The street now became the scene of fearful distraction. Furious tradesmen of every kind were ringing the house-bell, and rapping the knocker for admittance--such, at least, as could press through the crowd as far as the house. Bootmakers arrived with Hessians and Wellingtons--'as per order'--or the most delicate of dancing-shoes for the sober old lady; haberdashers had brought the last new thing in evening dress, 'quite the fashion,' and 'very chaste:' hat-makers from Lincoln and Bennett down to the Hebrew vendor in Marylebone Lane, arrived with their crown-pieces; butchers' boys, on stout little nags, could not get near enough to deliver the legs of mutton which had been ordered; the lumbering coal-carts 'still stopped the way.' A crowd--the easiest curiosity in the world to collect--soon gathered round the motley mob of butchers, bakers, candlestick-makers, and makers and sellers of everything else that mortal can want; the mob thronged the pavement, the carts filled the road, and soon the carriages of the noble of the land dashed up in all the panoply of state, and a demand was made to clear the way for the Duke of Gloucester, for the Governor of the Bank, the Chairman of the East India Company, and last, but, oh! not least, the grandee whose successor the originator of the plot afterwards so admirably satirized--the great Lord Mayor himself. The consternation, disgust, and terror of the elderly female, the delight and chuckling of Theodore and his accomplices, seated at a window on the opposite side of the road, 'can be more easily imagined than described;' but what were the feelings of tradesmen, professional men, gentlemen, noblemen, and grand officials, who had been summoned from distant spots by artful lures to No. 54, and there battled with a crowd in vain only to find that there were hoaxed; people who had thus lost both time and money, can be neither described nor imagined. It was not the idea of the hoax--simple enough in itself--which was entitled to the admiration accorded to ingenuity, but its extent and success, and the clever means taken by the conspirators to insure the attendance of every one who ought not to have been there. It was only late at night that the police succeeded in clearing the street, and the dupes retired, murmuring and vowing vengeance. Hook, however, gloried in the exploit, which he thought 'perfect.'
But the hoaxing dearest to Theodore--for there was something to be gained by it---was that by which he managed to obtain a dinner when either too hard-up to pay for one, or in the humour for a little amusement. No one who has not lived as a bachelor in London and been reduced---in respect of coin--to the sum of twopence-halfpenny, can tell how excellent a strop is hunger to sharpen wit upon. We all know that
'Mortals with stomachs can't live without dinner;'
and in Hook's day the substitute of 'heavy teas' was not invented. Necessity is very soon brought to bed, when a man puts his fingers into his pockets, finds them untenanted, and remembers that the only friend who would consent to lend him five shillings is gone out of town; and the infant, Invention, presently smiles into the nurse's face. But it was no uncommon thing in those days for gentlemen to invite themselves where they listed, and stay as long as they liked. It was only necessary for them to make themselves really agreeable, and deceive their host in some way or other. Hook's friend, little Tom Hill, of whom it was said that he knew everybody's affairs far better than they did themselves, was famous for examining kitchens about the hour of dinner, and quietly selecting his host according to the odour of the viands. It is of him that the old 'Joe Miller' is told of the 'haunch of venison.' Invited to dinner at one house, he happens to glance down into the kitchen of the next, and seeing a tempting haunch of venison on the spit, throws over the inviter, and ingratiates himself with his neighbour, who ends by asking him to stay to dinner. The fare, however, consisted of nothing more luxurious than an Irish stew, and the disappointed guest was informed that he had been 'too cunning by half,' inasmuch as the venison belonged to his original inviter, and had been cooked in the house he was in by kind permission, because the chimney of the owner's kitchen smoked.
The same principle often actuated Theodore; and, indeed, there are few stories which can be told of this characteristic of the great frolicker, which have not been told a century of times.
