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SECTION XX.. The Cries of Animals.

The Works of the Right Honourable Edmund Burke, Vol. 01 (of 12) · Edmund Burke — chapter 44 of 105 · ~172 words · public domain

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THE CRIES OF ANIMALS.

Such sounds as imitate the natural inarticulate voices of men, or any animals in pain or danger, are capable of conveying great ideas; unless it be the well-known voice of some creature, on which we are used to look with contempt. The angry tones of wild beasts are equally capable of causing a great and awful sensation.

Hinc exaudiri gemitus, iræque leonum Vincia recusantum, et sera sub nocte rudentum; Setigerique sues, atque in præsepibus ursi Sævire; et formæ magnorum ululare luporam.

It might seem that those modulations of sound carry some connection with the nature of the things they represent, and are not merely arbitrary; because the natural cries of all animals, even of those animals with whom we have not been acquainted, never fail to make themselves sufficiently understood; this cannot be said of language. The modifications of sound, which may be productive of the sublime, are almost infinite. Those I have mentioned are only a few instances to show on what principles they are all built.

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