselves, to break and yet to preserve their proper limits.

And this process of personalization or subjectivization of everything external, phenomenal, or objective, is none other than the vital process of philosophy in the contest of life against reason and of reason against life. We have already indicated it in the preceding chapter, and we must now confirm it by developing it further.

Giovanni Baptista Vico, with his profound esthetic penetration into the soul of antiquity, saw that the spontaneous philosophy of man was to make of himself the norm of the universe, guided by the instinto d'animazione. Language, necessarily anthropomorphic, mythopeic, engenders thought. "Poetic wisdom, which was the primitive wisdom of paganism," says Vico in his Scienza Nuova, "must have begun with a metaphysic, not reasoned and abstract, like that of modern educated men, but felt and imagined, such as must have been that of primitive men. This was their own poetry, which with them was inborn, an innate faculty, for nature had furnished them with such feelings and such imaginations, a faculty born of the ignorance of causes, and therefore begetting a universal sense of wonder, for knowing nothing they marvelled greatly at everything. This poetry had a divine origin, for, while they invented the causes of things out of their own imagination, at the same time they regarded these causes with feelings of wonder as gods. In this way the first men of the pagan peoples, as children of the growing human race, fashioned things out of their ideas.... This nature of human things has bequeathed that eternal property which Tacitus elucidated with a fine phrase when he said, not without reason, that men in their terror fingunt simul creduntque."

And then, passing from the age of imagination, Vico proceeds to show us the age of reason, this age of ours in which the mind, even the popular mind, is too remote from the senses, "with so many abstractions of which all languages are full," an age in which "the ability to conceive an immense image of such a personage as we call sympathetic Nature is denied to us, for though the phrase 'Dame Nature' may be on our lips, there is nothing in our minds that corresponds with it, our minds being occupied with the false, the non-existent." "To-day," Vico continues, "it is naturally impossible for us to enter into the vast imagination of these primitive men." But is this certain? Do not we continue to live by the creations of their imagination, embodied for ever in the language with which we think, or, rather, the language which thinks in us?

It was in vain that Comte declared that human thought had already emerged from the age of theology and was now emerging from the age of metaphysics into the age of positivism; the three ages coexist, and although antagonistic they lend one another mutual support. High-sounding positivism, whenever it ceases to deny and begins to affirm something, whenever it becomes really positive, is nothing but metaphysics; and metaphysics, in its essence, is always theology, and theology is born of imagination yoked to the service of life, of life with its craving for immortality.

Our feeling of the world, upon which is based our understanding of it, is necessarily anthropomorphic and mythopeic. When rationalism dawned with Thales of Miletus, this philosopher abandoned Oceanus and Thetis, gods and the progenitors of gods, and attributed the origin of things to water; but this water was a god in disguise. Beneath nature (phhysist) and the world (khosmos), mythical and anthropomorphic creations throbbed with life. They were implicated in the structure of language itself. Xenophon tells us (Memorabilia, i., i., 6-9) that among phenomena Socrates distinguished between those which were within the scope of human study and those which the gods had reserved for themselves, and that he execrated the attempt of Anaxagoras to explain everything rationally. His contemporary, Hippocrates, regarded diseases as of divine origin, and Plato believed that the sun and stars were animated gods with their souls (Philebus, cap. xvi., Laws, x.), and only permitted astronomical investigation so long as it abstained from blasphemy against these gods. And Aristotle in his Physics tells us that Zeus rains not in order that the corn may grow, but by necessity (ex anharchêst). They tried to mechanize and rationalize God, but God rebelled against them.

