Part 13

Scott was now engaged in a vast multiplicity of business. He was preparing an edition of Swift for Constable, establishing his own partner as a publisher in Edinburgh under the title of "John Ballantyne and Co., Booksellers," and was projecting a new periodical of sound constitutional principles, to be known as the "Quarterly Review," published by Murray in London and by Ballantyne in Edinburgh. In connection with the latter enterprise Scott and Mrs. Scott went up to London for two months in the Spring of 1809, and enjoyed the society of Coleridge, Canning, Croker, and Ellis. The first "Quarterly" appeared while he was in London, and contained three articles from his pen. At this time also he prevailed on Henry Siddons, the nephew of Kemble, to undertake the lease and management of the Edinburgh Theatre; and purchasing a share himself, became an acting trustee, and for many years took a lively concern in the Edinburgh company.

Early in May, 1810, "The Lady of the Lake" came out, like her two elder sisters, in all the majesty of quarto, at the price of two guineas, the author receiving two thousand guineas for the copyright. The whole country rang with the praises of the poet, and crowds set off to view the scenery of Loch Katrine. The critics were in full harmony with one another and with the popular voice.

The Waverley Novels

On returning, in 1810, from an excursion to the Islands of the western Scottish coast, where he had been collecting impressions for "The Lord of the Isles," Scott was searching one morning for fishing-flies in an old desk at Ashestiel, when he came across a forgotten manuscript, written and abandoned five years before. It contained the first two chapters of "Waverley." He submitted it to Ballantyne, whose opinion was on the whole against completion of the novel, and it was again laid aside.

Although his publishing venture had begun to wear a bad aspect, Scott was now in receipt of £1300 a year as Clerk of Session, and when the lease of Ashestiel ran out in May, 1811, he felt justified in purchasing, for £4000, a farm on the banks of the Tweed above Galafoot. This farm, then known as "Garty Holes," became "Abbotsford," so called because these lands had belonged of old to the great Abbey of Melrose; and in his own mind Scott became henceforth the "Laird of Abbotsford."

The last days at Ashestiel were marked by a friendly interchange of letters with Lord Byron, whose "Childe Harold" had just come out, and with correspondence with Johanna Baillie and with Crabbe. At Whitsuntide the family, which included two boys and two girls, moved to their new possession, and structural alterations on the farmhouse began.

The poem "Rokeby" appeared in January, 1813. A month or two later the crisis in the war affected credit aniversally, and many publishing firms, including that of the Ballantynes, were brought to extremity. The difficulty was relieved for a time by the sale of copyrights and much of the stock to Constable, on the understanding that the publishing concern should be wound up as soon as possible. But Scott was preparing fresh embarrassments for himself by the purchase of another parcel of land; a yet more acute crisis in the Ballantyne firm forced him to borrow from the Duke of Buccleuch; and when planning out his work for the purpose of retrieving his position he determined to complete the fragment of "Waverley."

The offer of the post of poet-laureate was made to Scott at this time, but holding already two lucrative offices in the gift of the Crown, he declined the honour and suggested that it should be given to Southey, which was accordingly done. The "Swift" in nineteen volumes, appeared in July, 1814, and had a moderate success.

"Waverley," of which Scott was to receive half the profits, was published by Constable in July, 1814, without the author's name, and its great success with the public was assured from the first. None of Scott's intimate friends ever had, or could have, the slightest doubt as to its parentage, and when Mr. Jeffrey reviewed the book, doing justice to its substantial merits, he was at no pains to conceal his conviction of the authorship. With the single exception of the "Quarterly," the critics hailed it as a work of original creative genius, one of the masterpieces of prose fiction.

From a voyage to the Hebrides with the Commissioners of the Northern Lighthouses, Scott returned in vigour to his desk at Abbotsford, where he worked at "The Lord of the Isles" and "Guy Mannering." The poem appeared in January and the novel in February, 1815. "The Lord of the Isles" never reached the same popularity as the earlier poems had enjoyed, but "Guy Mannering" was pronounced by acclamation to be fully worthy of the honours of "Waverley." In March, Scott went to London with his wife and daughter, met Byron almost daily in Murray's house, and was presented to the Prince Regent, who was enchanted with Scott, as Scott with him. A visit to Paris in July of the same year is commemorated in "Paul's Letters to His Kinsfolk." Scott's reputation had as yet made little way among the French, but the Duke of Wellington, then in Paris, treated him with kindness and confidence, and a few eminent Frenchmen vied with the enthusiastic Germans in their attentions to him.