For instance: two young men are strolling, towards 5 P.M., in the then fashionable neighbourhood of Soho; the one is Terry, the actor--the other, Hook, the actor, for surely he deserves the title. They pass a house, and sniff the viands cooking underground. Hook quietly announces his intention of dining there. He enters, is admitted and announced by the servant, mingles with the company, and is quite at home before he is perceived by the host. At last the dénouement came; the dinner-giver approached the stranger, and with great politeness asked his name. 'Smith' was, of course, the reply, and reverting to mistakes made by servants in announcing, &c., 'Smith' hurried off into an amusing story, to put his host in good humour. The conversation that followed is taken from 'Ingoldsby':--
'But, really, my dear sir,' the host put in, 'I think the mistake on the present occasion does not originate in the source you allude to; I certainly did not anticipate the honour of Mr. Smith's company to-day.'
'No, I dare say not. You said four in your note, I know, and it is now, I see, a quarter past five; but the fact is, I have been detained in the City, as I was going to explain--'
'Pray,' said the host, 'whom do you suppose you are addressing?'
'Whom? why Mr. Thompson, of course, old friend of my father. I have not the pleasure, indeed, of being personally known to you, but having received your kind invitation yesterday,' &c. &c.
'No, sir, my name is not Thompson, but Jones,' in highly indignant accents.
'Jones!' was the well-acted answer: 'why, surely, I cannot have--yes I must--good heaven! I see it all. My dear sir, what an unfortunate blunder; wrong house--what must you think of such an intrusion? I am really at a loss for words in which to apologize; you will permit me to retire at present, and to-morrow--'
'Pray, don't think of retiring,' rejoined the host, taken with the appearance and manner of the young man. 'Your friend's table must have been cleared long ago, if, as you say, four was the hour named, and I am too happy to be able to offer you a seat at mine.'
It may be easily conceived that the invitation had not to be very often repeated, and Hook kept the risible muscles of the company upon the constant stretch, and paid for the entertainment in the only coin with which he was well supplied.
There was more wit, however, in his visit to a retired watchmaker, who had got from government a premium of £10,000 for the best chronometer. Hook was very partial to journeys in search of adventure; a gig, a lively companion, and sixpence for the first turnpike being generally all that was requisite; ingenuity supplied the rest. It was on one of these excursions, that Hook and his friend found themselves in the neighbourhood of Uxbridge, with a horse and a gig, and not a sixpence to be found in any pocket. Now a horse and gig are property, but of what use is a valuable of which you cannot dispose or deposit at a pawnbroker's, while you are prevented proceeding on your way by that neat white gate with the neat white box of a house at its side? The only alternative left to the young men was to drive home again, dinnerless, a distance of twenty miles, with a jaded horse, or to find gratuitous accommodation for man and beast. In such a case Sheridan would simply have driven to the first inn, and by persuasion or stratagem contrived to elude payment, after having drunk the best wine and eaten the best dinner the house could afford. Hook was really more refined, as well as bolder in his pillaging.
The villa of the retired tradesman was perceived, and the gig soon drew up before the door. The strangers were ushered in to the watchmaker, and Hook, with great politeness and a serious respectful look, addressed him. He said that he felt he was taking a great liberty--so he was--but that he could not pass the door of a man who had done the country so much service by the invention of what must prove the most useful and valuable instrument, without expressing to him the gratitude which he, as a British subject devoted to his country's good, could not but feel towards the inventor, &c. &c. The flattery was so delicately and so seriously insinuated, that the worthy citizen could only receive it as an honest expression of sincere admiration. The Rubicon was passed; a little lively conversation, artfully made attractive by Hook, followed, and the watchmaker was more and more gratified. He felt, too, what an honour it would be to entertain two real gentlemen, and remarking that they were far from town, brought out at last the longed-for invitation, which was, of course, declined as out of the question. Thereupon the old gentleman became pressing: the young strangers were at last prevailed upon to accept it, and very full justice they did to the larder and cellar of the successful chronometer-maker.
