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Part 40

The Two Magics · Henry James — chapter 40 of 68 · ~1,566 words · public domain

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“I shall be delighted.” His laughter had redoubled in a way that spoke of his previous tension; yet his tone, as he saw Chivers return breathless from the front, showed that he had responded sincerely enough to desire a clear field. “Who in the world’s there?”

The old man was full of it. “A party!”

“A party?”

Chivers confessed to the worst. “Over from Gossage--to see the house.”

The worst, however, clearly, was quite good enough for their companion, who embraced the incident with sudden enthusiasm. “Oh, let me show it!” But before either of the men could reply she had, addressing herself to Chivers, one of those droll drops that betrayed the quickness of her wit and the freedom of her fancy. “Dear me, I forgot--you get the tips! But, you dear old creature,” she went on, “I’ll get them, too, and I’ll simply make them over to you.” She again pressed Yule--pressed him into this service. “Perhaps they’ll be bigger--for me!”

He continued to be highly amused. “I should think they’d be enormous--for you! But I should like,” he added with more concentration--“I should like extremely, you know, to go over with you alone.”

She was held a moment. “Just you and me?”

“Just you and me--as you kindly proposed.”

She stood reminded; but, throwing it off, she had her first inconsequence. “That must be for after----!”

“Ah, but not too late.” He looked at his watch. “I go back tonight.”

“Laws, sir!” Chivers irrepressibly groaned.

“You want to keep him?” the stranger asked. Captain Yule turned away at the question, but her look went after him, and she found herself, somehow, instantly answered. “Then I’ll help you,” she said to Chivers; “and the oftener we go over the better.”

Something further, on this, quite immaterial, but quite adequate, passed, while the young man’s back was turned, between the two others; in consequence of which Chivers again appealed to his master. “Shall I show them straight in, sir?”

His master, still detached, replied without looking at him. “By all means--if there’s money in it!” This was jocose, but there would have been, for an observer, an increase of hope in the old man’s departing step. The lady had exerted an influence.

She continued, for that matter, with a start of genial remembrance, to exert one in his absence. “Oh, and I promised to show it to Miss Prodmore!” Her conscience, with a kind smile for the young person she named, put the question to Clement Yule. “Won’t you call her?”

The coldness of his quick response made it practically none. “‘Call’ her? Dear lady, I don’t know her!”

“You must, then--she’s wonderful.” The face with which he met this drew from the dear lady a sharper look; but, for the aid of her good-nature, Cora Prodmore, at the moment she spoke, presented herself in the doorway of the morning-room. “See? She’s charming!” The girl, with a glare of recognition, dashed across the open as if under heavy fire; but heavy fire, alas--the extremity of exposure--was promptly embodied in her friend’s public embrace. “Miss Prodmore,” said this terrible friend, “let me present Captain Yule.” Never had so great a gulf been bridged in so free a span. “Captain Yule, Miss Prodmore. Miss Prodmore, Captain Yule.”

There was stiffness, the cold mask of terror, in such notice as either party took of this demonstration, the convenience of which was not enhanced for the divided pair by the perception that Mr. Prodmore had now followed his daughter. Cora threw herself confusedly into it indeed, as with a vain rebound into the open. “Papa, let me ‘present’ you to Mrs. Gracedew. Mrs. Gracedew, Mr. Prodmore. Mr. Prodmore, Mrs. Gracedew.”

Mrs. Gracedew, with a free salute and a distinct repetition, took in Mr. Prodmore as she had taken everything else. “Mr. Prodmore”--oh, she pronounced him, spared him nothing of himself. “So happy to meet your daughter’s father. Your daughter’s so perfect a specimen.”

Mr. Prodmore, for the first moment, had simply looked large and at sea; then, like a practical man and without more question, had quickly seized the long perch held out to him in this statement. “So perfect a specimen, yes!”--he seemed to pass it on to his young friend.

Mrs. Gracedew, if she observed his emphasis, drew from it no deterrence; she only continued to cover Cora with a gaze that kept her well in the middle. “So fresh, so quaint, so droll!”

