Part 2

The side-saddle introduced to this country by Ann of Bohemia, differed, materially, from that now used by British ladies; having, no doubt, been a mere pillion, on which the rider sate, as in a chair.

At what period our fair countrywomen first began to ride with the knee over the pommel, we are not enabled to state: it is, however, clear, according to the original of the above sketch, which occurs in one of the historical illustrations of equestrianism, given by Audry, that the courtly dames of England did so, about the middle of the seventeenth century. Our author describes the figure, as being that of the Countess of Newcastle.

It may be conjectured, that a single crutch, only, for the advanced leg, was at first used; and this, it is not improbable, was fixed on the centre of the pommel, as in the lady's saddle, now, or at least very lately, common in some parts of Mexico; where the women, it would seem, ride with the left hand towards the animal's head. This, also, appears to have been, sometimes, the case, down to a recent period, in our own country; for, in rather a modern description of the side-saddle, the crutches are spoken of as being moveable, in order to afford a lady, by merely changing their relative positions, the means of riding, as she might please, on either side of her horse.[18-*] That a second crutch was used about the middle of the last century (we are unable to state how much earlier), in France, at least, is evident from a plate of the lady's hunting saddle, at that period, given by Garsault; in which, it is curious, a sort of hold-fast is provided for the fair equestrian's right hand. But, even so recently as Garsault's time, the saddle in ordinary use, by French women, was, we learn from his work on equitation, still, a kind of pillion, on which the rider sate, diagonally, with both feet resting on a broad suspended ledge or stirrup. The pillion in this country has not yet become obsolete; being still, frequently, to be seen, on the backs of donkies and hack ponies, at watering places. During the early part of the present century, its employment continued to be general. It was fixed behind a man's saddle, on the croup of a steady horse, trained to go at an easy though shuffling pace between a walk and a trot. The groom, or gentleman, equipped with a broad leathern belt buckled about his waist--by which the lady secured her position, in case of need--first mounted; and his fair companion was then lifted, backwards, and behind him, into her seat. In an old work on horsemanship, written by one William Stokes, and published at Oxford, it is not, perhaps, unworthy of notice, directions are given for vaulting into the saddle, after the lady has been placed on the croup; together with a plate illustrative of so exquisitely nice and marvellously absurd an operation. In Mexico "they manage these things," if not "better," at all events, with more gallantry, than our forefathers did, for with them, "the pisana, or country lady," we are told, "is often seen mounted before her cavaliero; who, seated behind his fair one, supports her with his arm thrown around her waist." Our illustrative sketch of this custom (in the preceding page) is taken from a beautiful model,--the work of a native Mexican artist.

Having, now, offered our fair readers a slight and unpretending historical sketch of female equestrianism, we shall proceed, after a few preliminary remarks, to the practical details of the art.

Its various advantages, inducements, and attractions, as an exercise, have, already, been noticed. Much, however, as we wish to interest our fair countrywomen, in its favour, it is proper, on our part, to tell them, frankly, that equestrianism is far from being an intuitive art:--there is no "royal road" to it. To be enjoyed and appreciated, it must be learnt. That ease and elegance,--that comparative safety in the side-saddle, of which we have spoken,--it is impossible to achieve, without considerable practice, based upon proper principles. Many young ladies, however, feel a delicate repugnance to passing through the ordeal of a riding-school; some, again, do not reside in situations, where the benefit of a teacher's directions can be procured; while others, erroneously flatter themselves, that they are in possession of every needful acquirement, as regards equestrianism, when they have discovered how to retain a seat on the saddle, and guide a horse by means of the bridle. To such of our readers as happen to be comprised within either of these classes,--and to those, also, who, after having received a professor's initiative instructions, are desirous of further improvement, the following pages, if carefully perused, will, the writer most zealously hopes, prove beneficial.

FOOTNOTES:

EQUESTRIAN TECHNICALITIES.

A few, among the most generally adopted, of these, it will be expedient, in the first place, to notice and explain.

Most parts in the external structure of the horse are known by names of obvious signification: but such is not, exactly, the case with all.

To commence with the anterior limb:--a is the fore pastern; b, the fetlock; c, the leg; and d, the arm.

In the hind limb, e is the hind pastern; f, the hock; g, the stifle; and h, the haunch.

The upper surface of the neck, i, is denominated the crest; k, the withers, and l, the croup.

In the bridle, supposing it to be double-reined, a is the double head-stall; b, the front; c, the nose-band; d, the throat-lash; e, e, the snaffle rein; and f, f, the curb rein. At g, g, is the martingale.

In the saddle, a, is the near crutch; b, the off crutch; c, the cantle; d, the crupper; e, the safe; f, the skirt; g, the stirrup; h, the near side half of the surcingle; and i, i, the girths.

A lady's right hand is termed the whip-hand, and her left, the bridle-hand.

