Part 42

She rose abruptly to her feet. She had no longer any need of a flashlight. There was even light of a sort in the place--she could see the stars through the jagged holes in the roof, and through one of these, too, the moonlight streamed in. The shed was all but crumbling in a heap. Underfoot, what had once been flooring, was now but rotting, broken boards. Under one of these, beside the clothing of Gypsy Nan which she had discarded but a little while before, she deposited the package; then stepped out into the lane, and from there to the street again.

And now she became suddenly conscious of a great and almost overpowering physical weariness. She did not quite understand at first, unless it was to be attributed to the reaction from the last few hours--and then, smiling wanly to herself, she remembered. For two nights she had not slept. It seemed very strange. That was it, of course, though she was not in the least sleepy now--just tired, just near the breaking point.

But she must go on. To-night was the end, anyhow. To-night, failing to keep her appointment as “Bertha,” the crash must come; but before it came, as the White Moll, armed with the knowledge of the crime that had driven Danglar's wife into hiding, and which was Danglar's crime too, and with the evidence in the shape of those jewels in her possession, she and Danglar would meet somewhere--alone. Before the law got him, when he would be close-mouthed and struggling with all his cunning to keep the evidence of other crimes from piling up against him and damning whatever meager chances he might have to escape the penalty for Deemer's murder, she meant--yes, even if she pretended to compound a felony with him--to force or to inveigle from him, it mattered little which, a confession of the authorship and details of the scheme to rob Skarbolov that night when she, Rhoda Gray, in answer to a dying woman's pleading, had tried to forestall the plan, and had been caught, apparently, in the very act of committing the robbery herself! With that confession in her possession, with the identity of the unknown woman who had died in the hospital that night established, her own story would be believed.

And so, if she were weary, what did it matter? It was only until morning. Danglar was at the Silver Sphinx now with the man he meant that she should help him murder, only--only that plan would fail, because there would be no “Bertha” to lure the man to his death, and she, Rhoda Gray, had only to keep track of Danglar until somewhere, where he lived perhaps, she should have that final scene, that final reckoning with him alone.

It was a long way to the Silver Sphinx, which she knew, as every one in the underworld, and every one in New York who was addicted to slumming knew, was a combination dance-hall and restaurant in the Chatham Square district. She tried to find a taxi, but with out avail. A clock in a jeweler's window which she passed showed her that it was ten minutes after eleven. She had had no idea that it was so late. At eleven, Danglar had said. Danglar would be growing restive! She took the elevated. If she could risk the protection of her veil in the Silver Sphinx, she could risk it equally in an elevated train!

But, in spite of the elevated, it was, she knew, well on towards half past eleven when she finally came down the street in front of the Silver Sphinx. From under her veil, she glanced, half curiously, half in a sort of grim irony, at the taxis lined up before the dancehall. The two leading cars were not taxis at all, though they bore the ear-marks, with their registers, of being public vehicles for hire; they were large, roomy, powerful, and looked, with their hoods up, like privately owned motors. Well, it was of little account! She shrugged her shoulders, as--she mounted the steps of the dance-hall. Neither “Bertha” nor Cloran would use those cars to-night!

XVII. THE SILVER SPHINX

A Bedlam of noise smote Rhoda Gray's ears as she entered the Silver Sphinx. A jazz band was in full swing; on the polished section of the floor in the center, a packed mass of humanity swirled and gyrated and wriggled in the contortions of the “latest” dance, and laughed and howled immoderately; and around the sides of the room, the waiters rushed this way and that amongst the crowded tables, mopping at their faces with their aprons. It seemed as though confusion itself held sway!

Rhoda Gray scanned the occupants of the tables. The Silver Sphinx was particularly riotous to-night, wasn't it? Yes, she understood! A great many of the men were wearing little badges. Some society or other was celebrating--and was doing it with abandon. Most of the men were half drunk. It was certainly a free-and-easy night! Everything went!

Danglar! Yes, 'there he was--quite close to her, only a few tables away--and beside him sat a heavy built, clean-shaven man of middle age. That would be Cloran, of course--the man who was to have been lured to his death. And Danglar was nervous and uneasy, she could see. His fingers were drumming a tattoo on the table; his eyes were roving furtively about the room; and he did not seem to be paying any but the most distrait attention to his companion, who was talking to him.

Rhoda Gray sank quickly into a vacant chair. Three men, linked arm in arm, and decidedly more than a little drunk, were approaching her. She turned her head away to avoid attracting their attention. It was too free and easy here to-night, and she began to regret her temerity at having ventured inside; she would better, perhaps, have waited until Danglar came out--only there were two exits, and she might have missed him--and...