It was apparently a result of what had passed in the morning-room that Mr. Prodmore had grasped afresh the need for effective action, which he clearly felt he did something to meet in clutching precipitately the helping hand popped so suddenly out of space, yet so beautifully gloved and so pressingly and gracefully brandished. “So fresh, so quaint, so droll!”--he again gave Captain Yule the advantage of the stranger’s impression.

To what further appreciation this might have prompted the lady herself was not, however, just then manifest; for the return of Chivers had been almost simultaneous with the advance of the Prodmores, and it had taken place with forms that made it something of a circumstance. There was positive pomp in the way he preceded several persons of both sexes, not tourists at large, but simple sightseers of the half-holiday order, plain provincial folk already, on the spot, rather awestruck. The old man, with suppressed pulls and prayers, had drawn them up in a broken line, and the habit of more peopled years, the dull drone of the dead lesson, sounded out in his prompt beginning. The party stood close, in this manner, on one side of the apartment, while the master of the house and his little circle were grouped on the other. But as Chivers, guiding his squad, reached the centre of the space, Mrs. Gracedew, markedly moved, quite unreservedly engaged, came slowly forward to meet him. “This, ladies and gentlemen,” he mechanically quavered, “is perhaps the most important feature--the grand old feudal, baronial ’all. Being, from all accounts, the most ancient portion of the edifice, it was erected in the very earliest ages.” He paused a moment, to mark his effect, then gave a little cough which had become, obviously, in these great reaches of time, an essential part of the trick. “Some do say,” he dispassionately remarked, “in the course of the fifteenth century.”

Mrs. Gracedew, who had visibly thrown herself into the working of the charm, following him with vivid sympathy and hanging on his lips, took the liberty, at this, of quite affectionately pouncing on him. “I say in the fourteenth, my dear--you’re robbing us of a hundred years!”

Her victim yielded without a struggle. “I do seem, in them dark old centuries, sometimes to trip a little.” Yet the interruption of his ancient order distinctly discomposed him, all the more that his audience, gaping with a sense of the importance of the fine point, moved in its mass a little nearer. Thus put upon his honour, he endeavoured to address the group with a dignity undiminished. “The Gothic roof is much admired, but the west gallery is a modern addition.”

His discriminations had the note of culture, but his candour, all too promptly, struck Mrs. Gracedew as excessive. “What in the name of Methuselah do you call ‘modern’? It was here at the visit of James the First, in 1611, and is supposed to have served, in the charming detail of its ornament, as a model for several that were constructed in his reign. The great fireplace,” she handsomely conceded, “is Jacobean.”

She had taken him up with such wondrous benignant authority--as if, for her life, if they were to have it, she couldn’t help taking care that they had it out; she had interposed with an assurance that so converted her--as by the wave of a great wand, the motion of one of her own free arms--from mere passive alien to domesticated dragon, that poor Chivers could only assent with grateful obeisances. She so plunged into the old book that he had quite lost his place. The two gentlemen and the young lady, moreover, were held there by the magic of her manner. His own, as he turned again to his cluster of sightseers, took refuge in its last refinement. “The tapestry on the left Italian--the elegant wood-work Flemish.”

Mrs. Gracedew was upon him again. “Excuse me if I just deprecate a misconception. The elegant wood-work Italian--the tapestry on the left Flemish.” Suddenly she put it to him before them all, pleading as familiarly and gaily as she had done when alone with him, and looking now at the others, all round, gentry and poor folk alike, for sympathy and support. She had an idea that made her dance. “Do you really mind if I just do it? Oh, I know how: I can do quite beautifully the housekeeper last week at Castle Gaunt.” She fraternised with the company as if it were a game they must play with her, though this first stage sufficiently hushed them. “How do you do? Ain’t it thrilling?” Then with a laugh as free as if, for a disguise, she had thrown her handkerchief over her head or made an apron of her tucked-up skirt, she passed to the grand manner. “Keep well together, please--we’re not doing puss-in-the-corner. I’ve my duty to all parties--I can’t be partial to one!”

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