My very first public appearance and performance was in the lobby of the Sherman House, in Chicago, in August, 1913, at the Engineers’ Convention. I went from there to the Great Northern Hippodrome, where I stayed for a whole week. Then we started and took the complete circuit of the Miles Theaters, starting from Chicago and going to New York one way, and returning to Chicago another way. I enjoyed it very much, and made lots of friends on that first trip.
When we got back to Chicago it was late in the fall of 1914, and my master told me we were not going to work any more publicly for several months, as he wanted to get me ready for the Panama-Pacific International Exposition at San Francisco, that was to open on the 20th of February, 1915. That great big long name made me nervous at first—I wondered what it meant. But by listening to my master and Chili talking I soon learned that it was a great and wonderful “show,” in honor of the completing of the Panama Canal that united the Atlantic and the Pacific Oceans, and they called it “International” because all the nations of the earth were invited to take part in it.
Later I learned that there were to be magnificent buildings, bigger than any I had ever seen, even in Chicago and New York, Palaces of Music, and Education, and Fine Arts, and Mining, and Domestic Industries, and Foreign Industries, of Liberal Arts, and Electricity, and Engineering, and Food Products, and that, besides, all the countries that took part, would have their own buildings. Then there were to be magnificent courts and fountains and arches and columns and domes and statues and bas-reliefs and pools and flower-gardens and trees, and at night-time searchlights and fireworks, and steam-works and illuminations more beautiful than anything of the kind men had ever seen before. So, even though I was only a horse, I was anxious to go and see it all.
Then Chili told me there was to be one whole long street devoted to pleasures and amusements, that they were to call the ZONE, and we were to appear there. There was to be a wonderful exhibit showing the appearance and working of the Panama Canal, villages of strange people from all over the world, Cowboy shows, Mining Camps, a representation of the seven days of Creation, and the Battle of Gettysburg, Capt. Scott’s Trip to the South Pole, the fight of the Dreadnoughts and Submarines, an Incubator for babies—human babies, mind, the tiniest little humans you ever saw,—the Grand Canyon, the Pueblo Indian village, the Yellowstone National Park, the Streets of Cairo, Toyland, the Japanese town, and lots of others that I do not now recall. We were to have our show right on the Zone, and be one of these many marvelous and wonderful attractions. The more I heard about these things the more anxious I was to go, and yet I wondered a good deal as to whether I should be as attractive to the crowd among so many other interesting things as I had been where there were not so many. But my master and Chili seemed satisfied, so I stuck to my motto and “Quit Worrying.”
Day after day we rehearsed my performance and went over my lessons, until my master said I was “sure perfect.” That made me feel good. Then one day I heard master tell Chili to go and see that his orders were carried out about the car, and I learned then that the car was ordered that was to take me to San Francisco, and that the workmen were busy at work upon it, padding it and making it comfortable for me as well as Chili. When everything was ready and lots of hay and grain put in the car, Chili took me aboard, and that night we started. Over the plains of Illinois and Iowa, into Nebraska and Wyoming, through Utah and Nevada we rode. What a lot of different country I saw from any I had ever seen before. When we reached the mountains I thought they were wonderful, and how I enjoyed the ride, as we raced down from Summit to Cheyenne. At Reno we began the climb over the Sierras and Chili said we were in California. I had heard it was a land of sunshine and flowers and birds and fruit, but we were in a region of rocks and mountains, precipices and canyons, snow and ice, and while there were plenty of beautiful trees I couldn’t see a single flower. When Chili brought, from one of the streams, several times a day, a bucket of water for me to drink, it was colder than any well-water I had ever been given in my life. My! how it made my teeth ache. But it was so sweet and tasted so good, as if the winds of God had blown over it for months, bringing freshness and sweetness and filling it full of their deliciousness.
As soon as we reached the summit we began to go down, down, down, to lower levels, and long before we left the snow I could smell the sweet growing timothy and clover and alfalfa, and even the blossoms on the fruit-trees, and when we reached Auburn and Newcastle and lots of other towns up there, we were in the real California I had always pictured. Larks and thrushes, linnets and mocking-birds, song-sparrows and warblers were there by the thousands, singing such songs as I had never heard, and flowers! There were flowers of a thousand kinds, all new to me, pushing their way up through the green grass; and as for the fruit-trees, although it was early in February, there were thousands of them already in bloom and as sweet and fragrant and beautiful as a Garden of Eden.
It was the fourteenth of February, 1915, when we reached San Francisco. There Chili took me to a comfortable livery barn, where I remained until March 17. This was owing to the fact that the theater my master was having built for our performances, was not completed until that time. At the rear of it was a fine barn and stable for my use, where Chili could also sleep.
Though we began a month late we soon made up for lost time. The people came by the hundreds and then by the thousands. They petted me, and laughed at my tricks, especially when I felt good and came running onto the platform, kicking up my heels and having a general good time. The women called me a “dear,” and a “darling,” and the men said I was “remarkable,” “a marvel,” and “a wonder,” and the boys said I was “a corker,” and “a jim-dandy.” Anyhow those who saw me pick out the good-looking ladies, and the fine-looking men, sort out colors, add, subtract, multiply, give change on the cash register, pump, corkscrew, hobby-horse, sit on my master’s lap, play the chimes and do my various exhibitions of thought, memory and reason, went away and spread my fame. My master, of course, felt very happy over it, for each day the receipts grew larger. But, as more people came, I had to give performances more often, and I soon began to think I was overworked. My master didn’t think so, but he didn’t realize how tired I got. I tried to tell him, as well as I knew how, but he didn’t seem to pay any attention, and I was beginning to feel that he loved money better than he loved me. But all this time he was watching me very closely, and one day, when I was quite tired, he did not let me give so many performances. Then, too, there was another thing that was bothering me. While I loved Chili very dearly, as he was always good to me, somehow he was not so careful and attentive to my needs in San Francisco as he had been hitherto. I began to watch him and found he came in late, very often, and I soon saw that he was getting into bad company. As soon as my master found this out, he let him go, and secured for me a new groom. He is a “cullud genman,”—a real negro gentleman, from the South, who thoroughly understands fine horses, and whose name is Jasper, and we soon became very much attached to each other.
