Canto I.

PRODUCTION OF LIFE.

I. By firm immutable immortal laws Impress'd on Nature by the GREAT FIRST CAUSE, Say, MUSE! how rose from elemental strife Organic forms, and kindled into life; How Love and Sympathy with potent charm Warm the cold heart, the lifted hand disarm; Allure with pleasures, and alarm with pains, And bind Society in golden chains.

Four past eventful Ages then recite, And give the fifth, new-born of Time, to light; 10 The silken tissue of their joys disclose, Swell with deep chords the murmur of their woes; Their laws, their labours, and their loves proclaim, And chant their virtues to the trump of Fame.

IMMORTAL LOVE! who ere the morn of Time, On wings outstretch'd, o'er Chaos hung sublime; Warm'd into life the bursting egg of Night, And gave young Nature to admiring Light!-- YOU! whose wide arms, in soft embraces hurl'd Round the vast frame, connect the whirling world! 20 Whether immers'd in day, the Sun your throne, You gird the planets in your silver zone; Or warm, descending on ethereal wing, The Earth's cold bosom with the beams of spring; Press drop to drop, to atom atom bind, Link sex to sex, or rivet mind to mind; Attend my song!--With rosy lips rehearse, And with your polish'd arrows write my verse!-- So shall my lines soft-rolling eyes engage, And snow-white fingers turn the volant page; 30 The smiles of Beauty all my toils repay, And youths and virgins chant the living lay.

II. WHERE EDEN'S sacred bowers triumphant sprung, By angels guarded, and by prophets sung, Wav'd o'er the east in purple pride unfurl'd, And rock'd the golden cradle of the World; Four sparkling currents lav'd with wandering tides Their velvet avenues, and flowery sides; On sun-bright lawns unclad the Graces stray'd, And guiltless Cupids haunted every glade; 40 Till the fair Bride, forbidden shades among, Heard unalarm'd the Tempter's serpent-tongue; Eyed the sweet fruit, the mandate disobey'd, And her fond Lord with sweeter smiles betray'd. Conscious awhile with throbbing heart he strove, Spread his wide arms, and barter'd life for love!-- Now rocks on rocks, in savage grandeur roll'd, Steep above steep, the blasted plains infold; The incumbent crags eternal tempest shrouds, And livid light'nings cleave the lambent clouds; 50 Round the firm base loud-howling whirlwinds blow, And sands in burning eddies dance below.

The use of iron tools, of the bow and arrow, of earthen vessels to boil water in, of wheels for carriages, and the arts of cultivating wheat, of coagulating milk for cheese, and of spinning vegetable fibres for clothing, have been known in all European countries, as long as their histories have existed; besides the similarity of the texture of their languages, and of many words in them; thus the word sack is said to mean a bag in all of them, as [Greek: sakkon] in Greek, saccus in Latin, sacco in Italian, sac in French, and sack in English and German.

Other families of mankind, nevertheless, appear to have arisen in other parts of the habitable earth, as the language of the Chinese is said not to resemble those of this part of the world in any respect. And the inhabitants of the islands of the South-Sea had neither the use of iron tools nor of the bow, nor of wheels, nor of spinning, nor had learned to coagulate milk, or to boil water, though the domestication of fire seems to have been the first great discovery that distinguished mankind from the bestial inhabitants of the forest.]

Hence ye profane!--the warring winds exclude Unhallow'd throngs, that press with footstep rude; But court the Muse's train with milder skies, And call with softer voice the good and wise. --Charm'd at her touch the opening wall divides, And rocks of crystal form the polish'd sides; Through the bright arch the Loves and Graces tread, Innocuous thunders murmuring o'er their head; 60 Pair after pair, and tittering, as they pass, View their fair features in the walls of glass; Leave with impatient step the circling bourn, And hear behind the closing rocks return.

HERE, high in air, unconscious of the storm. Thy temple, NATURE, rears it's mystic form; From earth to heav'n, unwrought by mortal toil, Towers the vast fabric on the desert soil; O'er many a league the ponderous domes extend. And deep in earth the ribbed vaults descend; 70 A thousand jasper steps with circling sweep Lead the slow votary up the winding steep; Ten thousand piers, now join'd and now aloof, Bear on their branching arms the fretted roof.