"The Antiquary" came out early in 1816, and was its author's favourite among all his novels. The "Tales of my Landlord," published by Murray and Blackwood, appeared in December, and though anonymous was at once recognized as Scott's. The four volumes included the "Black Dwarf" and "Old Mortality." A month later followed a poem, "Harold the Dauntless." The title of "Rob Roy" was suggested by Constable; and the novel was published on the last day of 1817.

During this year the existing house of Abbotsford had been building, and Scott had added to his estate the lands of Toftfield, at a price of £10,000. He was then thought to be consolidating a large fortune, for the annual profits of his novels alone had, for several years, been not less than the cost of Toftfield.

Having been asked by the Ballantynes to contribute to the historical department of the "Annual Register," I often had occasion now to visit Scott in his house in Castle Street, where I usually found him working in his "den," a small room behind the dining parlour, in company with his dog, Maida. Besides his own huge elbow-chair, there were but two others in the room, and one of these was reserved for his amanuensis, a portrait of Claverhouse, over the chimneypiece, with a Highland target on either side and broadswords and dirks disposed star-fashion round them. A venerable cat, fat and sleek, watched the proceedings of his toaster AND Maids with dignified equanimity.

Abbotsford

The house of Abbotsford was not completed, and finally rid of carpenters and upholsterers, until Christmas, 1824; but the first time I saw it was in 1818, and from that time onwards Scott's hospitality was extended freely not only to the proprietors and tenants of the surrounding district, but to a never-ending succession of visitors who came to Abbotsford as pilgrims. In the seven or eight brilliant seasons when his prosperity was at its height, he entertained under his roof as many persons of distinction in rank, in politics, in art, in literature, and in science, as the most princely nobleman of his age ever did in the like space of time. It is not beyond the mark to add that of the eminent foreigners who visited our Island within this period, a moiety crossed the Channel mainly in consequence of the interest in which his writings had invested Scotland, and that the hope of beholding the man under his own roof was the crowning motive with half that moiety. His rural neighbours were assembled principally at two annual festivals of sport; one was a solemn bout of salmon fishing for the neighbouring gentry, presided over by the Sheriff; and the other was the "Abbotsford Hunt," a coursing field on a large scale, including, with many of the young gentry, all Scott's personal favourites among the yeomen and farmers of the surrounding country.

Notwithstanding all his prodigious hospitality, his double official duties as Sheriff and Clerk of Session, the labours and anxieties in which the ill-directed and tottering firm of Ballantyne involved him, the keen interest which he took in every detail of the adornment of the house and estate of Abbotsford, and finally, notwithstanding obstinate and agonizing attacks of internal cramp which were undermining his constitution, Scott continued to produce rapidly the wonderful series of the Waverley Novels. "The Bride of Lammermoor," "Legend of Montrose" and "Ivanhoe" appeared in 1819, "The Monastery," "The Abbot" and "Kenilworth" in 1820, "The Pirate" in 1821, "The Fortunes of Nigel" in 1822, "Peveril of the Peak," "Quentin Durward" and "St. Ronan's Well" in 1823, and "Redgauntlet" in 1824. His great literary reputation was acknowledged by a baronetcy conferred in 1820, and by the most flattering condescensions on the part of King George IV on his visit to Edinburgh in 1822.

The End of All

Scott's Diary from November, 1825, shows dear forebodings of the collapse of the houses of Constable and Ballantyne. In a time of universal confidence and prosperity, the banks had supported them to an extent quite unwarranted by their assets or their trade, and as soon as the banks began to doubt and to enquire, their fall was a foregone conclusion. In December, Scott borrowed £10,000 on the lands of Abbotsford, and advanced that sum to the struggling houses; on January 16, 1826, their ruin, and Scott's with them, were complete. Scott immediately placed his whole affairs in the hands of three trustees, and by the 26th all his creditors had agreed to a private trust to which he mortgaged all his future literary labours.

