Mr. Maddledock had been sipping his wine. As Emily suddenly looked up and addressed him, he twirled the glass carelessly between his thumb and finger, remarking, as if this were the only feature of the story that at all impressed him, "A mole, did you say? What a monstrosity!"
"Um, well, is it?" Torbert replied. "Can't say I'd thought of that."
"Don't think of it!" sharply remarked Mrs. Throcton, as if annoyed at the interruption, "but go on."
"Several of us sprang forward from among the crowd and set at work trying to free him from the confining straps. How in the world they contrived to get around him and to tie him up as they did is a mystery. We cut them loose, lifted him up, and found him quite unconscious. Somebody thoughtfully rang for an ambulance. Before it came we carried him into a drug store close by and the druggist plied him with restoratives. I supposed he was dead, but the drug man said he wasn't. He had shown no sign of life, however, when the ambulance arrived. They took him off, and I, having made myself somewhat more presentable than I was, called a carriage and am here."
Then turning to Miss Maddledock he smilingly continued: "I now move, please your Honor, for the dismissal of the indictment against me on the ground that the evidence does not show any offense to have been committed."
"I think you'll have to grant the motion, Emily, my dear," said Mr. Maddledock, fixing his gray eyes upon his daughter in a way that always riveted hers upon him and drew her mind after them to the complete exclusion of everything except what he intended to say. "Mr. Torbert's defense strikes me as all we could demand. You remarked a moment ago that his description suggested a face to your mind, but you couldn't remember where you saw it."
"I know now," she said. "It was this very afternoon--"
"Exactly," said her father, interrupting rather adroitly than quickly. "It was while we were standing together at the parlor window."
Emily's face flushed, and had any one been looking at her intently he might have had his doubts whether or not that was the time. She did not answer, however, and before any one had begun the conversation anew, Wobbles entered with a card upon his tray which he delivered to Mr. Maddledock.
"Since your Honor is so indulgent," said Mr. Maddledock, as he glanced at the scrawl upon the bit of cardboard and bowed to his daughter, "and with the approval of the prosecutor, I am constrained to ask the Court's consent to a further violation of the Prandial Code. I don't know whether the punishment for leaving the table before the dinner is concluded is greater or less than for a tardy appearance, but I fear I must risk it."
"I suggest, in view of this prisoner's previous good character," said Linden, "that your Honor suspend the sentence."
Mr. Maddledock bowed himself out and walked directly to a little room just off the hall which he used as a private office. A timid young man was waiting for him.
"Well, sir?" said Mr. Maddledock.
"I am an orderly, sir, if you please, at the Bellevue Hospital. A man was brought there, this evening, sir, pretty well done up by a runaway. After he'd been fixed a bit he asked me for his coat, and when I fetched it he took out this bundle of papers and put them under his pillow. The doctors didn't bother him much, for they saw he was a goner, and when he asked if he could live they told him no. He didn't say no more, but when we was alone he asked me to take out the papers from under his pillow. I did it, and he asked me if he died to fetch them here and give them to you in your own hands, and said you'd give me ten dollars for my trouble. So as soon as I was off duty I fetched 'em, and here they are, sir."
"Yes," said Mr. Maddledock, adjusting his eyeglasses and examining them slowly one by one. "Yes. They appear to be all here. Ten dollars, did he say? Well, here it is. Good-night."
"Good-night, sir."
"And the man? Wait a bit. What became of him?"
"Oh, he's dead, sir. The horse done him up. He's dead and in the Morgue by this time. Good-night."
The orderly went out, and Mr. Maddledock stood quietly with the bundle of papers in his hands until he heard the click of the vestibule door. Then he struck a match and fired them one by one, watching each until it was entirely consumed.
"In the Morgue," he said, as the last pale flame flickered and died away. "Well, that's the best place for him. There's no doubt in my mind, not the least, but that that amiable horse saved me from being the central figure in a murder trial. What an odd world it is, to be sure!"
XI.
MR. WRANGLER.