Unnumber'd ailes connect unnumber'd halls, And sacred symbols crowd the pictur'd walls; With pencil rude forgotten days design, And arts, or empires, live in every line. While chain'd reluctant on the marble ground, Indignant TIME reclines, by Sculpture bound; 80 And sternly bending o'er a scroll unroll'd, Inscribes the future with his style of gold. --So erst, when PROTEUS on the briny shore, New forms assum'd of eagle, pard, or boar; The wise ATRIDES bound in sea-weed thongs The changeful god amid his scaly throngs; Till in deep tones his opening lips at last Reluctant told the future and the past.

HERE o'er piazza'd courts, and long arcades, The bowers of PLEASURE root their waving shades; 90 Shed o'er the pansied moss a checker'd gloom, Bend with new fruits, with flow'rs successive bloom. Pleas'd, their light limbs on beds of roses press'd, In slight undress recumbent Beauties rest; On tiptoe steps surrounding Graces move, And gay Desires expand their wings above.

HERE young DIONE arms her quiver'd Loves, Schools her bright Nymphs, and practises her doves; Calls round her laughing eyes in playful turns, The glance that lightens, and the smile that burns; 100 Her dimpling cheeks with transient blushes dies, Heaves her white bosom with seductive sighs; Or moulds with rosy lips the magic words, That bind the heart in adamantine cords.

Behind in twilight gloom with scowling mien The demon PAIN, convokes his court unseen; Whips, fetters, flames, pourtray'd on sculptur'd stone, In dread festoons, adorn his ebon throne; Each side a cohort of diseases stands, And shudd'ring Fever leads the ghastly bands; 110 O'er all Despair expands his raven wings, And guilt-stain'd Conscience darts a thousand stings.

Deep-whelm'd beneath, in vast sepulchral caves, OBLIVION dwells amid unlabell'd graves; The storied tomb, the laurell'd bust o'erturns, And shakes their ashes from the mould'ring urns.-- No vernal zephyr breathes, no sunbeams cheer, Nor song, nor simper, ever enters here; O'er the green floor, and round the dew-damp wall, The slimy snail, and bloated lizard crawl; 120 While on white heaps of intermingled bones The muse of MELANCHOLY sits and moans; Showers her cold tears o'er Beauty's early wreck, Spreads her pale arms, and bends her marble neck.

So in rude rocks, beside the Ægean wave, TROPHONIUS scoop'd his sorrow-sacred cave; Unbarr'd to pilgrim feet the brazen door, And the sad sage returning smil'd no more.

SHRIN'D in the midst majestic NATURE stands, Extends o'er earth and sea her hundred hands; 130 Tower upon tower her beamy forehead crests, And births unnumber'd milk her hundred breasts; Drawn round her brows a lucid veil depends, O'er her fine waist the purfled woof descends; Her stately limbs the gather'd folds surround, And spread their golden selvage on the ground.

In the first part of this scenery was represented Death, and the destruction of all things; as mentioned in the note on the Portland Vase in the Botanic Garden. Next the marriage of Cupid and Psyche seems to have shown the reproduction of living nature; and afterwards the procession of torches, which is said to have constituted a part of the mysteries, probably signified the return of light, and the resuscitation of all things.

Lastly, the histories of illustrious persons of the early ages seem to have been enacted; who were first represented by hieroglyphic figures, and afterwards became the gods and goddesses of Egypt, Greece, and Rome. Might not such a dignified pantomime be contrived, even in this age, as might strike the spectators with awe, and at the same time explain many philosophical truths by adapted imagery, and thus both amuse and instruct?]

From this first altar fam'd ELEUSIS stole Her secret symbols and her mystic scroll; With pious fraud in after ages rear'd Her gorgeous temple, and the gods rever'd. 140 --First in dim pomp before the astonish'd throng, Silence, and Night, and Chaos, stalk'd along; Dread scenes of Death, in nodding sables dress'd, Froze the broad eye, and thrill'd the unbreathing breast. Then the young Spring, with winged Zephyr, leads The queen of Beauty to the blossom'd meads; Charm'd in her train admiring Hymen moves, And tiptoe Graces hand in hand with Loves. Next, while on pausing step the masked mimes Enact the triumphs of forgotten times, 150 Conceal from vulgar throngs the mystic truth, Or charm with Wisdom's lore the initiate youth; Each shifting scene, some patriot hero trod, Some sainted beauty, or some saviour god.

III. Now rose in purple pomp the breezy dawn, And crimson dew-drops trembled on the lawn; Blaz'd high in air the temple's golden vanes, And dancing shadows veer'd upon the plains.-- Long trains of virgins from the sacred grove, Pair after pair, in bright procession move, 160 With flower-fill'd baskets round the altar throng, Or swing their censers, as they wind along. The fair URANIA leads the blushing bands, Presents their offerings with unsullied hands; Pleas'd to their dazzled eyes in part unshrouds The goddess-form;--the rest is hid in clouds.

