“The air is so keen, it overcomes me,” said Madame Graslin, as she fell unconscious into the arms of the two priests, who carried her into one of the lower rooms of the chateau.
When she recovered consciousness she saw the priests on their knees praying for her.
“May the angel you visited you never leave you!” said the bishop, blessing her. “Farewell, my daughter.”
Overcome by those words Madame Graslin burst into tears.
“Tears will save her!” cried her mother.
“In this world and in the next,” said the bishop, turning round as he left the room.
The room to which they had carried Madame Graslin was on the first floor above the ground-floor of the corner tower, from which the church and cemetery and southern side of Montegnac could be seen. She determined to remain there, and did so, more or less uncomfortably, with Aline her maid and little Francis. Madame Sauviat, naturally, took another room near hers.
It was several days before Madame Graslin recovered from the violent emotion which overcame her on that first evening, and her mother induced her to stay in bed at least during the mornings. At night, Veronique would come out and sit on a bench of the terrace from which her eyes could rest on the church and cemetery. In spite of Madame Sauviat’s mute but persistent opposition, Madame Graslin formed an almost monomaniacal habit of sitting in the same place, where she seemed to give way to the blackest melancholy.
“Madame will die,” said Aline to the old mother.
Appealed to by Madame Sauviat, the rector, who had wished not to seem intrusive, came henceforth very frequently to visit Madame Graslin; he needed only to be warned that her soul was sick. This true pastor took care to pay his visits at the hour when Veronique came out to sit at the corner of the terrace with her child, both in deep mourning.
XI. THE RECTOR AT WORK
It was now the beginning of October, and Nature was growing dull and sad. Monsieur Bonnet, perceiving in Veronique from the moment of her arrival at Montegnac the existence of an inward wound, thought it wisest to wait for the voluntary and complete confidence of a woman who would sooner or later become his penitent.
One evening Madame Graslin looked at the rector with eyes almost glazed with that fatal indecision often observable in persons who are cherishing the thought of death. From that moment Monsieur Bonnet hesitated no longer; he set before him the duty of arresting the progress of this cruel moral malady.
At first there was a brief struggle of empty words between the priest and Veronique, in which they both sought to veil their real thoughts. In spite of the cold, Veronique was sitting on the granite bench holding Francis on her knee. Madame Sauviat was standing at the corner of the terrace, purposely so placed as to hide the cemetery. Aline was waiting to take the child away.
“I had supposed, madame,” said the rector, who was now paying his seventh visit, “that you were only melancholy; but I see,” sinking his voice to a whisper, “that your soul is in despair. That feeling is neither Christian nor Catholic.”
“But,” she replied, looking to heaven with piercing eyes and letting a bitter smile flicker on her lips, “what other feeling does the Church leave to a lost soul unless it be despair?”
As he heard these words the rector realized the vast extent of the ravages in her soul.
“Ah!” he said, “you are making this terrace your hell, when it ought to be your Calvary from which to rise to heaven.”
“I have no pride left to place me on such a pedestal,” she answered, in a tone which revealed the self-contempt that lay within her.
Here the priest, by one of those inspirations which are both natural and frequent in noble souls, the man of God lifted the child in his arms and kissed its forehead, saying, in a fatherly voice, “Poor little one!” Then he gave it himself to the nurse, who carried it away.
Madame Sauviat looked at her daughter, and saw the efficacy of the rector’s words; for Veronique’s eyes, long dry, were moist with tears. The old woman made a sign to the priest and disappeared.
“Let us walk,” said the rector to Veronique leading her along the terrace to the other end, from which Les Tascherons could be seen. “You belong to me; I must render account to God for your sick soul.”
“Give me time to recover from my depression,” she said to him.
“Your depression comes from injurious meditation,” he replied, quickly.
“Yes,” she said, with the simplicity of a grief which has reached the point of making no attempt at concealment.
“I see plainly that you have fallen into the gulf of apathy,” he cried. “If there is a degree of physical suffering at which all sense of modesty expires, there is also a degree of moral suffering in which all vigor of soul is lost; I know that.”
She was surprised to hear that subtle observation and to find such tender pity from this village rector; but, as we have seen already, the exquisite delicacy which no passion had ever touched gave him the true maternal spirit for his flock. This mens devinior, this apostolic tenderness, places the priest above all other men and makes him, in a sense, divine. Madame Graslin had not as yet had enough experience of Monsieur Bonnet to know this beauty hidden in his soul like a spring, from which flowed grace and purity and true life.
“Ah! monsieur,” she cried, giving herself wholly up to him by a gesture, a look, such as the dying give.
The Village Rector · The Wunder Library — complete classics, free to read, with narration.