A cold fear upon her, she shrank back in her chair. The three men had halted at the table, and were clustered around her. They began a jocular quarrel amongst themselves as to who should dance with her. Her heart was pounding. She stood up, and pushed them away.

“Oh, no, you don't!” hiccoughed one of the three. “Gotta see your--hic!--pretty face, anyhow!”

She put up her hands frantically and clutched at her veil--but just an instant too late to save it from being wrenched aside. Wildly her eyes flew to Danglar. His attention had been attracted by the scene. She saw him rise from his seat; she saw his eyes widen--and then, stumbling over his chair in his haste, he made toward her. Danglar had recognized the White Moll!

She turned and ran. Fear, horror, desperation, lent her strength. It was not like this that she had counted on her reckoning with Danglar! She brushed the roisterers aside, and darted for the door. Over her shoulder she glimpsed Danglar following her. She reached the door, burst through a knot of people there, and, her torn veil clutched in her hand, dashed down the steps. She could only run--run, and pray that in some way she might escape.

And then a mad exultation came upon her. She saw the man in the chauffeur's seat of the first car in the line lean out and swing the door open. And in a flash she grasped the situation. The man was waiting for just this--for a woman to come running for her life down the steps of the Silver Sphinx. She put her hand up to her face, hiding it with the torn veil, raced for the car, and flung herself into the tonneau.

The door slammed. The car leaped from the curb. Danglar was coming down the steps. She heard him shout. The chauffeur, in a startled way, leaned out, as he evidently recognized Danglar's voice--but Rhoda Gray was mistress of herself now. The tonneau of the car was not separated from the driver's seat, and bending forward, she wrenched her revolver from her pocket, and pressed the muzzle of her weapon to the back of the man's neck.

“Don't stop!” she gasped, struggling for her breath. “Go on! Quick!”

The man, with a frightened oath, obeyed. The car gained speed. A glance through the window behind showed Danglar climbing into the other car.

And then for a moment Rhoda Gray sat there fighting for her self-control, with the certain knowledge in her soul that upon her wits, and her wits alone, her life depended now. She studied the car's mechanism over the chauffeur's shoulder, even as she continued to hold her revolver pressed steadily against the back of the man's neck. She could drive a car--she could drive this one. The presence of this chauffeur, one of the gang, was an added menace; there were too many tricks he might play before she could forestall them, any one of which would deliver her into the hands of Danglar behind there--an apparently inadvertent stoppage due to traffic, for instance, that would bring the pursuing car alongside--that, or a dozen other things which would achieve the same end.

“Open the door on your side!” she commanded abruptly. “And get out--without slowing the car! Do you understand?”

He turned his head for a half incredulous, half frightened look at her. She met his eyes steadily--the torn veil, quite discarded now, was in her pocket. She did not know the man; but it was quite evident from the almost ludicrous dismay which spread over his face that he knew her.

“The--the White Moll!” he stammered. “It's the White Moll!”

“Jump!” she ordered imperatively--and her revolver pressed still more significantly against the man's flesh.

He seemed in even frantic haste to obey her. He whipped the door open, and, before she could reach to the wheel, he had leaped to the street. The car swerved sharply. She flung herself over into the vacated seat, and snatched at the wheel barely in time to prevent the machine from mounting the curb.

She looked around again through the window of the hood. The man had swung aboard Danglar's car, which was only a few yards behind.

Rhoda Gray drove steadily. Here in the city streets her one aim must be never to let the other car come abreast of her; but she could prevent that easily enough by watching Danglar's movements, and cutting across in front of him if he attempted anything of the sort. But ultimately what was she to do? How was she to escape? Her hands gripped and clenched in a sudden, almost panic-like desperation at the wheel. Turn suddenly around a corner, and jump from the car herself? It was useless to attempt it; they would keep too close behind to give her a chance to get out of sight. Well, then, suppose she jumped from the car, and trusted herself to the protection of the people on the street. She shook her head grimly. Danglar, she knew only too well, would risk anything, go to any length, to put an end to the White Moll. He would not hesitate an instant to shoot her down as she jumped and he would be fairly safe himself in doing it. A few revolver shots from a car that speeded away in the darkness offered an even chance of escape. And yet, unless she forced an issue such as that, she knew that Danglar would not resort to firing at her here in the city. He would want to be sure that was the only chance he had of getting her, before he accepted the risk that he would run of being caught for it by the police.

She found herself becoming strangely, almost unnaturally, cool and collected now. The one danger, greater than all others, that menaced her was a traffic block that would cause her to stop, and allow those in the other car behind to rush in upon her as she sat here at the wheel. And sooner or later, if she stayed in the city, a block such as that was inevitable. She must get out of the city, then. It was only to invite another risk, the risk that Danglar was in the faster car of the two but there was no other way.