"PRIESTESS OF NATURE! while with pious awe Thy votary bends, the mystic veil withdraw; Charm after charm, succession bright, display, And give the GODDESS to adoring day! 170 So kneeling realms shall own the Power divine, And heaven and earth pour incense on her shrine.

"Oh grant the MUSE with pausing step to press Each sun-bright avenue, and green recess; Led by thy hand survey the trophied walls, The statued galleries, and the pictur'd halls; Scan the proud pyramid, and arch sublime, Earth-canker'd urn, medallion green with time, Stern busts of Gods, with helmed heroes mix'd, And Beauty's radiant forms, that smile betwixt. 180

"Waked by thy voice, transmuted by thy wand, Their lips shall open, and their arms expand; The love-lost lady, and the warrior slain, Leap from their tombs, and sigh or fight again. --So when ill-fated ORPHEUS tuned to woe His potent lyre, and sought the realms below; Charm'd into life unreal forms respir'd, And list'ning shades the dulcet notes admir'd.--

"LOVE led the Sage through Death's tremendous porch, Cheer'd with his smile, and lighted with his torch;-- 190 Hell's triple Dog his playful jaws expands, Fawns round the GOD, and licks his baby hands; In wondering groups the shadowy nations throng, And sigh or simper, as he steps along; Sad swains, and nymphs forlorn, on Lethe's brink, Hug their past sorrows, and refuse to drink; Night's dazzled Empress feels the golden flame Play round her breast, and melt her frozen frame; Charms with soft words, and sooths with amorous wiles, Her iron-hearted Lord,--and PLUTO smiles.-- 200 His trembling Bride the Bard triumphant led From the pale mansions of the astonish'd dead; Gave the fair phantom to admiring light,-- Ah, soon again to tread irremeable night!"

IV. HER snow-white arm, indulgent to my song, Waves the fair Hierophant, and moves along.-- High plumes, that bending shade her amber hair, Nod, as she steps, their silver leaves in air; Bright chains of pearl, with golden buckles brac'd, Clasp her white neck, and zone her slender waist; 210 Thin folds of silk in soft meanders wind Down her fine form, and undulate behind; The purple border, on the pavement roll'd, Swells in the gale, and spreads its fringe of gold.

"FIRST, if you can, celestial Guide! disclose From what fair fountain mortal life arose, Whence the fine nerve to move and feel assign'd, Contractile fibre, and ethereal mind:

"How Love and Sympathy the bosom warm, Allure with pleasure, and with pain alarm, 220 With soft affections weave the social plan, And charm the listening Savage into Man."

"GOD THE FIRST CAUSE!--in this terrene abode Young Nature lisps, she is the child of GOD. From embryon births her changeful forms improve, Grow, as they live, and strengthen as they move.

A Jove principium, musæ! Jovis omnia plena. VIRGIL.

In him we live, and move, and have our being. ST. PAUL.]

"Ere Time began, from flaming Chaos hurl'd Rose the bright spheres, which form the circling world; Earths from each sun with quick explosions burst, And second planets issued from the first. 230 Then, whilst the sea at their coeval birth, Surge over surge, involv'd the shoreless earth; Nurs'd by warm sun-beams in primeval caves Organic Life began beneath the waves.

"First HEAT from chemic dissolution springs, And gives to matter its eccentric wings; With strong REPULSION parts the exploding mass, Melts into lymph, or kindles into gas. ATTRACTION next, as earth or air subsides, The ponderous atoms from the light divides, 240 Approaching parts with quick embrace combines, Swells into spheres, and lengthens into lines. Last, as fine goads the gluten-threads excite, Cords grapple cords, and webs with webs unite; And quick CONTRACTION with ethereal flame Lights into life the fibre-woven frame.-- Hence without parent by spontaneous birth Rise the first specks of animated earth; From Nature's womb the plant or insect swims, And buds or breathes, with microscopic limbs. 250

Particular attraction, or chemical affinity, must likewise occupy the spaces between the particles of matter which they cause to approach each other. The power of gravity may therefore be called the general attractive ether, and the matter of heat may be called the general repulsive ether; which constitute the two great agents in the changes of inanimate matter.]

