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Part 82

The Works of Guy De Maupassant, Vol. 1 · Guy de Maupassant — chapter 82 of 84 · ~2,676 words · public domain

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The sky was growing pale over head, and suddenly a strange light, springing, nobody could tell whence, illuminated the immense ocean of pale mountain summits, which stretched for a thousand leagues around him. One might have said that this vague brightness arose from the snow itself, in order to spread itself into space. By degrees the highest, distant summits assumed a delicate, fleshlike rose color, and the red sun appeared behind the ponderous giants of the Bernese Alps.

Ulrich Kunzi set off again, walking like a hunter, bent and looking for any traces, and saying to his dog: "Seek, old fellow, seek!"

He was descending the mountain now, scanning the depths closely, and from time to time shouting, uttering a loud, prolonged cry, which soon died away in that silent vastness. Then, he put his ear to the ground, to listen; he thought he could distinguish a voice, and so he began to run, and shouted again, but he heard nothing more and sat down, worn out and in despair. Towards midday, he breakfasted and gave Sam, who was as tired as himself, something to eat also, and then he recommenced his search.

When evening came he was still walking, and he had walked more than thirty miles over the mountains. As he was too far away to return home, and too tired to drag himself along any further, he dug a hole in the snow and crouched in it with his dog, under a blanket which he had brought with him. And the man and the dog lay side by side, warming themselves one against the other, but frozen to the marrow, nevertheless. Ulrich scarcely slept, his mind haunted by visions and his limbs shaking with cold.

Day was breaking when he got up. His legs were as stiff as iron bars, and his spirits so low that he was ready to cry with grief, while his heart was beating so that he almost fell with excitement, when he thought he heard a noise.

Suddenly he imagined that he also was going to die of cold in the midst of this vast solitude, and the terror of such a death roused his energies and gave him renewed vigor. He was descending towards the inn, falling down and getting up again, and followed at a distance by Sam, who was limping on three legs, and they did not reach Schwarenbach until four o'clock in the afternoon. The house was empty, and the young man made a fire, had something to eat and went to sleep, so worn out that he did not think of anything more.

He slept for a long time, for a very long time, an unconquerable sleep. But suddenly a voice, a cry, a name: "Ulrich," aroused him from his profound torpor and made him sit up in bed. Had he been dreaming? Was it one of those strange appeals which cross the dreams of disquieted minds? No, he heard it still, that reverberating cry,--which had entered at his ears and remained in his flesh,--to the tips of his sinewy fingers. Certainly, somebody had cried out, and called: "Ulrich!" There was somebody there, near the house, there could be no doubt of that, and he opened the door and shouted: "Is it you, Gaspard?" with all the strength of his lungs. But there was no reply, no murmur, no groan, nothing. It was quite dark, and the snow looked wan.

The wind had risen, that icy wind that cracks the rocks, and leaves nothing alive on those deserted heights, and it came in sudden gusts, which were more parching and more deadly than the burning wind of the desert, and again Ulrich shouted: "Gaspard! Gaspard! Gaspard!" And then he waited again. Everything was silent on the mountain! Then he shook with terror and with a bound he was inside the inn, when he shut and bolted the door, and then he fell into a chair, trembling all over, for he felt certain that his comrade had called him, at the moment he was expiring.

He was sure of that, as sure as one is of being alive, or of eating a piece of bread. Old Gaspard Hari had been dying for two days and three nights somewhere, in some hole, in one of those deep, untrodden ravines whose whiteness is more sinister than subterranean darkness. He had been dying for two days and three nights and he had just then died, thinking of his comrade. His soul, almost before it was released, had taken its flight to the inn where Ulrich was sleeping, and it had called him by that terrible and mysterious power which the spirits of the dead have, to haunt the living. That voiceless soul had cried to the wornout soul of the sleeper; it had uttered its last farewell, or its reproach, or its curse on the man who had not searched carefully enough.

