Part 63

He was now engaged in abstractedly tracing a diagram in the dust with his walking-stick, and muttered words to himself aloud. Presently he arose and went on his way without turning round. Festus was curious enough to descend and look at the marks. They represented an oblong, with two semi- diagonals, and a little square in the middle. Upon the diagonals were the figures 20 and 17, and on each side of the parallelogram stood a letter signifying the point of the compass.

'What crazy thing is running in his head now?' said Festus to himself, with supercilious pity, recollecting that the farmer had been singing those very numbers earlier in the morning. Being able to make nothing of it, he lengthened his strides, and treading on tiptoe overtook his relative, saluting him by scratching his back like a hen. The startled old farmer danced round like a top, and gasping, said, as he perceived his nephew, 'What, Festy! not thrown from your horse and killed, then, after all!'

'No, nunc. What made ye think that?'

'Champion passed me about an hour ago, when I was in hiding--poor timid soul of me, for I had nothing to lose by the French coming--and he looked awful with the stirrups dangling and the saddle empty. 'Tis a gloomy sight, Festy, to see a horse cantering without a rider, and I thought you had been--feared you had been thrown off and killed as dead as a nit.'

'Bless your dear old heart for being so anxious! And what pretty picture were you drawing just now with your walking-stick!'

'O, that! That is only a way I have of amusing myself. It showed how the French might have advanced to the attack, you know. Such trifles fill the head of a weak old man like me.'

'Or the place where something is hid away--money, for instance?'

'Festy,' said the farmer reproachfully, 'you always know I use the old glove in the bedroom cupboard for any guinea or two I possess.'

'Of course I do,' said Festus ironically.

They had now reached a lonely inn about a mile and a half from the hall, and, the farmer not responding to his nephew's kind invitation to come in and treat him, Festus entered alone. He was dusty, draggled, and weary, and he remained at the tavern long. The trumpet-major, in the meantime, having searched the roads in vain, heard in the course of the evening of the yeoman's arrival at this place, and that he would probably be found there still. He accordingly approached the door, reaching it just as the dusk of evening changed to darkness.

There was no light in the passage, but John pushed on at hazard, inquired for Derriman, and was told that he would be found in the back parlour alone. When Loveday first entered the apartment he was unable to see anything, but following the guidance of a vigorous snoring, he came to the settle, upon which Festus lay asleep, his position being faintly signified by the shine of his buttons and other parts of his uniform. John laid his hand upon the reclining figure and shook him, and by degrees Derriman stopped his snore and sat up.

'Who are you?' he said, in the accents of a man who has been drinking hard. 'Is it you, dear Anne? Let me kiss you; yes, I will.'

'Shut your mouth, you pitiful blockhead; I'll teach you genteeler manners than to persecute a young woman in that way!' and taking Festus by the ear, he gave it a good pull. Festus broke out with an oath, and struck a vague blow in the air with his fist; whereupon the trumpet-major dealt him a box on the right ear, and a similar one on the left to artistically balance the first. Festus jumped up and used his fists wildly, but without any definite result.

'Want to fight, do ye, eh?' said John. 'Nonsense! you can't fight, you great baby, and never could. You are only fit to be smacked!' and he dealt Festus a specimen of the same on the cheek with the palm of his hand.

'No, sir, no! O, you are Loveday, the young man she's going to be married to, I suppose? Dash me, I didn't want to hurt her, sir.'

'Yes, my name is Loveday; and you'll know where to find me, since we can't finish this to-night. Pistols or swords, whichever you like, my boy. Take that, and that, so that you may not forget to call upon me!' and again he smacked the yeoman's ears and cheeks. 'Do you know what it is for, eh?'

'No, Mr. Loveday, sir--yes, I mean, I do.'

'What is it for, then? I shall keep smacking until you tell me. Gad! if you weren't drunk, I'd half kill you here to-night.'

'It is because I served her badly. Damned if I care! I'll do it again, and be hanged to 'ee! Where's my horse Champion? Tell me that,' and he hit at the trumpet-major.

John parried this attack, and taking him firmly by the collar, pushed him down into the seat, saying, 'Here I hold 'ee till you beg pardon for your doings to-day. Do you want any more of it, do you?' And he shook the yeoman to a sort of jelly.

'I do beg pardon--no, I don't. I say this, that you shall not take such liberties with old Squire Derriman's nephew, you dirty miller's son, you flour-worm, you smut in the corn! I'll call you out to-morrow morning, and have my revenge.'

'Of course you will; that's what I came for.' And pushing him back into the corner of the settle, Loveday went out of the house, feeling considerable satisfaction at having got himself into the beginning of as nice a quarrel about Anne Garland as the most jealous lover could desire.

But of one feature in this curious adventure he had not the least notion--that Festus Derriman, misled by the darkness, the fumes of his potations, and the constant sight of Anne and Bob together, never once supposed his assailant to be any other man than Bob, believing the trumpet-major miles away.

There was a moon during the early part of John's walk home, but when he had arrived within a mile of Overcombe the sky clouded over, and rain suddenly began to fall with some violence. Near him was a wooden granary on tall stone staddles, and perceiving that the rain was only a thunderstorm which would soon pass away, he ascended the steps and entered the doorway, where he stood watching the half-obscured moon through the streaming rain. Presently, to his surprise, he beheld a female figure running forward with great rapidity, not towards the granary for shelter, but towards open ground. What could she be running for in that direction? The answer came in the appearance of his brother Bob from that quarter, seated on the back of his father's heavy horse. As soon as the woman met him, Bob dismounted and caught her in his arms. They stood locked together, the rain beating into their unconscious forms, and the horse looking on.

The trumpet-major fell back inside the granary, and threw himself on a heap of empty sacks which lay in the corner: he had recognized the woman to be Anne. Here he reclined in a stupor till he was aroused by the sound of voices under him, the voices of Anne and his brother, who, having at last discovered that they were getting wet, had taken shelter under the granary floor.

'I have been home,' said she. 'Mother and Molly have both got back long ago. We were all anxious about you, and I came out to look for you. O, Bob, I am so glad to see you again!'

John might have heard every word of the conversation, which was continued in the same strain for a long time; but he stopped his ears, and would not. Still they remained, and still was he determined that they should not see him. With the conserved hope of more than half a year dashed away in a moment, he could yet feel that the cruelty of a protest would be even greater than its inutility. It was absolutely by his own contrivance that the situation had been shaped. Bob, left to himself, would long ere this have been the husband of another woman.

The rain decreased, and the lovers went on. John looked after them as they strolled, aqua-tinted by the weak moon and mist. Bob had thrust one of his arms through the rein of the horse, and the other was round Anne's waist. When they were lost behind the declivity the trumpet-major came out, and walked homeward even more slowly than they. As he went on, his face put off its complexion of despair for one of serene resolve. For the first time in his dealings with friends he entered upon a course of counterfeiting, set his features to conceal his thought, and instructed his tongue to do likewise. He threw fictitiousness into his very gait, even now, when there was nobody to see him, and struck at stems of wild parsley with his regimental switch as he had used to do when soldiering was new to him, and life in general a charming experience.