There seems nothing more wonderful in the ether of contraction producing the shortening of a fibre, than in the ether of attraction causing two bodies to approach each other. The former indeed seems in some measure to resemble the latter, as it probably occasions the minute particles of the fibre to approach into absolute or adhesive contact, by withdrawing from them their repulsive atmospheres; whereas the latter seems only to cause particles of matter to approach into what is popularly called contact, like the particles of fluids; but which are only in the vicinity of each other, and still retain their repulsive atmospheres, as may be seen in riding through shallow water by the number of minute globules of it thrown up by the horses feet, which roll far on its surface; and by the difficulty with which small globules of mercury poured on the surface of a quantity of it can be made to unite with it.]

"IN earth, sea, air, around, below, above, Life's subtle woof in Nature's loom is wove; Points glued to points a living line extends, Touch'd by some goad approach the bending ends; Rings join to rings, and irritated tubes Clasp with young lips the nutrient globes or cubes; And urged by appetencies new select, Imbibe, retain, digest, secrete, eject. In branching cones the living web expands, Lymphatic ducts, and convoluted glands; 260 Aortal tubes propel the nascent blood, And lengthening veins absorb the refluent flood; Leaves, lungs, and gills, the vital ether breathe On earth's green surface, or the waves beneath. So Life's first powers arrest the winds and floods, To bones convert them, or to shells, or woods; Stretch the vast beds of argil, lime, and sand, And from diminish'd oceans form the land!

"Next the long nerves unite their silver train, And young SENSATION permeates the brain; 270 Through each new sense the keen emotions dart, Flush the young cheek, and swell the throbbing heart. From pain and pleasure quick VOLITIONS rise, Lift the strong arm, or point the inquiring eyes; With Reason's light bewilder'd Man direct, And right and wrong with balance nice detect. Last in thick swarms ASSOCIATIONS spring, Thoughts join to thoughts, to motions motions cling; Whence in long trains of catenation flow Imagined joy, and voluntary woe. 280

"So, view'd through crystal spheres in drops saline, Quick-shooting salts in chemic forms combine; Or Mucor-stems, a vegetative tribe, Spread their fine roots, the tremulous wave imbibe. Next to our wondering eyes the focus brings Self-moving lines, and animated rings; First Monas moves, an unconnected point, Plays round the drop without a limb or joint; Then Vibrio waves, with capillary eels, And Vorticella whirls her living wheels; 290 While insect Proteus sports with changeful form Through the bright tide, a globe, a cube, a worm. Last o'er the field the Mite enormous swims, Swells his red heart, and writhes his giant limbs.

V. "ORGANIC LIFE beneath the shoreless waves Was born and nurs'd in Ocean's pearly caves; First forms minute, unseen by spheric glass, Move on the mud, or pierce the watery mass; These, as successive generations bloom, New powers acquire, and larger limbs assume; 300 Whence countless groups of vegetation spring, And breathing realms of fin, and feet, and wing.

Nor is this unanalogous to what still occurs, as all quadrupeds and mankind in their embryon state are aquatic animals; and thus may be said to resemble gnats and frogs. The fetus in the uterus has an organ called the placenta, the fine extremities of the vessels of which permeate the arteries of the uterus, and the blood of the fetus becomes thus oxygenated from the passing stream of the maternal arterial blood; exactly as is done by the gills of fish from the stream of water, which they occasion to pass through them.

But the chicken in the egg possesses a kind of aerial respiration, since the extremities of its placental vessels terminate on a membranous bag, which contains air, at the broad end of the egg; and in this the chick in the egg differs from the fetus in the womb, as there is in the egg no circulating maternal blood for the insertion of the extremities of its respiratory vessels, and in this also I suspect that the eggs of birds differ from the spawn of fish; which latter is immersed in water, and which has probably the extremities of its respiratory organ inserted into the soft membrane which covers it, and is in contact with the water.]

"Thus the tall Oak, the giant of the wood, Which bears Britannia's thunders on the flood; The Whale, unmeasured monster of the main, The lordly Lion, monarch of the plain, The Eagle soaring in the realms of air, Whose eye undazzled drinks the solar glare, Imperious man, who rules the bestial crowd, Of language, reason, and reflection proud, 310 With brow erect who scorns this earthy sod, And styles himself the image of his God; Arose from rudiments of form and sense, An embryon point, or microscopic ens!

