wunder · Library

Part 23

The Valet's Tragedy, and Other Studies · Andrew Lang — chapter 23 of 41 · ~1,718 words · public domain

Read in the Wunder reader — free

We now have an undated letter, endorsed by Cecil ‘Sept. 1560,’ wherein Dudley, not at Court, and in tribulation, implores Cecil’s advice and aid. ‘I am sorry so sudden a chance should breed me so great a change.’ He may have written from Kew, where Elizabeth had given him a house, and where he was on September 12 (not 27). On October 13 (Froude), or 14 [‘Documentos Ineditos,’ 88, p. 310), or 15 (Spanish Calendar, i. p. 176)--for dates are strange things--de Quadra wrote a letter of which there is only an abstract at Simancas. This abstract we quote: ‘The contents of the letter of Bishop Quadra to his Majesty written on the 15th’ (though headed the 14th) ‘of October, and received on the 16th of November, 1560. It relates the way in which the wife of Lord Robert came to her death, the respect (reverencia) paid him immediately by the members of the Council and others, and the dissimulation of the Queen. That he had heard that they were engaged in an affair of great importance for the confirmation of their heresies, and wished to make the Earl of Huntingdon king, should the Queen die without children, and that Cecil had told him that the heritage was his as a descendant of the House of York.... That Cecil had told him that the Queen was resolved not to marry Lord Robert, as he had learned from herself; it seemed that the Arch Duke might be proposed.’ In mid-October, then, Elizabeth was apparently disinclined to wed the so recently widowed Lord Robert, though, shortly after Amy’s death, the Privy Council began to court Dudley as future king.

Mr. Froude writes--still before he comes to September 22--‘the Bishop of Aquila reported that there were anxious meetings of the Council, the courtiers paid a partial homage to Dudley.’* This appears to be a refraction from the abstract of the letter of October 13 or 14: ‘he relates the manner in which the wife of Lord Robert came to her death, the respect (reverencia) paid to him immediately by members of the Council and others.’

*Froude, vi. p. 432.

Next we come, in Mr. Froude, to Amy’s funeral (September 22), and to Elizabeth’s resolve not to marry Leicester (October 13, 14, 15?), and to Throgmorton’s interference in October-November. Throgmorton’s wails over the Queen’s danger and dishonour were addressed to Cecil and the Marquis of Northampton, from Poissy, on October 10, when he also condoled with Dudley on the death of his wife! ‘Thanks him for his present of a nag!’ * On the same date, October 10, Harry Killigrew, from London, wrote to answer Throgmorton’s inquiries about Amy’s death. Certainly Throgmorton had heard of Amy’s death before October 10: he might have heard by September 16. What he heard comforted him not. By October 10 he should have had news of a satisfactory verdict. But Killigrew merely said ‘she brake her neck... only by the hand of God, to my knowledge.’** On October 17, Killigrew writes to Throgmorton ‘rumours... have been very rife, BUT THE QUEEN SAYS SHE WILL MAKE THEM FALSE.... Leaves to his judgment what he will not write. Has therefore sent by Jones and Summers’ (verbally) ‘what account he wished him to make of my Lord R.’ (Dudley).

*For. Cal. Eliz., 1560, pp. 347-349.

**Ibid., 1560, p. 350.

Then (October 28) Throgmorton tells Cecil plainly that, till he knows what Cecil thinks, he sees no reason to advise the Queen in the matter ‘of marrying Dudley.’ Begs him ‘TO SIGNIFY PLAINLY WHAT HAS BEEN DONE,’ and implores him, ‘in the bowels of Christ ‘... ‘to hinder that matter.’* He writes ‘with tears and sighs,’ and--he declines to return Cecil’s letters on the subject. ‘They be as safe in my hands as in your own, and more safe in mine than in any messenger’s.’

*For. Cal. Eliz., 1560, p. 376.

On October 29, Throgmorton sets forth his troubles to Chamberlain. ‘Chamberlain as a wise man can conceive how much it imports the Queen’s honour and her realm to have the same’ (reports as to Amy’s death) ‘ceased.’ ‘He is withal brought to be weary of his life.’*

*For. Cal. Eliz., 1560, p. 376.

On November 7, Throgmorton writes to the Marquis of Northampton and to Lord Pembroke about ‘the bruits lately risen from England... set so full with great horror,’ and never disproved, despite Throgmorton’s prayers for satisfaction.

Finally Throgmorton, as we saw, had the boldness to send his secretary, Jones, direct to Elizabeth. All the comfort he got from her was her statement that neither Dudley nor his retainers were at the attempt at Cumnor Place. Francis I. died in France, people had something fresh to talk about, and the Cumnor scandal dropped out of notice. Throgmorton, however, persevered till, in January 1561, Cecil plainly told him to cease to meddle. Throgmorton endorsed the letter ‘A warning not to be too busy about the matters between the Queen and Lord Robert.’*

*For. Cal. Eliz., 1560, p. 498.