There is nothing very original in the act of hoaxing, and Hook's way of getting a hackney-coach without paying for it, was, perhaps, suggested by Sheridan's, but was more laughable. Finding himself in the vehicle, and knowing that there was nothing either in his purse or at home to pay the fare, he cast about for expedients, and at last remembered the address of an eminent surgeon in the neighbourhood. He ordered the coachman to drive to his house and knock violently at the door, which was no sooner opened than Hook rushed in, terribly agitated, demanded to see the doctor, to whom in a few incoherent and agitated sentences, he gave to understand that his wife needed his services, immediately, being on the point of becoming a mother.
'I will start directly,' replied the surgeon; 'I will order my carriage at once.'
'But, my dear sir, there is not a moment to spare. I have a coach at the door, jump into that.'
The surgeon obeyed. The name and address given were those of a middle-aged spinster of the most rigid virtue. We can imagine her indignation, and how sharply she rung the bell, when the surgeon had delicately explained the object of his visit, and how eagerly he took refuge in the coach. Hook had, of course, walked quietly away in the meantime, and the Galenite had to pay the demand of Jehu.
The hoaxing stories of Theodore Hook are numberless. Hoaxing was the fashion of the day, and a childish fashion too. Charles Mathews, whose face possessed the flexibility of an acrobat's body, and who could assume any character or disguise on the shortest notice, was his great confederate in these plots. The banks of the Thames were their great resort. At one point there was Mathews talking gibberish in a disguise intended to represent the Spanish Ambassador, and actually deceiving the Woolwich authorities by his clever impersonation. At another, there was Hook landing uninvited with his friends upon the well-known, sleek-looking lawn of a testy little gentleman, drawing out a note-book and talking so authoritatively about the survey for a canal, to be undertaken by Government, that the owner of the lawn becomes frightened, and in his anxiety attempts to conciliate the mighty self-made official by the offer of dinner--of course accepted.
Then the Arcades ambo show off their jesting tricks at Croydon fair, a most suitable place for them. On one occasion Hook personates a madman, accusing Mathews, 'his brother,' of keeping him out of his rights and in his custody. The whole fair collects around them, and begins to sympathise with Hook, who begs them to aid in his escape from his 'brother.' A sham escape and sham capture take place, and the party adjourn to the inn, where Mathews, who had been taken by surprise by the new part suddenly played by his confederate, seized upon a hearse, which drew up before the inn, on its return from a funeral, persuaded the company to bind the 'madman,' who was now becoming furious, and who would have deposited him in the gloomy vehicle, if he had not succeeded in snapping his fetters, and so escaped. In short, they were two boys, with the sole difference, that they had sufficient talent and experience of the world to maintain admirably the parts they assumed.
But a far more famous and more admirable talent in Theodore than that of deception was that of improvising. The art of improvising belongs to Italy and the Tyrol. The wonderful gift of ready verse to express satire, and ridicule, seems, as a rule, to be confined to the inhabitants of those two lands. Others are, indeed, scattered over the world, who possess this gift, but very sparsely. Theodore Hook stands almost alone in this country as an improviser. Yet to judge of such of his verses as have been preserved, taken down from memory or what not, the grand effect of them--and no doubt it was grand--must have been owing more to his manner and his acting, than to any intrinsic value in the verses themselves, which are, for the most part, slight, and devoid of actual wit, though abounding in puns. Sheridan's testimony to the wonderful powers of the man is, perhaps, more valuable than that of any one else, for he was a good judge both of verse and of wit. One of Hook's earliest displays of his talent was at a dinner given by the Drury Lane actors to Sheridan at the Piazza Coffee House in 1808. Here, as usual, Hook sat down to the piano, and touching off a few chords, gave verse after verse on all the events of the entertainment, on each person present, though he now saw many of them for the first time, and on anything connected with the matters of interest before them. Sheridan was delighted, and declared that he could not have believed such a faculty possible if he had not witnessed its effects: that no description 'could have convinced him of so peculiar an instance of genius,' and so forth.