"Now in vast shoals beneath the brineless tide, On earth's firm crust testaceous tribes reside; Age after age expands the peopled plain, The tenants perish, but their cells remain; Whence coral walls and sparry hills ascend From pole to pole, and round the line extend. 320

"Next when imprison'd fires in central caves Burst the firm earth, and drank the headlong waves; And, as new airs with dread explosion swell, Form'd lava-isles, and continents of shell; Pil'd rocks on rocks, on mountains mountains raised, And high in heaven the first volcanoes blazed; In countless swarms an insect-myriad moves From sea-fan gardens, and from coral groves; Leaves the cold caverns of the deep, and creeps On shelving shores, or climbs on rocky steeps. 330 As in dry air the sea-born stranger roves, Each muscle quickens, and each sense improves; Cold gills aquatic form respiring lungs, And sounds aerial flow from slimy tongues.

At the same time new microscopic animalcules would immediately commence wherever there was warmth and moisture, and some organic matter, that might induce putridity. Those situated on dry land, and immersed in dry air, may gradually acquire new powers to preserve their existence; and by innumerable successive reproductions for some thousands, or perhaps millions of ages, may at length have produced many of the vegetable and animal inhabitants which now people the earth.

As innumerable shell-fish must have existed a long time beneath the ocean, before the calcareous mountains were produced and elevated; it is also probable, that many of the insect tribes, or less complicate animals, existed long before the quadrupeds or more complicate ones, which in some measure accords with the theory of Linneus in respect to the vegetable world; who thinks, that all the plants now extant arose from the conjunction and reproduction of about sixty different vegetables, from which he constitutes his natural orders.

As the blood of animals in the air becomes more oxygenated in their lungs, than that of animals in water by their gills; it becomes of a more scarlet colour, and from its greater stimulus the sensorium seems to produce quicker motions and finer sensations; and as water is a much better vehicle for vibrations or sounds than air, the fish, even when dying in pain, are mute in the atmosphere, though it is probable that in the water they may utter sounds to be heard at a considerable distance. See on this subject, Botanic Garden, Vol. I. Canto IV. l. 176, Note.]

"So Trapa rooted in pellucid tides, In countless threads her breathing leaves divides, Waves her bright tresses in the watery mass, And drinks with gelid gills the vital gas; Then broader leaves in shadowy files advance, Spread o'er the crystal flood their green expanse; 340 And, as in air the adherent dew exhales, Court the warm sun, and breathe ethereal gales.

Few of the water plants of this country are used for economical purposes, but the ranunculus fluviatilis may be worth cultivation; as on the borders of the river Avon, near Ringwood, the cottagers cut this plant every morning in boats, almost all the year round, to feed their cows, which appear in good condition, and give a due quantity of milk; see a paper from Dr. Pultney in the Transactions of the Linnean Society, Vol. V.]

"So still the Tadpole cleaves the watery vale With balanc'd fins, and undulating tail; New lungs and limbs proclaim his second birth, Breathe the dry air, and bound upon the earth. So from deep lakes the dread Musquito springs, Drinks the soft breeze, and dries his tender wings, In twinkling squadrons cuts his airy way, Dips his red trunk in blood, and man his prey. 350

The rana temporaria of Linneus lives in the water in spring, and on the land in summer, and catches flies. Of the rana paradoxa the larva or tadpole is as large as the frog, and dwells in Surinam, whence the mistake of Merian and of Seba, who call it a frog fish. The esculent frog is green, with three yellow lines from the mouth to the anus; the back transversely gibbous, the hinder feet palmated; its more frequent croaking in the evenings is said to foretell rain. Linnei Syst. Nat. Art. rana.

Linneus asserts in his introduction to the class Amphibia, that frogs are so nearly allied to lizards, lizards to serpents, and serpents to fish, that the boundaries of these orders can scarcely be ascertained.]

"So still the Diodons, amphibious tribe, With two-fold lungs the sea or air imbibe; Allied to fish, the lizard cleaves the flood With one-cell'd heart, and dark frigescent blood; Half-reasoning Beavers long-unbreathing dart Through Erie's waves with perforated heart; With gills and lungs respiring Lampreys steer, Kiss the rude rocks, and suck till they adhere; The lazy Remora's inhaling lips, Hung on the keel, retard the struggling ships; 360 With gills pulmonic breathes the enormous Whale, And spouts aquatic columns to the gale; Sports on the shining wave at noontide hours, And shifting rainbows crest the rising showers.

"So erst, ere rose the science to record In letter'd syllables the volant word; Whence chemic arts, disclosed in pictured lines, Liv'd to mankind by hieroglyphic signs; And clustering stars, pourtray'd on mimic spheres, Assumed the forms of lions, bulls, and bears; 370 --So erst, as Egypt's rude designs explain, Rose young DIONE from the shoreless main; Type of organic Nature! source of bliss! Emerging Beauty from the vast abyss! Sublime on Chaos borne, the Goddess stood, And smiled enchantment on the troubled flood; The warring elements to peace restored, And young Reflection wondered and adored."