The near side of a horse is that which is on the left of the rider; and the off side that which is on her right.

The height of a horse is always estimated in hands, of four inches each: it is always measured at the tip of the shoulder. A horse is never spoken of as being so many hands tall, but so many hands high.

THE LADY'S HORSE.

Although the lady usually has a horse selected for her, by some gentleman, either of her own family or her acquaintance, it may not be inexpedient to inform the fair reader of those qualities which, combined in the same animal, may be said to constitute a complete lady's horse. Such a creature, however, we must observe, is exceedingly difficult to be procured, even by those possessed of the nicest judgment on the subject; and, to whom, the usually important question of price is not an object of consideration.

The beau ideal of this kind of horse is superlatively elegant in form, exquisitely fine in coat, and unexceptionably beautiful in colour; of a height, in the nicest degree appropriate to the figure of the rider; graceful, accurate, well-united, and thoroughly safe in every pace; "light as a feather" in the hand, though not at all painfully sensitive to a proper action of the bit; bold in the extreme, yet superlatively docile; free, in every respect, from what is technically denominated "vice;" excellent in temper, but still "though gentle, yet not dull;" rarely, if ever, requiring the stimulus of the whip, yet submitting temperately to its occasional suggestions.

In some, though not in all respects, the form should approach closely to that of a thorough-bred animal. The head should be small, neat, "well-set" on the neck, and gracefully "carried." The nostrils should be wide; the eyes large, rather protruding, dark, yet brilliant; the ears erect, and delicately tapering towards their tips. The expression of the countenance should be lively, animated, noble, and most highly intelligent; the neck rather arched and muscular; the ridge of the shoulders narrow and elevated; the chest full and fleshy; the back broad; the body, round or barrel-like; the space between the hips and tail, long, and very gradually depressed towards the latter organ, which, it is essential, should be based high on the croup. The fore and hind limbs should be distant, the one pair from the other; the "arms" muscular; the knees broad, the hocks (laterally) wide; the legs flat and sinewy; the pasterns rather long; and the hoofs large, and nearly round.

A rough, or, what is technically termed, a "staring" coat, considerably deteriorates the appearance of a horse, however perfect in other conditions. Its surface, on a well-bred, healthy, and properly groomed animal, is not only smooth, but brilliantly polished. The mane, if too long and thick, will interfere with that delicate management of the reins so desirable to a lady on horseback; and the tail, if of immoderate length, will, by the animal's whisking it towards his sides, prove inconvenient, to the fair rider, at all times; but, especially so, in dirty weather. Neither of these appendages, however, on the other hand, should be ungracefully brief or scanty.

Of all colours presented by the horse, none is so rich, and, at the same time, so elegant and chaste, as a bright bay; provided the mane, tail, and lower parts of the legs, be black. A small white star on the forehead, and a white speck on one of the heels, are to be considered, rather, as beauties, than defects: but much white, either on the face or legs, whatever be the general hue, is quite the reverse of desirable. After bright bay, chestnut, perhaps, deserves to rank next in the scale of taste; provided it be not, as is very frequently the case, accompanied with white legs. Some of the various shades of grey, however, are, in the opinion of many, entitled to be placed above it: of these, the silver grey, with black mane and tail, claims the highest place. Brown is rather exceptionable, on account of its dulness. Black is not much admired; though, as we think, when of a deep jet, remarkably elegant. Roan, sorrel, dun, piebald, mouse, and even cream colour (however appropriate the latter may be for a state-carriage-horse) are all to be eschewed.

The height of her horse should be in harmonious proportion with that of the rider. A very young or short lady is in no less false a position, as regards grace, on a lofty steed, than a tall, full-grown woman, on a diminutive pony. For ladies of the general stature, a horse measuring from fifteen to fifteen and a half hands, at the point of the shoulder, is usually considered, as regards height, more desirable than any other.

In paces, the lady's horse should be perfect; or, at all events, so far as regards the walk and canter. The former should be fast, bold, firm, and lively, without being unsteady; and, the latter, light, easy, well-combined, and graceful: so, too, should the hand-gallop; although, it is true, a lady's horse is rarely put to this pace, unless used for the field. The trot, again, is but little practised: still the complete lady's horse is expected to be capable of performing it with great precision of step, and but little concussion to the rider:--many ladies regarding it,--however discountenanced by the majority, perhaps,--as preferable, from its vigour, liveliness, and dash, to any other pace.

To expatiate on the absolute necessity of the lady's horse being safe on his limbs, would be needless.

The mouth should be sensible of the most delicate hint of the rider's will, communicated to it by means of the bit. A horse that pulls hard, or hangs heavily upon the reins, is very unsuitable for a lady's use: so, again, is one having the mouth so tender as to suffer from moderate pressure, either by the snaffle or the curb. The former is no less fatiguing to, than the latter is distressed by, the bridle hand.

PERSONAL EQUIPMENTS.