One of his most extraordinary efforts in this line is related by Mr. Jerdan. A dinner was given by Mansell Reynolds to Lockhart, Luttrell, Coleridge, Hook, Tom Hill, and others. The grown-up schoolboys, pretty far gone in Falernian, of a home-made, and very homely vintage, amused themselves by breaking the wine-glasses, till Coleridge was set to demolish the last of them with a fork thrown at it from the side of the table. Let it not be supposed that any teetotal spirit suggested this inconoclasm, far from it--the glasses were too small, and the poets, the wits, the punsters, the jesters, preferred to drink their port out of tumblers. After dinner Hook gave one of his songs which satirized successively, and successfully, each person present. He was then challenged to improvise on any given subject, and by way of one as far distant from poetry as could be, cocoa-nut oil was fixed upon. Theodore accepted the challenge; and after a moment's consideration began his lay with a description of the Mauritius, which he knew so well, the negroes dancing round the cocoa-nut tree, the process of extracting the oil, and so forth, all in excellent rhyme and rhythm, if not actual poetry. Then came the voyage to England, hits at the Italian warehousemen, and so on, till the oil is brought into the very lamp before them in that very room, to show them with the light it feeds and make them able to break wine-glasses and get drunk from tumblers. This we may be sure Hook himself did, for one, and the rest were probably not much behind him.
In late life this gift of Hook's--improvising I mean, not getting intoxicated--was his highest recommendation in society, and at the same time his bane. Like Sheridan, he was ruined by his wonderful natural powers. It can well be imagined that to improvise in the manner in which Hook did it, and at a moment's notice, required some effort of the intellect. This effort became greater as circumstances depressed his spirits more and more and yet with every care upon his mind, he was expected, wherever he went, to amuse the guests with a display of his talent. He could not do so without stimulants, and rather than give up society, fell into habits of drinking, which hastened his death.
We have thrown together the foregoing anecdotes of Hook, irrespective of time, in order to show what the man's gifts were, and what his title to be considered a wit. We must proceed more steadily to a review of his life. Successful as Hook had proved as a writer for the stage, he suddenly and without any sufficient cause rushed off into another branch of literature, that of novel-writing. His first attempt in this kind of fiction was 'The Man of Sorrow,' published under the nom de plume of Alfred Allendale. This was not, as its name would seem to imply, a novel of pathetic cast, but the history of a gentleman whose life from beginning to end is rendered wretched by a succession of mishaps of the most ludicrous but improbable kind. Indeed Theodore's novels, like his stage-pieces, are gone out of date in an age so practical that even in romance it will not allow of the slightest departure from reality. Their very style was ephemeral, and their interest could not outlast the generation to amuse which they were penned. This first novel was written when Hook was one-and-twenty. Soon after he was sent to Oxford, where he had been entered at St. Mary's Hall, more affectionately known by the nickname of 'Skimmery.' No selection could have been worse. Skimmery was, at that day, and, until quite recently, a den of thieves, where young men of fortune and folly submitted to be pillaged in return for being allowed perfect licence, as much to eat as they could possibly swallow, and far more to drink than was at all good for them. It has required all the enterprise of the present excellent Principal to convert it into a place of sober study. It was then the most 'gentlemanly' residence in Oxford; for a gentleman in those days meant a man who did nothing, spent his own or his father's guineas with a brilliant indifference to consequences, and who applied his mind solely to the art of frolic. It was the very place where Hook would be encouraged instead of restrained in his natural propensities, and had he remained there he would probably have ruined himself and his father long before he had put on the sleeves.
At the matriculation itself he gave a specimen of his 'fun.'
When asked, according to the usual form, 'if he was willing to sign the Thirty-nine Articles,' he replied, 'Certainly, sir, forty if you please.' The gravity of the stern Vice-Chancellor was upset, but as no Oxford Don can ever pardon a joke, however good, Master Theodore was very nearly being dismissed, had not his brother, by this time a Prebendary of Winchester, and 'an honour to his college, sir,' interceded in his favour.
The Wits and Beaux of Society. Volume 2 · The Wunder Library — complete classics, free to read, with narration.