And Ulrich felt that it was there, quite close to him, behind the wall, behind the door which he had just fastened. It was wandering about, like a night bird, which lightly touches a lighted window with his wings, and the terrified young man was ready to scream with horror. He wanted to run away, but did not dare to go out; he did not dare, and he should never dare to do it in the future, for that phantom would remain there day and night, round the inn, as long as the old man's body was not recovered and had not been deposited in the consecrated earth of a churchyard.

When it was daylight, Kunzi recovered some of his courage at the return of the bright sun. He prepared his meal, gave his dog some food, and then remained motionless on a chair, tortured at heart as he thought of the old man lying on the snow, and then, as soon as night once more covered the mountains, new terrors assailed him. He now walked up and down the dark kitchen, which was scarcely lighted by the flame of one candle, and he walked from one end of it to the other with great strides, listening, listening whether the terrible cry of the other night would again break the dreary silence outside. He felt himself alone, unhappy man, as no man had ever been alone before! He was alone in this immense desert of snow, alone five thousand feet above the inhabited earth, above human habitations, above that stirring, noisy, palpitating life, alone under an icy sky! A mad longing impelled him to run away, no matter where, to get down to Loeche by flinging himself over the precipice; but he did not even dare to open the door, as he felt sure that the other, the dead man, would bar his road, so that he might not be obliged to remain up there alone.

Towards midnight, tired with walking, wornout by grief and fear, he at last fell into a doze in his chair, for he was as afraid of his bed, as one is of a haunted spot. But suddenly the strident cry of the other evening pierced his ears, and it was so shrill that Ulrich stretched out his arms to repulse the ghost, and he fell onto his back with his chair.

Sam, who was awakened by the noise, began to howl, like frightened dogs do howl, and he walked all about the house, trying to find out where the danger came from; but when he got to the door, he sniffed beneath it, smelling vigorously, with his coat bristling and his tail stiff, while he growled angrily. Kunzi, who was terrified, jumped up, and holding his chair by one leg, he cried: "Don't come in, don't come in, or I shall kill you." And the dog, excited by this threat, barked angrily at that invisible enemy who defied his master's voice. By degrees, however, he quieted down and came back and stretched himself in front of the fire, but he was uneasy, and kept his head up, and growled between his teeth.

Ulrich, in turn, recovered his senses, but as he felt faint with terror, he went and got a bottle of brandy out of the sideboard, and he drank off several glasses, one after another, at a gulp. His ideas became vague, his courage revived, and a feverish glow ran through his veins.

He ate scarcely anything the next day, and limited himself to alcohol, and so he lived for several days, like a drunken brute. As soon as he thought of Gaspard Hari, he began to drink again, and went on drinking until he fell onto the ground, overcome by intoxication. And there he remained on his face, dead drunk, his limbs benumbed, and snoring, with his face to the ground. But scarcely had he digested the maddening and burning liquor, than the same cry, "Ulrich," woke him like a bullet piercing his brain, and he got up, still staggering, stretching out his hands to save himself from falling, and calling to Sam to help him. And the dog, who appeared to be going mad, like his master, rushed to the door, scratched it with his claws, and gnawed it with his long white teeth, while the young man, with his neck thrown back, and his head in the air, drank the brandy in draughts, as if it had been cold water, so that it might by and by send his thoughts, his frantic terror and his memory, to sleep again.

In three weeks he had consumed all his stock of ardent spirits, but his continual drunkenness only lulled his terror, which awoke more furiously than ever, as soon as it was impossible for him to calm it. His fixed idea then, which had been intensified by a month of drunkenness, and which was continually increasing in his absolute solitude, penetrated him like a gimlet. He now walked about his house like a wild beast in its cage, putting his ear to the door to listen if the other were there, and defying him through the wall. Then, as soon as he dozed, overcome by fatigue, he heard the voice which made him leap to his feet.

At last one night, like cowards do when driven to extremities, he sprang to the door and opened it, to see who was calling him, and to force him to keep quiet, but such a gust of cold wind blew into his face that it chilled him to the bone, and he closed and bolted the door again immediately, without noticing that Sam had rushed out. Then, as he was shivering with cold, he threw some wood on the fire, and sat down in front of it to warm himself, but suddenly he started, for somebody was scratching at the wall, and crying. In desperation he called out: "Go away!" but was answered by another long, sorrowful wail.