On March 15, he left for the last time his house in Castle Street; on April 3; "Woodstock" was sold for the creditors' behoof, realising £8228; on May 15, Lady Scott died, after a short illness, at Abbotsford. "I think," writes Scott in his Diary, "my heart will break. Lonely, aged, deprived of all my family--all but poor Anne; an impoverished, embarrassed man, deprived of the sharer of my thoughts and counsels, who could always talk down my sense of the calamitous apprehensions which break the heart that must bear them alone. Even her foibles were of service to me, by giving me things to think of beyond my weary self-reflections."

An expedition to Paris, in October, to gather materials for his "Life of Napoleon." was a seasonable relief. On his return through London, the King undertook that his son, Charles Scott, then at Oxford, should be launched in the diplomatic service. The elder son, heir to the baronetcy, was now with his regiment in Ireland.

The "Life of Buonaparte" was published in June, 1827, and secured high praise from many, among whom was Goethe. It realised £18,000 for the creditors, and had health been spared him, Scott must soon have freed himself from all encumbrances. Before the close of 1829 he had published also the "Chronicles of the Canongate," "Tales of a Grandfather," "The Fair Maid of Perth" and "Anne of Geirstein," but he had been visited also by several threatenings of apoplexy, and on February 15, 1830, was prostrated by a serious attack. Recovering from this illness, Scott resigned his office as Clerk of Session, and during the rest of the year produced a great quantity of manuscript, including the "Letters on Demonology and Witchcraft," and the series of "Tales of a Grandfather" dealing with French history. April, 1831, brought with it a distinct stroke of paralysis, yet both "Castle Dangerous" and "Count Robert of Paris" were finished in the course of the year.

Sailing in October, in the "Barham," Sir Walter Scott visited Malta and Naples, and came to Rome in April, 1832. In May he set out for home by Venice, Munich and the Rhine, but his companions could hardly prevail on him to look at the interesting objects by the way, and another serious attack fell upon him at Nimeguen. He reached London on June 13, and on July 7 was carried on board the steamer for Leith, and was at Abbotsford by the 11th. Here the remains of his strength gradually declined, and his mind was hopelessly obscured.

As I was dressing on the morning of September 17, a servant came to tell me that his master had awoke in a state of composure and consciousness, and wished to see me immediately. I found him entirely himself, though in the last extreme of feebleness. "Lockhart," he said "I may have no more than a minute to speak to you. My dear, be a good man--be virtuous--be religious--be a good man. Nothing else will give you any comfort when you come to lie here." He scarcely afterwards gave any sign of consciousness, and breathed his last on September 21, in the presence of all his children.

His funeral was unostentatious but the attendance was very great. He was laid in the Abbey of Dryburgh, by the side of his wife, in the sepulchre of his ancestors.

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The Life of Robert Burns

John Gibson Lockhart was born, a son of the manse, at Cambusnethan, Lanarkshire, on July 14, 1794. Receiving his early education in Glasgow, he went, at sixteen, with a scholarship to Balliol College, Oxford. In 1816 he was called to the Scottish Bar; but literature occupied him more than law, and as early as 1819 he wrote the once popular "Peter's Letters to his Kinsfolk." Next year he married Scott's eldest daughter, Sophia. Lockhart was a leading contributor to the early "Blackwood," where his fine translations of Spanish ballads first appeared, and he edited the "Quarterly Review" from 1825 to 1853. He died at Abbotsford on November 25, 1854, and was buried at Scott's feet in Dryburgh Abbey. Lockhart's forte was biography, and his "Life of Scott" ranks beside Boswell's "Johnson." The "Life of Burns" was published first in Constable's "Miscellany" in 1828, when the whole impression was exhausted in six weeks. It passed through five editions before the author's death. Though many lives of Burns have appeared since, with details unknown to Lockhart, his biography is in many respects the best we possess, and is never likely to be superseded. Even Mr. Henley is "glad to agree with Lockhart." It is this book that is the subject of Carlyle's famous essay on Burns.

I.--The Poet in the Making