It is not necessary, perhaps, to pursue further the attempts of Dudley to marry the Queen. On January 22 he sent to de Quadra his brother-in-law, Sir Henry, father of Sir Philip Sidney, offering to help to restore the Church if Philip II. would back the marriage. Sidney professed to believe, after full inquiry, that Amy died by accident. But he admitted ‘that no one believed it;’ that ‘the preachers harped on it in a manner prejudicial to the honour and service of the Queen, which had caused her to move for the remedy of the disorders of this kingdom in religion,’ and so on.* De Quadra and the preachers had no belief in Amy’s death by accident. Nobody had, except Dudley’s relations. A year after Amy’s death, on September 13, 1561, de Quadra wrote: ‘The Earl of Arundel and others are drawing up copies of the testimony given in the inquiry respecting the death of Lord Robert’s wife. Robert is now doing his best to repair matters’ (as to a quarrel with Arundel, it seems), ‘as it appears that more is being discovered in that matter than he wished.’** People were not so easily satisfied with the evidence as was the imprisoned and starving Appleyard.

*Documentos Ineditos, 88, p. 314; Span. Cal., i. p. 179; Froude, vi. p. 453. The translations vary: I give my own. The Spanish has misprints.

**Span. Cal., i. p. 213; Documentos Ineditos, 88, p. 367.

So the mystery stands. The letters of Blount and Dudley (September 9-12, 1560) entirely clear Dudley’s character, and can only be got rid of on the wild theory that they were composed, later, to that very end. But the precise nature of the Cumnor jury’s verdict is unknown, and Elizabeth’s words about ‘the attempt at her house’ prove that something concealed from us did occur. It might be a mere half-sportive attempt by rustics to enter a house known to be, at the moment, untenanted by the servants, and may have caused to Amy an alarm, so that, rushing downstairs in terror, she fell and broke her neck. The coincidence of her death with the words of Cecil would thus be purely fortuitous, and coincidences as extraordinary have occurred. Or a partisan of Dudley’s, finding poison difficult or impossible, may have, in his zeal, murdered Amy, under the disguise of an accident. The theory of suicide would be plausible, if it were conceivable that a person would commit suicide by throwing herself downstairs.

We can have no certainty, but, at least, we show how Elizabeth came to be erroneously accused of reporting Amy’s death before it occurred.*

*For a wild Italian legend of Amy’s murder, written in 1577, see the Hatfield Calendar, ii. 165-170.

VII. THE VOICES OF JEANNE D’ARC

Some of our old English historians write of Jeanne d’Arc, the Pucelle, as ‘the Puzel.’ The author of the ‘First Part of Henry VI.,’ whether he was Shakespeare or not, has a pun on the word:

‘Pucelle or puzzel, dolphin or dogfish,’

the word ‘Puzzel’ carrying an unsavoury sense. (Act I. Scene 4.) A puzzle, in the usual meaning of the word, the Maid was to the dramatist. I shall not enter into the dispute as to whether Shakespeare was the author, or part author, of this perplexed drama. But certainly the role of the Pucelle is either by two different hands, or the one author was ‘in two minds’ about the heroine. Now she appears as la ribaulde of Glasdale’s taunt, which made her weep, as the ‘bold strumpet’ of Talbot’s insult in the play. The author adopts or even exaggerates the falsehoods of Anglo-Burgundian legend. The personal purity of Jeanne was not denied by her judges. On the other hand the dramatist makes his ‘bold strumpet’ a paladin of courage and a perfect patriot, reconciling Burgundy to the national cause by a moving speech on ‘the great pity that was in France.’ How could a ribaulde, a leaguer-lass, a witch, a sacrificer of blood to devils, display the valour, the absolute self-sacrifice, the eloquent and tender love of native land attributed to the Pucelle of the play? Are there two authors, and is Shakespeare one of them, with his understanding of the human heart? Or is there one puzzled author producing an impossible and contradictory character?

The dramatist has a curious knowledge of minute points in Jeanne’s career: he knows and mocks at the sword with five crosses which she found, apparently by clairvoyance, at Fierbois, but his history is distorted and dislocated almost beyond recognition. Jeanne proclaims herself to the Dauphin as the daughter of a shepherd, and as a pure maid. Later she disclaims both her father and her maidenhood. She avers that she was first inspired by a vision of the Virgin (which she never did in fact), and she is haunted by ‘fiends,’ who represent her St. Michael, St. Catherine, and St. Margaret. After the relief of Orleans the Dauphin exclaims:

‘No longer on Saint Denis will we cry, But Joan la Pucelle shall be France’s saint,’

a prophecy which may yet be accomplished. Already accomplished is d’Alencon’s promise:

‘We’ll set thy statue in some holy place.’

To the Duke of Burgundy, the Pucelle of the play speaks as the Maid might have spoken:

← Previous chapterAll chaptersNext chapter →

The Valet's Tragedy, and Other Studies · The Wunder Library — complete classics, free to read, with narration.

© 2026 Wunder Learning LLC · Terms & Privacy