Then, all his remaining senses forsook him, from sheer fright. He repeated: "Go away!" and turned round to try to find some corner in which to hide, while the other person went round the house, still crying and rubbing against the wall. Ulrich went to the oak sideboard, which was full of plates and dishes and of provisions, and lifting it up with superhuman strength, he dragged it to the door, so as to form a barricade. Then piling up all the rest of the furniture, the mattresses, palliasses and chairs, he stopped up the windows like one does when assailed by an enemy.

But the person outside now uttered long, plaintive, mournful groans, to which the young man replied by similar groans, and thus days and nights passed, without their ceasing to howl at each other. The one was continually walking round the house, and scraped the walls with his nails so vigorously that it seemed as if he wished to destroy them, while the other, inside, followed all his movements, stooping down, and holding his ear to the walls, and replying to all his appeals with terrible cries. One evening, however, Ulrich heard nothing more, and he sat down, so overcome by fatigue, that he went to sleep immediately, and awoke in the morning without a thought, without any recollection of what had happened, just as if his head had been emptied during his heavy sleep, but he felt hungry, and he ate.

The winter was over, and the Gemmi pass was practicable again, so the Hauser family started off to return to their inn. As soon as they had reached the top of the ascent, the women mounted their mule, and spoke about the two men who they would meet again shortly. They were, indeed, rather surprised that neither of them had come down a few days before, as soon as the road became usable, in order to tell them all about their long winter sojourn. At last, however, they saw the inn, still covered with snow, like a quilt. The door and the window were closed, but a little smoke was coming out of the chimney, which reassured old Hauser; on going up to the door, however, he saw the skeleton of an animal which had been torn to pieces by the eagles, a large skeleton lying on its side.

They all looked closely at it, and the mother said: "That must be Sam," and then she shouted: "Hi! Gaspard!" A cry from the interior of the house answered her, and a sharp cry, that one might have thought some animal had uttered it. Old Hauser repeated: "Hi! Gaspard!" and they heard another cry, similar to the first.

Then the three men, the father and the two sons, tried to open the door, but it resisted their efforts. From the empty cow-stall they took a beam to serve as a battering-ram, and hurled it against the door with all their might. The wood gave way, and the boards flew into splinters; then the house was shaken by a loud voice, and inside, behind the sideboard, which was overturned, they saw a man standing upright, with his hair falling onto his shoulders, and a beard descending to his breast, with shining eyes and nothing but rags to cover him. They did not recognize him, but Louise Hauser exclaimed: "It is Ulrich, mother." And her mother declared that it was Ulrich, although his hair was white.

He allowed them to go up to him, and to touch him, but he did not reply to any of their questions, and they were obliged to take him to Loeche, where the doctors found that he was mad, and nobody ever knew what had become of his companion.

Little Louise Hauser nearly died that summer of decline, which the medical men attributed to the cold air of the mountains.

UGLY

Certainly, at this blessed epoch of Equality of mediocrity, of rectangular abomination, as Edgar Poe says, at this delightful period, when everybody dreams of resembling everybody else, so that it has become impossible to tell the President of the Republic from a waiter; in these days, which are the forerunners of that promising, blissful day, when everything in this world will be of a dully, neuter uniformity, certainly at such an epoch, one has the right, or rather it is one's duty, to be ugly.

He, however, assuredly, exercised that right with the most cruel vigor, and he fulfilled that duty with the fiercest heroism, and to make matters worse, the mysterious irony of fate had caused him to be born with the name of Lebeau, while an ingenious godfather, the unconscious accomplice of the pranks of destiny, had given him the Christian name of Antinous.

Even among our contemporaries, who were already on the high road to the coming ideal of universal ugliness, Antinous Lebeau was remarkable for his ugliness, and one might have said that he positively threw zeal, too much zeal, into the matter, though he was not hideous like Mirabeau, who made the people exclaim: "Oh! the beautiful monster!"

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