Naturally his glance and mine both flew to the opposite wall. A window was before us of an unusual size and make. Unlike any which had ever before come under my observation, it swung on a pivot, and, though shut at the present moment, might very easily, when opened, present its huge pane at an angle capable of catching reflections from some of the many mirrors decorating the reception-room situated diagonally across the hall. As all the doorways on this lower floor were of unusual width, an open path was offered, as it were, for these reflections to pass, making it possible for scenes to be imaged here which, to the persons involved, would seem as safe from any one’s scrutiny as if they were taking place in the adjoining house.
As we realized this, a look passed between us of more than ordinary significance. Pointing to the window, the inspector turned to a group of waiters watching us from the other side of the room and asked if it had been opened that evening.
The answer came quickly.
“Yes, sir,—just before the—the—”
“I understand,” broke in the inspector; and, leaning over me, he whispered: “Tell me again exactly what you thought you saw.”
But I could add little to my former description. “Perhaps you can tell me this,” he kindly persisted. “Was the picture, when you saw it, on a level with your eye, or did you have to lift your head in order to see it?”
“It was high up,—in the air, as it were. That seemed its oddest feature.”
The inspector’s mouth took a satisfied curve. “Possibly I might identify the door and passage, if I saw them,” I suggested.
“Certainly, certainly,” was his cheerful rejoinder; and, summoning one of his men, he was about to give some order, when his impulse changed, and he asked if I could draw.
I assured him, in some surprise, that I was far from being an adept in that direction, but that possibly I might manage a rough sketch; whereupon he pulled a pad and pencil from his pocket and requested me to make some sort of attempt to reproduce, on paper, my memory of this passage and the door.
My heart was beating violently, and the pencil shook in my hand, but I knew that it would not do for me to show any hesitation in fixing for all eyes what, unaccountably to myself, continued to be perfectly plain to my own. So I endeavored to do as he bade me, and succeeded, to some extent, for he uttered a slight ejaculation at one of its features, and, while duly expressing his thanks, honored me with a very sharp look.
“Is this your first visit to this house?” he asked.
“No; I have been here before.”
“In the evening, or in the afternoon?”
“In the afternoon.”
“I am told that the main entrance is not in use to-night.”
“No. A side door is provided for occasions like the present. Guests entering there find a special hall and staircase, by which they can reach the upstairs dressing-rooms, without crossing the main hall. Is that what you mean?”
“Yes, that is what I mean.”
I stared at him in wonder. What lay back of such questions as these?
“You came in, as others did, by this side entrance,” he now proceeded. “Did you notice, as you turned to go up stairs, an arch opening into a small passageway at your left?”
“I did not,” I began, flushing, for I thought I understood him now. “I was too eager to reach the dressing-room to look about me.”
“Very well,” he replied; “I may want to show you that arch.”
The outline of an arch, backing the figure we were endeavoring to identify, was a marked feature in the sketch I had shown him.
“Will you take a seat near by while I make a study of this matter?”
I turned with alacrity to obey. There was something in his air and manner which made me almost buoyant. Had my fanciful interpretation of what I had seen reached him with the conviction it had me? If so, there was hope,—hope for the man I loved, who had gone in and out between curtains, and not through any arch such as he had mentioned or I had described. Providence was working for me. I saw it in the way the men now moved about, swinging the window to and fro, under the instruction of the inspector, manipulating the lights, opening doors and drawing back curtains. Providence was working for me, and when, a few minutes later, I was asked to reseat myself in my old place at the supper-table and take another look in that slightly deflected glass, I knew that my effort had met with its reward, and that for the second time I was to receive the impression of a place now indelibly imprinted on my consciousness.
“Is not that it?” asked the inspector, pointing at the glass with a last look at the imperfect sketch I had made him, and which he still held in his hand.
“Yes,” I eagerly responded. “All but the man. He whose figure I see there is another person entirely; I see no remorse, or even fear, in his looks.”
“Of course not. You are looking at the reflection of one of my men. Miss Van Arsdale, do you recognize the place now under your eye?”
The Woman in the Alcove · The Wunder Library — complete classics, free to read, with narration.