And what is the concept of God, a concept continually renewed because springing out of the eternal feeling of God in man, but the eternal protest of life against reason, the unconquerable instinct of personalization? And what is the notion of substance itself but the objectivization of that which is most subjective--that is, of the will or consciousness? For consciousness, even before it knows itself as reason, feels itself, is palpable to itself, is most in harmony with itself, as will, and as will not to die. Hence that rhythm, of which we spoke, in the history of thought. Positivism inducted us into an age of rationalism--that is to say, of materialism, mechanism, or mortalism; and behold now the return of vitalism, of spiritualism. What was the effort of pragmatism but an effort to restore faith in the human finality of the universe? What is the effort of a Bergson, for example, especially in his work on creative evolution, but an attempt to re-integrate the personal God and eternal consciousness? Life never surrenders.

And it avails us nothing to seek to repress this mythopeic or anthropomorphic process and to rationalize our thought, as if we thought only for the sake of thinking and knowing, and not for the sake of living. The very language with which we think prevents us from so doing. Language, the substance of thought, is a system of metaphors with a mythic and anthropomorphic base. And to construct a purely rational philosophy it would be necessary to construct it by means of algebraic formulas or to create a new language for it, an inhuman language--that is to say, one inapt for the needs of life--as indeed Dr. Richard Avenarius, professor of philosophy at Zürich, attempted to do in his Critique of Pure Experience (Kritik der reinen Erfahrung), in order to avoid preconceptions. And this rigorous attempt of Avenarius, the chief of the critics of experience, ends strictly in pure scepticism. He himself says at the end of the Prologue to the work above mentioned: "The childish confidence that it is granted to us to discover truth has long since disappeared; as we progress we become aware of the difficulties that lie in the way of its discovery and of the limitation of our powers. And what is the end?... If we could only succeed in seeing clearly into ourselves!"

Seeing clearly! seeing clearly! Clear vision would be only attainable by a pure thinker who used algebra instead of language and was able to divest himself of his own humanity--that is to say, by an unsubstantial, merely objective being: a no-being, in short. In spite of reason we are compelled to think with life, and in spite of life we are compelled to rationalize thought.

This animation, this personification, interpenetrates our very knowledge. "Who is it that sends the rain? Who is it that thunders?" old Strepsiades asks of Socrates in The Clouds of Aristophanes, and the philosopher replies: "Not Zeus, but the clouds." "But," questions Strepsiades, "who but Zeus makes the clouds sweep along?" to which Socrates answers: "Not a bit of it; it is atmospheric whirligig." "Whirligig?" muses Strepsiades; "I never thought of that--that Zeus is gone and that Son Whirligig rules now in his stead." And so the old man goes on personifying and animating the whirlwind, as if the whirlwind were now a king, not without consciousness of his kingship. And in exchanging a Zeus for a whirlwind--God for matter, for example--we all do the same thing. And the reason is because philosophy does not work upon the objective reality which we perceive with the senses, but upon the complex of ideas, images, notions, perceptions, etc., embodied in language and transmitted to us with our language by our ancestors. That which we call the world, the objective world, is a social tradition. It is given to us ready made.

Man does not submit to being, as consciousness, alone in the Universe, nor to being merely one objective phenomenon the more. He wishes to save his vital or passional subjectivity by attributing life, personality, spirit, to the whole Universe. In order to realize his wish he has discovered God and substance; God and substance continually reappear in his thought cloaked in different disguises. Because we are conscious, we feel that we exist, which is quite another thing from knowing that we exist, and we wish to feel the existence of everything else; we wish that of all the other individual things each one should also be an "I."

The most consistent, although the most incongruous and vacillating, idealism, that of Berkeley, who denied the existence of matter, of something inert and extended and passive, as the cause of our sensations and the substratum of external phenomena, is in its essence nothing but an absolute spiritualism or dynamism, the supposition that every sensation comes to us, causatively, from another spirit--that is, from another consciousness. And his doctrine has a certain affinity with those of Schopenhauer and Hartmann. The former's doctrine of the Will and the latter's doctrine of the Unconscious are already implied in the Berkeleyan theory that to be is to be perceived. To which must be added: and to cause others to perceive what is. Thus the old adage operari sequitur esse (action follows being) must be modified by saying that to be is to act, and only that which acts--the active--exists, and in so far as it acts.

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