On your way to the Cortlandt Street Ferry, which is on everybody's way to everywhere, and on the left-hand side of the street when you turn out of Broadway, and not very far from the ferry-house itself, there is a little old, low brick building which has stood there a good many years and is going to stand a good many more if Billy Warlock knows himself, and he thinks he does. You may talk about progress all you please, but Billy will soon give you to understand that the only kind of progress which will take that house from him, or him from it, is the progress toward the stars, and that, while he hopes to take it in the Lord's good time, he isn't ready for just yet. Billy Warlock owns that house and lives in it and does business there, and the great big heart that thumps in Billy's great big body and gives strength to Billy's great big arm, loves every individual square inch of brick and earth and planking and plaster in that old house from cellar to scuttle. Part with it! Speculate on it! Sacrifice it to progress! Well, scarcely. Not if you were to offer him its weight in solid gold. Not if its neighbor on one side were a Mills Building and its neighbor on the other an Equitable. Not if you were to build an elevated railroad around it and run ten trains per minute, day and night. So long as Billy Warlock can keep himself above ground, so long will that old house keep him company, and so long will his forges blow fiery sparks in the cellar, while he hammers and hums and hums and hammers on the anvil by his side.
It was just twelve years ago on Christmas Eve that Billy Warlock bought the smithy in the cellar of that little old house. Billy had been working for the man who owned it, and the man who owned it, being a little short of wind and a trifle weak in his legs, had decided to sell and retire. Billy had become the purchaser, and not without many qualms and doubts as to the wisdom of assuming such heavy responsibilities. Billy knew he was a good mechanic, and could put a tire on a wheel or a shoe on a horse as quickly and as well as the next man. But it took a good big pile of dollars, as Billy counted dollars, to get those forges, and before he turned them over to his late employer Billy scratched his head a good many times and did a power of thinking. But at last he let go the dollars, and laid his big fist on the biggest forge and blew a blast through the coals that made them glow brighter than ever they glowed before. For it was the master and not the man who sent the draught through them.
He bade the men good-night and wished them a Merry Christmas, closed the doors, locked them tight, and looked his property over. It was worth being proud of, make no mistake. It was all any man need wish for. It was well stocked and in prime condition. The house, in the cellar of which his smithy stood, was mainly let in lodgings. On the first floor, raised just far enough above the street to give his customers a fair passage out, there was a saloon and eating-room. Back of these were Billy's own rooms, two nice big rooms where his mother took care of him and cooked his meals and washed his clothes and aired his bed as only good old mothers can. Over this floor were two others, let, as I have said, in lodgings--to whom, who knows? Who ever knows to whom lodgings are let in this big, crowded city?
Billy finished his dinner and drew up his chair and one for his mother by the stove, and filled his huge mug with beer, and his huge pipe with tobacco, and talked it all over with his mother. She was a fine woman, was Billy's mother, and she drew a straight, steady rein over her big, burly, good-natured boy. She was Billy's best friend, and he knew it, and when she told him she would stand by and help him, and save for him and look out after him, Billy reached forth his brawny arm, and drew her over on his knee and danced her up and down, smoothing back her gray hair and kissing her old cheeks as if she were a baby.
Then, when the clock struck nine, she got up to wash the dishes, and Billy took his lantern to go down among his forges again. Not that he had anything particular to do, though there never was a time when Billy couldn't find something, but the novelty of owning a business was strong with him, and he wanted to hammer just for the fun of hammering. He descended into the cellar through a side-door which opened from the back hall upon a short ladder. The street doors were barred and bolted. He set his lantern on the ladder steps and lit an oil lamp that hung over his anvil, picked up his iron and his hammer, thrust the one into the coals and laid the other on his anvil, and blew away. Oh, what an arm that was of Billy's! How it made the bellows bulge and the wind roar up the great chimney! How the black coals reddened and flamed and blazed! How the iron glowed and whitened with the heat, and when Billy drew his great hammer down upon it with a hoarse grunt accompanying each blow as if to give it effectiveness, how the sparks scampered about in a furious effort to escape!
Billy was hammering and grunting at a great rate, and the forge fire was throwing upon the ceiling fantastic illuminations and causing a thousand still more fantastic shadows, when, wholly without preliminary warning or greeting, Billy felt a slight touch on his arm. It was a slight touch, as I said, but a cold one, a very cold one indeed. Billy turned swiftly around with his hammer in one hand and his red-hot iron in the other. Standing almost beside him, with the glare of the fire working a curiously weird effect upon one-half of him, while the other half was almost hidden in the dense shadow beyond, was a tall, spare, angular man with queer little snappy eyes that flashed like diamonds in the light of the forge. His hand was stretched out in a friendly way, and a bland smile stretched across his face, following the lines of his wide, extended lips.
Tin-Types Taken in the Streets of New York · The Wunder Library — complete classics, free to read, with narration.