Part 144

“Count! you have not included the mice,” said Madame Fosco.

He left the table, took her hand, and placed it on his heart.

“All human resolution, Eleanor,” he said solemnly, “has its limits. MY limits are inscribed on that Document. I cannot part with my white mice. Bear with me, my angel, and remove them to their travelling cage upstairs.”

“Admirable tenderness!” said Madame Fosco, admiring her husband, with a last viperish look in my direction. She took up the cage carefully, and left the room.

The Count looked at his watch. In spite of his resolute assumption of composure, he was getting anxious for the agent’s arrival. The candles had long since been extinguished, and the sunlight of the new morning poured into the room. It was not till five minutes past seven that the gate bell rang, and the agent made his appearance. He was a foreigner with a dark beard.

“Mr. Hartright—Monsieur Rubelle,” said the Count, introducing us. He took the agent (a foreign spy, in every line of his face, if ever there was one yet) into a corner of the room, whispered some directions to him, and then left us together. “Monsieur Rubelle,” as soon as we were alone, suggested with great politeness that I should favour him with his instructions. I wrote two lines to Pesca, authorising him to deliver my sealed letter “to the bearer,” directed the note, and handed it to Monsieur Rubelle.

The agent waited with me till his employer returned, equipped in travelling costume. The Count examined the address of my letter before he dismissed the agent. “I thought so!” he said, turning on me with a dark look, and altering again in his manner from that moment.

He completed his packing, and then sat consulting a travelling map, making entries in his pocket-book, and looking every now and then impatiently at his watch. Not another word, addressed to myself, passed his lips. The near approach of the hour for his departure, and the proof he had seen of the communication established between Pesca and myself, had plainly recalled his whole attention to the measures that were necessary for securing his escape.

A little before eight o’clock, Monsieur Rubelle came back with my unopened letter in his hand. The Count looked carefully at the superscription and the seal, lit a candle, and burnt the letter. “I perform my promise,” he said, “but this matter, Mr. Hartright, shall not end here.”

The agent had kept at the door the cab in which he had returned. He and the maid-servant now busied themselves in removing the luggage. Madame Fosco came downstairs, thickly veiled, with the travelling cage of the white mice in her hand. She neither spoke to me nor looked towards me. Her husband escorted her to the cab. “Follow me as far as the passage,” he whispered in my ear; “I may want to speak to you at the last moment.”

I went out to the door, the agent standing below me in the front garden. The Count came back alone, and drew me a few steps inside the passage.

“Remember the Third condition!” he whispered. “You shall hear from me, Mr. Hartright—I may claim from you the satisfaction of a gentleman sooner than you think for.” He caught my hand before I was aware of him, and wrung it hard—then turned to the door, stopped, and came back to me again.

“One word more,” he said confidentially. “When I last saw Miss Halcombe, she looked thin and ill. I am anxious about that admirable woman. Take care of her, sir! With my hand on my heart, I solemnly implore you, take care of Miss Halcombe!”

Those were the last words he said to me before he squeezed his huge body into the cab and drove off.

The agent and I waited at the door a few moments looking after him. While we were standing together, a second cab appeared from a turning a little way down the road. It followed the direction previously taken by the Count’s cab, and as it passed the house and the open garden gate, a person inside looked at us out of the window. The stranger at the Opera again!—the foreigner with a scar on his left cheek.

“You wait here with me, sir, for half an hour more!” said Monsieur Rubelle.

“I do.”

We returned to the sitting-room. I was in no humour to speak to the agent, or to allow him to speak to me. I took out the papers which the Count had placed in my hands, and read the terrible story of the conspiracy told by the man who had planned and perpetrated it.

THE STORY CONTINUED BY ISIDOR, OTTAVIO, BALDASSARE FOSCO

(Count of the Holy Roman Empire, Knight Grand Cross of the Order of the Brazen Crown, Perpetual Arch-Master of the Rosicrucian Masons of Mesopotamia; Attached (in Honorary Capacities) to Societies Musical, Societies Medical, Societies Philosophical, and Societies General Benevolent, throughout Europe; etc. etc. etc.)

THE COUNT’S NARRATIVE

In the summer of eighteen hundred and fifty I arrived in England, charged with a delicate political mission from abroad. Confidential persons were semi-officially connected with me, whose exertions I was authorised to direct, Monsieur and Madame Rubelle being among the number. Some weeks of spare time were at my disposal, before I entered on my functions by establishing myself in the suburbs of London. Curiosity may stop here to ask for some explanation of those functions on my part. I entirely sympathise with the request. I also regret that diplomatic reserve forbids me to comply with it.

I arranged to pass the preliminary period of repose, to which I have just referred, in the superb mansion of my late lamented friend, Sir Percival Glyde. HE arrived from the Continent with his wife. I arrived from the Continent with MINE. England is the land of domestic happiness—how appropriately we entered it under these domestic circumstances!

The bond of friendship which united Percival and myself was strengthened, on this occasion, by a touching similarity in the pecuniary position on his side and on mine. We both wanted money. Immense necessity! Universal want! Is there a civilised human being who does not feel for us? How insensible must that man be! Or how rich!

I enter into no sordid particulars, in discussing this part of the subject. My mind recoils from them. With a Roman austerity, I show my empty purse and Percival’s to the shrinking public gaze. Let us allow the deplorable fact to assert itself, once for all, in that manner, and pass on.

We were received at the mansion by the magnificent creature who is inscribed on my heart as “Marian,” who is known in the colder atmosphere of society as “Miss Halcombe.”

Just Heaven! with what inconceivable rapidity I learnt to adore that woman. At sixty, I worshipped her with the volcanic ardour of eighteen. All the gold of my rich nature was poured hopelessly at her feet. My wife—poor angel!—my wife, who adores me, got nothing but the shillings and the pennies. Such is the World, such Man, such Love. What are we (I ask) but puppets in a show-box? Oh, omnipotent Destiny, pull our strings gently! Dance us mercifully off our miserable little stage!

The preceding lines, rightly understood, express an entire system of philosophy. It is mine.