“No! Wait!” he said gravely. “If nothing will change your mind--and I shall not be importunate, for, as we have met three times now through the same peculiar chain of circumstances, I know we shall meet again--I have something to tell you, before you go. As you already know, I went to Gypsy Nan's the night after I first saw you, because I felt you needed help. I went there in the hope that she would know where to find you, and, failing in that, I left a message for you in the hope that, since she had tricked Rorke in your behalf, you would find means of communicating with her again. But all that is entirely changed now. Your participation in that Hayden-Bond affair the other night makes Gypsy Nan's place the last in all New York to which you should go.”
Rhoda Gray stared through the semi-darkness, suddenly startled, searching the Adventurer's face.
“What do you mean?” she demanded quickly.
“Just this,” he answered. “That where before I hoped you would go there, I have spent nearly all the time since then in haunting the vicinity of Gypsy Nan's house to warn you away in case you should try to reach her.”
“I--I don't understand,” she said a little uncertainly.
“It is simple enough,” he said. “Gypsy Nan is now one of those you have most to fear. Gypsy Nan is merely a disguise. She is no more Gypsy Nan than you are.”
Rhoda Gray caught her breath.
“Not Gypsy Nan!” she repeated--and fought to keep her voice in control. “Who is she, then?”
The Adventurer laughed shortly.
“She is quite closely connected with that gentleman we left airing himself on the fire escape,” he said grimly. “Gypsy Nan is Danglar's wife.”
It was very strange, very curious--the alleyway seemed suddenly to be revolving around and around, and it seemed to bring her a giddiness and a faintness. The Adventurer was standing there before her, but she did not see him any more; she could only see, as from a brink upon which she tottered, a gulf, abysmal in its horror, that yawned before her.
“Thank you--thank you for the warning.” Was that her voice speaking so calmly and dispassionately? “I will remember it. But I must go now. Good-night again!”
He said something. She did not know what. She only knew that she was hurrying along the alleyway now, and that he had made no effort to stop her, and that she was grateful to him for that, and that her composure, strained to the breaking point, would have given away if she had remained with him another instant. Danglar's wife! It was dark here in the alley-way, and she did not know where it led to. But did it matter? And she stumbled as she went along. But it was not the physical inability to see that made her stumble--it was a brain-blindness that fogged her soul itself. His wife! Gypsy Nan was Danglar's wife.
XI. SOME OF THE LESSER BREED
Danglar's wife! It had been a night of horror; a night without sleep; a night, after the guttering candle had gone out, when the blackness of the garret possessed added terrors created by an imagination which ran riot, and which she could not control. She could have fled from it, screaming in panic-stricken hysteria--but there had been no other place as safe as that was. Safe! The word seemed to reach the uttermost depths of irony. Safe! Well, it was true, wasn't it?
She had not wanted to return there; her soul itself had revolted against it; but she had dared to do nothing else. And all through that night, huddled on the edge of the cot bed, her fingers clinging tenaciously to her revolver as though afraid for even an instant to relinquish it from her grasp, listening, listening, always listening for a footstep that might come up from that dark hall below, the footstep that would climax all the terrors that had surged upon her, her mind had kept on reiterating, always reiterating those words of the Adventurer--“Gypsy Nan is Danglar's wife.”
And they were still with her, those words. Daylight had come again, and passed again, and it was evening once more; but those words remained, insensible to change, immutable in their foreboding. And Rhoda Gray, as Gypsy Nan, shuddered now as she scuffled along a shabby street deep in the heart of the East Side. She was Danglar's wife--by proxy. At dawn that morning when the gray had come creeping into the miserable attic through the small and dirty window panes, she had fallen on her knees and thanked God she had been spared that footstep. It was strange! She had poured out her soul in passionate thankfulness then that Danglar had not come--and now she was deliberately on her way to seek Danglar himself! But the daylight had done more than disperse the actual, physical darkness of the past night; it had brought, if not a measure of relief, at least a sense of guidance, and the final decision, perilous though it was, which she meant now to put into execution.
There was no other way--unless she were willing to admit defeat, to give up everything, her own good name, her father's name, to run from it all and live henceforth in hiding in some obscure place far away, branded in the life she would have left behind her as a despicable criminal and thief. And she could not, would not, do this while her intuition, at least, inspired her with the faith to believe that there was still a chance of clearing herself. It was the throw of the dice, perhaps--but there was no other way. Danglar, and those with him, were at the bottom of the crime of which she was held guilty. She could not go on as she had been doing, merely in the hope of stumbling upon some clew that would serve to exonerate her. There was not time enough for that. Danglar's trap set for herself and the Adventurer last night in old Nicky Viner's room proved that. And the fact that the woman who had originally masqueraded as Gypsy Nan--as she, Rhoda Gray, was masquerading now--was Danglar's wife, proved it a thousandfold more. She could no longer remain passive, arguing with herself that it took all her wits and all her efforts to maintain herself in the role of Gypsy Nan, which temporarily was all that stood between her and prison bars. To do so meant the certainty of disaster sooner or later, and if it meant that, the need for immediate action of an offensive sort was imperative.
