Part 30

In the Tolmachikhans' backyards grow only alders, elders, and weeds. Everywhere docks thrust up heads through cracks in the fences to catch at the legs or the skirts of passers-by, while masses of nettles squeeze their way under fences to sting little children. Apropos, the latter are all thin and hungry, in the highest degree quarrelsome, and addicted to prolonged lamentation. Also, each spring sees a certain proportion of their number carried off by diphtheria, while scarlatina and measles are as epidemic among them as is typhoid among their elders.

Thus the sounds of life most to be heard throughout the suburb are the sounds either of weeping or of mad cursing. In general, however, life in Tolmachikha is lived quietly and lethargically. So much is this the case that in spring even the cats forbear to squall save in crushed and subdued accents. The only local person to sing is Felitzata; and even she does so only when she is drunk. It may be said that Felitzata is a saucy, cunning procuress, and does her singing in a peculiarly thick and rasping voice which, with many croaks and hiatuses, necessitates much closing of the eyes, and a great protruding of the apple of the throat. Indeed, it is only the women of the place who, turbulently quarrelsome and hysterically noisy, spend most of the day in scouring the streets with skirts tucked up, and never cease begging for pinches of salt or flour or spoonfuls of oil as they rail and screech at and beat their children, and thrust withered breasts into their babies' mouths, and rush and fling themselves about, and bawl in a constant endeavour to right their woebegone condition. Yes, all are dishevelled and dirty, and have wizened, bony faces, and the restless eyes of thieves. Never, indeed, is a woman plump of figure, save at the period when she is ill, and her eyes are dim, and her gait is laboured. Yet until they are forty, the majority of the women become pregnant with every winter, and on the arrival of spring may be seen walking abroad with large stomachs and blue hollows under the eyes. And even this does not prevent them from working with the same desperate energy as when they are not with child. In short, the inhabitants of the place resemble needles and threads with which some rough, clumsy, and impatient hand is for ever trying to darn a ragged cloth which as constantly parts and rends.

* * * * *

The chief person of repute in the suburb is my landlord, one Antipa Vologonov--a little old man who keeps a shop of "odd wares," and also lends money on pledge.

Unfortunately, Antipa is a sufferer from a long-standing tendency to rheumatism, which has left him bow-legged, and has twisted and swollen his fingers to the extent that they will not bend. Hence, he always keeps his hands tucked into his sleeves, though seemingly he has the less use for them in that, even when he withdraws them from their shelter, he does so as cautiously as though he were afraid of their becoming dislocated.

On the other hand, he never loses his temper, and he never grows excited.

"Neither of those things suits me," he will say, "for my heart is dilated, and might at any moment fail."

As for his face, it has high cheekbones which in places blossom into dark red blotches; an expression as calm as that of the face of a Khirghiz; a chin whence dangle wisps of mingled grey, red, and flaxen hair of a perpetually moist appearance; oblique and ever-changing eyes which are permanently contracted; a pair of thick, parti-coloured eyebrows which cast deep shadows over the eyes; and temples whereon a number of blue veins struggle with an irregular, sparse coating of bristles. Finally, about his whole personality there is something ever variable and intangible.

Also, his gait is irritatingly slow; and the more so owing to his coat, which, of a cut devised by himself, consists, as it were, of cassock, sarafan [jacket], and waistcoat in one. As often as not he finds the skirts of the garment cumbering his legs; whereupon he has to stop and give them a kick. And thus it comes about that permanently the skirts are ragged and torn.

"No need for hurry," is his customary remark. "Always, in time, does one win to one's pitch in the marketplace."

His speech is cast in rounded periods, and displays a great love for ecclesiastical terms. On the occurrence of one such term, he pauses thereafter as though mentally he were adding to the term a very thick, a very black, full stop. Yet always he will converse with anyone, and at great length--his probable motive being a desire to leave behind him the reputation of a wise old man.

In his shanty are three windows facing on to the street, and a partition-wall which divides it into two rooms of unequal size. In the larger room, which contains a Russian stove, he himself lives; in the smaller room I have my abode. By a passage the two are separated from a storeroom where, closeted behind a door to which there are a heavy, old-fashioned bolt and many iron and brass screws, Antipa preserves pledges left by his neighbours, such as samovars, ikons, winter clothing and the like. Of this storeroom he always carries the great indentated key at the back of the strap which upholds his cloth breeches; and, whenever the police call to ascertain whether he is harbouring any stolen goods, a long time ensues whilst he is shifting the key round to his stomach, and again a long time whilst he is unfastening it from the belt. Meanwhile, he says pompously to the Superintendent or the Deputy Superintendent:

"Never do I take in goods of that kind. Of the truth of what I say, your honour, you have more than once assured yourself in person."

Also, whenever Antipa sits down the key rattles against the back or the seat of his chair; whereupon he bends his arm with difficulty, and feels to see whether or not the key has come unslung. This I know for the reason that the partition-wall is not so thick but that I can hear his every breath drawn, and divine his every movement.

Of an evening, when the misty sun is slanting across the river towards the auburn belt of pines, and distilling pink vapours from the sombre vista to be seen through the shaggy mouth of the ravine, Antipa Vologonov sets out a squat samovar that is dinted of side, and plated with green oxide on handle, turncock, and spout. Then he seats himself at his table by the window.

At intervals I hear the evening stillness broken by questions put in a tone which implies always an expectation of a precise answer.

"Where is Darika?"

"He has gone to the spring for water." The answer is given whiningly, and in a thin voice.

"And how is your sister?

"Still in pain."

"Yes? Well, you can go now."

Giving a slight cough to clear his throat, the old man begins to sing in a quavering falsetto:

Once a bullet smote my breast, And scarce the pang I felt. But ne'er the pang could be express'd Which love's flame since hath dealt!

As the samovar hisses and bubbles, heavy footsteps resound in the street, and an indistinct voice says:

"He thinks that because he is a Town Councillor he is also clever."

"Yes; such folk are apt to grow very proud."

"Why, all his brains put together wouldn't grease one of my boots!"

And as the voices die away the old man's falsetto trickles forth anew, humming: