"It wants to leave me," he cried. "It wants to go! Don't lose a moment! Let it out! The window--the window!"
The Father, wondering, went to the near window, drew aside the curtains and pushed it open. The branches of the trees in the garden creaked drily in the light wind. Guildea leaned forward on the arms of his chair. There was silence for a moment. Then Guildea, speaking in a rapid whisper, said,
"No, no. Open this door--open the hall door. I feel--I feel that it will return the way it came. Make haste--ah, go!"
The Father obeyed--to soothe him, hurried to the door and opened it wide. Then he glanced back at Guildea. He was standing up, bent forward. His eyes were glaring with eager expectation, and, as the Father turned, he made a furious gesture towards the passage with his thin hands.
The Father hastened out and down the stairs. As he descended in the twilight he fancied he heard a slight cry from the room behind him, but he did not pause. He flung the hall door open, standing back against the wall. After waiting a moment--to satisfy Guildea, he was about to close the door again, and had his hand on it, when he was attracted irresistibly to look forth towards the park. The night was lit by a young moon, and, gazing through the railings, his eyes fell upon a bench beyond them.
Upon this bench something was sitting, huddled together very strangely.
The Father remembered instantly Guildea's description of that former night, that night of Advent, and a sensation of horror-stricken curiosity stole through him.
Was there then really something that had indeed come to the Professor? And had it finished its work, fulfilled its desire and gone back to its former existence?
The Father hesitated a moment in the doorway. Then he stepped out resolutely and crossed the road, keeping his eyes fixed upon this black or dark object that leaned so strangely upon the bench. He could not tell yet what it was like, but he fancied it was unlike anything with which his eyes were acquainted. He reached the opposite path, and was about to pass through the gate in the railings, when his arm was brusquely grasped. He started, turned round, and saw a policeman eyeing him suspiciously.
"What are you up to?" said the policeman.
The Father was suddenly aware that he had no hat upon his head, and that his appearance, as he stole forward in his cassock, with his eyes intently fixed upon the bench in the Park, was probably unusual enough to excite suspicion.
"It's all right, policeman," he answered, quickly, thrusting some money into the constable's hand.
Then, breaking from him, the Father hurried towards the bench, bitterly vexed at the interruption. When he reached it nothing was there. Guildea's experience had been almost exactly repeated and, filled with unreasonable disappointment, the Father returned to the house, entered it, shut the door and hastened up the narrow stairway into the library.
On the hearthrug, close to the fire, he found Guildea lying with his head lolled against the armchair from which he had recently risen. There was a shocking expression of terror on his convulsed face. On examining him the Father found that he was dead.
The doctor, who was called in, said that the cause of death was failure of the heart.
When Father Murchison was told this, he murmured:
"Failure of the heart! It was that then!"
He turned to the doctor and said:
"Could it have been prevented?"
The doctor drew on his gloves and answered:
"Possibly, if it had been taken in time. Weakness of the heart requires a great deal of care. The Professor was too much absorbed in his work. He should have lived very differently."
The Father nodded.
"Yes, yes," he said, sadly.
THE LADY AND THE BEGGAR.
THE LADY AND THE BEGGAR.
Nothing in life is more rare than the conversion of a person who is "close" about money into one generous, open-handed and lavish. The sparrow will sooner become the peacock than the miser the spendthrift. And if this is so, if such a transformation seldom occurs in life, it is even more unusual for a man or woman to leave behind in dying a manifesto which contradicts in set terms the obvious and universally recognised tendency of their whole existence. Naturally, therefore, the provisions of Mrs. Errington's will surprised the world. Old gentlemen in Clubs stared upon the number of the Illustrated London News which announced the disposal of her money as they might have stared upon the head of Medusa. The fidgety seemed turned to stone as they read. The thoughtless gaped. As for the thoughtful, this will drove them to deep meditation, and set them walking in a maze of surmises, from which they found no outlet. One or two, religiously inclined, recalled that saying concerning the rich individual and the passage of a camel through a needle's eye. Possibly it had come home to Mrs. Errington upon her death-bed. Possibly, as her end drew near she had perceived herself tower to camel size, the entrance to Paradise shrink to the circumference which refuses to receive a thread manipulated by an unsteady hand. Yes, yes; they began to expand in unctuous conjecture that merged into deliberate assertion, when some one remarked that Mrs. Errington had died in exactly three minutes of the rupture of a blood-vessel on the brain. So this comfortable theory was exploded. And no other seemed tenable. No other explained the fact that this wealthy woman, notorious during her life for her miserly disposition, her neglect of charity, her curious hatred of the poor and complete emancipation from the tender shackles of philanthropy, bequeathed at death the greater part of her fortune to the destitute of London, and to the honest beggars whom fate persistently castigates, whom even Labour declines to accept as toilers at the meanest wage.
Only Horace Errington, the dead woman's sole child, and Captain Hindford, of the Life Guards, exactly knew the truth of the matter. And this truth was so strange, and must have seemed so definite a lie to the majority of mankind, that it was never given to the world. Not even the rescued poor who found themselves received into the Errington Home as into some heaven with four beautiful walls, knew why there had sprung up such a home and why they were in it. The whole affair was discussed ardently at the time, argued about, contested, and dropped. Mystery veiled it. Like many things that happen, it remained an inexplicable enigma to the world. And finally, the world forgot it. But Horace Errington remembered it, more especially when he heard light-hearted people merrily laughing at certain strange shadows of things unseen which will, at times, intrude into the most frivolous societies, turning the meditative to thoughts deep as dark and silent-flowing rivers, the careless to frisky sneers and the gibes which fly forth in flocks from the dense undergrowths of ignorance.
The Erringtons were magnets, and irresistibly attracted gold instead of steel. Mr. Errington died comparatively young, overwhelmed by the benefits showered upon him by Fortune, which continued to dog persistently the steps of his widow, whom he left with one child, Horace. This boy was destined by his father's will to be a millionaire, and had no need of any money from his mother, so that, eventually, Mrs. Errington did him no wrong by the bequest which so troubled the curious. She was a brilliant and an attractive woman, sparkling as a diamond, and apparently as hard. That she loved Horace there was no doubt, and he had adored her. Yet he could not influence her as most only sons can influence their mothers. She was liberally gifted with powers of resistance, and in all directions opposed impenetrable barriers to the mental or spiritual assaults of those with whom she came in contact. It seemed impossible for Mrs. Errington to receive, like a waxen tablet, a definite impression. She was so completely herself that she walked the world as one clad in armour which turned aside all weapons. This might have been partly the reason why men found her so attractive, partly, also, the reason why Horace considered her, even while he was not yet acquainted with trousers, as so very wonderful among women.
Tongues of Conscience · The Wunder Library — complete classics, free to read, with narration.