And so her mind was made up. Her only chance was to find her way into the full intimacy of the criminal band of which Danglar was apparently the head; to search out its lair and its personnel; to reach to the heart of it; to know Danglar's private movements, and to discover where he lived so that she might watch him. It surely was not such a hopeless task! True, she knew by name and sight scarcely more than three of this crime clique, but at least she had a starting point from which to work. There was Shluker's junk shop where she had turned the tables on Danglar and Skeeny on the night they had planned to make the Sparrow their pawn. It was obvious, therefore, that Shluker himself, the proprietor of the junk shop, was one of the organization. She was going to Shluker's now.
Rhoda Gray halted suddenly, and stared wonderingly a little way up the block ahead of her. As though by magic a crowd was collecting around the doorway of a poverty-stricken, tumble-down frame house that made the corner of an alleyway. And where but an instant before the street's jostling humanity had been immersed in its wrangling with the push-cart men who lined the curb, the carts were now deserted by every one save their owners, whose caution exceeded their curiosity--and the crowd grew momentarily larger in front of the house.
She drew Gypsy Nan's black, greasy shawl a little more closely around her shoulders, and moved forward again. And now, on the outskirts of the crowd, she could see quite plainly. There were two or three low steps that led up to the doorway, and a man and woman were standing there. The woman was wretchedly dressed, but with most strange incongruity she held in her hand, obviously subconsciously, obviously quite oblivious of it, a huge basket full to overflowing with, as nearly as Rhoda Gray could judge, all sorts of purchases, as though out of the midst of abject poverty a golden shower had suddenly descended upon her. And she was gray, and well beyond middle age, and crying bitterly; and her free hand, whether to support herself or with the instinctive idea of supporting her companion, was clutched tightly around the man's shoulders. And the man rocked unsteadily upon his feet. He was tall and angular, and older than the woman, and cadaverous of feature, and miserably thin of shoulder, and blood trickled over his forehead and down one ashen, hollow cheek--and above the excited exclamations of the crowd Rhoda Gray heard him cough.
Rhoda Gray glanced around her. Where scarcely a second before she had been on the outer fringe of the crowd, she now appeared to be in the very center of it. Women were pushing up behind her, women who wore shawls as she did, only the shawls were mostly of gaudy colors; and men pushed up behind her, mostly men of swarthy countenance, who wore circlets of gold in their ears; and, brushing her skirts, seeking vantage points, ragged, ill-clad children wriggled and wormed their way deeper into the press. It was a crowd composed almost entirely of the foreign element which inhabited that quarter--and the crowd chattered and gesticulated with ever-increasing violence. She did not understand. And she could not see so well now. That pitiful tableau in the doorway was being shut out from her by a man, directly in front of her, who had hoisted a half-naked tot of three or four to a reserved seat upon his head.
And then a young man, one whom, from her years in the Bad Lands as the White Moll, she recognized as a hanger-on at a gambling hell in the Chatham Square district, came toward her, plowing his way, contemptuous of obstructions, out of the crowd.
Rhoda Gray, as Gypsy Nan, hailed him out of the corner of her mouth.
“Say, wot's de row?” she demanded.
The young man grinned.
“Somebody pinched a million from de old guy!” He shifted his cigarette with a deft movement of his tongue from one side of his mouth to the other, and grinned again. “Can youse beat it! Accordin' to him, he had enough coin to annex de whole of Noo Yoik! De moll's his wife. He went out to hell-an'-gone somewhere for a few years huntin' gold while de old girl starved. Den back he comes an' blows in to-day wid his pockets full, an' de old girl grabs a handful, an' goes out to buy up all de grub in sight 'cause she ain't had none for so long. An' w'en she comes back she finds de old geezer gagged an' tied in a chair, an' some guy's hit him a crack on de bean an' flown de coop wid de mazuma. But youse had better get out of here before youse gets run over! Dis ain't no place for an old skirt like youse. De bulls'll be down here on de hop in a minute, an' w'en dis mob starts sprinklin' de street wid deir fleetin' footsteps, youse are likely to get hurt. See?” The young man started to force his way through the crowd again. “Youse had better cut loose, mother!” he warned over his shoulder.
It was good advice. Rhoda Gray took it. She had scarcely reached the next block when the crowd behind her was being scattered pell-mell and without ceremony in all directions by the police, as the young man had predicted. She went on. There was nothing that she could do. The man's face and the woman's face haunted her. They had seemed stamped with such abject misery and despair. But there was nothing that she could do. It was one of those sore and grievous cross-sections out of the lives of the swarming thousands down here in this quarter which she knew so intimately and so well. And there were so many, many of those cross-sections! Once, in a small, pitifully meager and restricted way, she had been able to help some of these hurt lives, but now--Her lips tightened a little. She was going to Shluker's junk shop.
The White Moll · The Wunder Library — complete classics, free to read, with narration.