The Venus seems to have represented the beauty of organic Nature rising from the sea, and afterwards became simply an emblem of ideal beauty; while the figure of Adonis was probably designed to represent the more abstracted idea of life or animation. Some of these hieroglyphic designs seem to evince the profound investigations in science of the Egyptian philosophers, and to have outlived all written language; and still constitute the symbols, by which painters and poets give form and animation to abstracted ideas, as to those of strength and beauty in the above instances.]

Now paused the Nymph,--The Muse responsive cries, Sweet admiration sparkling in her eyes, 380 "Drawn by your pencil, by your hand unfurl'd, Bright shines the tablet of the dawning world; Amazed the Sea's prolific depths I view, And VENUS rising from the waves in YOU!

"Still Nature's births enclosed in egg or seed From the tall forest to the lowly weed, Her beaux and beauties, butterflies and worms, Rise from aquatic to aerial forms. Thus in the womb the nascent infant laves Its natant form in the circumfluent waves; 390 With perforated heart unbreathing swims, Awakes and stretches all its recent limbs; With gills placental seeks the arterial flood, And drinks pure ether from its Mother's blood. Erewhile the landed Stranger bursts his way, From the warm wave emerging into day; Feels the chill blast, and piercing light, and tries His tender lungs, and rolls his dazzled eyes; Gives to the passing gale his curling hair, And steps a dry inhabitant of air. 400

"Creative Nile, as taught in ancient song, So charm'd to life his animated throng; O'er his wide realms the slow-subsiding flood Left the rich treasures of organic mud; While with quick growth young Vegetation yields Her blushing orchards, and her waving fields; Pomona's hand replenish'd Plenty's horn, And Ceres laugh'd amid her seas of corn.-- Bird, beast, and reptile, spring from sudden birth, Raise their new forms, half-animal, half-earth; 410 The roaring lion shakes his tawny mane, His struggling limbs still rooted in the plain; With flapping wings assurgent eagles toil To rend their talons from the adhesive soil; The impatient serpent lifts his crested head, And drags his train unfinish'd from the bed.-- As Warmth and Moisture blend their magic spells, And brood with mingling wings the slimy dells; Contractile earths in sentient forms arrange, And Life triumphant stays their chemic change." 420

In eodem corpore sæpe Altera pars vivit; rudis est pars altera tellus. Quippe ubi temperiem sumpsêre humorque calorque, Concipiunt; & ab his oriuntur, cuncta duobus.

OVID. MET. l. 1. 430.

This story from Ovid of the production of animals from the mud of the Nile seems to be of Egyptian origin, and is probably a poetical account of the opinions of the magi or priests of that country; showing that the simplest animations were spontaneously produced like chemical combinations, but were distinguished from the latter by their perpetual improvement by the power of reproduction, first by solitary, and then by sexual generation; whereas the products of natural chemistry are only enlarged by accretion, or purified by filtration.]

Then hand in hand along the waving glades The virgin Sisters pass beneath the shades; Ascend the winding steps with pausing march, And seek the Portico's susurrant arch; Whose sculptur'd architrave on columns borne Drinks the first blushes of the rising morn, Whose fretted roof an ample shield displays, And guards the Beauties from meridian rays. While on light step enamour'd Zephyr springs, And fans their glowing features with his wings, 430 Imbibes the fragrance of the vernal flowers, And speeds with kisses sweet the dancing Hours.

Urania, leaning with unstudied grace, Rests her white elbow on a column's base; Awhile reflecting takes her silent stand, Her fair cheek press'd upon her lily hand; Then, as awaking from ideal trance, On the smooth floor her pausing steps advance, Waves high her arm, upturns her lucid eyes, Marks the wide scenes of ocean, earth, and skies; 440 And leads, meandering as it rolls along Through Nature's walks, the shining stream of Song.

First her sweet voice in plaintive accents chains The Muse's ear with fascinating strains; Reverts awhile to elemental strife, The change of form, and brevity of life; Then tells how potent Love with torch sublime Relights the glimmering lamp, and conquers Time. --The polish'd walls reflect her rosy smiles, And sweet-ton'd echoes talk along the ailes. 450

END OF CANTO I.

ORIGIN OF SOCIETY.