Just about this time a beautiful little woman came right up to my stall and said, as she gave me some sugar: “You beautiful creature. I’ve been watching your performance. You are wonderful. I’m afraid they’re working you too hard. You should have some one to help you. I’m going to ask Captain Sigsbee if he won’t let me come and relieve you.”
I pricked up my ears at this and watched and listened very intently when she went to my master. I then learned that her name was Madame Ellis, and she said she was a mind-reader and telepathist. She explained that she had watched me give the blindfold part of my entertainment with the greatest interest, and was well satisfied that I understood every word that was said to me. Then came the words that almost made me dance for joy, for she said: “Captain Sigsbee, I give a blindfold entertainment that would go wonderfully well with your Captain’s exhibition, and at the same time give him plenty of opportunity to rest and take a good breathing spell between performances.”
My good master seemed as pleased as I was, for he immediately made the arrangement with Mr. Ellis, and the very next day Madame Ellis appeared on my platform. No one will ever know how much I was interested at this first performance of hers. I watched her every move, for when they wanted me to go to my stable and rest while she performed, I clearly showed them I did not want or intend to go. I stood and saw the whole performance, and I can only say that if Madame Ellis is as pleased with what I do, as I am with what she does, then she is a very pleased woman.
We became the best and dearest of friends and have so remained ever since, for when a horse gives his friendship he is not like some human beings I have seen, fickle and faithless, but is constant and faithful. We have never had the sign of a quarrel, and there is not the slightest jealousy between us. She is as proud of my triumphs and success as I am of hers. And they tell me that as far as earning money is concerned Madame Ellis and I earned more than any other show on the Zone, not even excepting the wonderful Panama Canal and the picture of Stella.
There were a great many very noted people came to see us while we were in San Francisco. Mr. C. C. Moore, president of the Exposition, and Mrs. Moore, together with Mayor and Mrs. Rolfe, and thousands of others from all over the world, as well as those who lived in San Francisco became my good friends. After I had gone away President Moore wrote the following letter to my master, which I am proud to have people read:
PANAMA-PACIFIC INTERNATIONAL EXPOSITION, 1915
San Francisco, California OFFICE OF THE PRESIDENT
Oct. 6, 1916.
CAPTAIN W. A. SIGSBEE.
Dear Sir: It is a pleasure to me to inform you how much I enjoyed the performance of your horse “Captain” at the Panama-Pacific International Exposition, which I saw a number of times. The performance of this highly intelligent animal was a great attraction to visitors to the Exposition.
Very truly yours, CHAS. C. MOORE, President.
When the Exposition closed in San Francisco, my master and Jasper took me down to Venice, in Southern California, where we stayed until March 18, 1916, when we moved to the Panama-California International Exposition at San Diego. Of course, there was nothing like the large number of people here that there were in San Francisco, but we made many good friends and had some large audiences. Among those I esteem most highly were President and Mrs. G. Aubrey Davidson and their children; Mr. H. J. Penfold, the secretary, and all the officials. They all used to come and pet me whenever opportunity arose, and many of the leading men and women of the city seemed glad to call themselves my friend. But I am free to confess that I have a few very special friends, and one of these is the great singer, Ellen Beach Yaw. While singing in the San Francisco Exposition she used to come to see me often, and became much attached to me, as I to her, and both there and in San Diego she would sing to me. Some people think I don’t understand music, in spite of my playing accurately different tunes on the chimes, but my master and Jasper both know that when I am nervous and tired, on the other hand, frolicsome and frisky, I am always glad to stand with perfect quietude and restfulness when my dear Miss Yaw comes to sing to me. As soon as she holds up her hand and looks at me I know she is going to pour out a sweet song that will delight me, so I listen with all my attention. And she never has to wait for my appreciation. I go right up to her and kiss her my thanks for her song as soon as she has done singing.
Another thing I enjoy amazingly. Quite as well as I like music, I like to go out and stand in the sun. I think one of my far-away ancestors must have lived in, and loved, a desert country where the sun shone all the time, for I am never so happy as when Jasper allows me to go out and stand where the beams of the sun come straight down upon my back. It feels so good, and it soothes me so that I like to enjoy it and go to sleep enjoying it. And if they would allow me to, I would go out and roll in the sunshine, and then lie down, as a cat does before the fire, reveling in the warmth and going to sleep under its influence.
Sometimes people wonder how I make my wants known, seeing that I can’t speak. With my master and Jasper I seldom have any trouble, for by pawing or whinneying I arrest their attention, and then there are many things I need that they quickly ask about. If they think I want water, they ask: “Water?” If I want it, I nod; if not, I shake my head. And so with going out, untying me, giving me more air—for I like plenty of fresh air—or anything else I may desire.
There are some people who think I don’t like to give performances. I’m sure I don’t know why, except that I do get tired a little once in a while, and sometimes my master wants me to be quiet and good when I feel frisky and frolicsome and want to kick up my heels. I always feel better the busier I am, and I remember one day in San Francisco, when we gave nineteen performances, I was so full of fun and spirits when we got through that Jasper had to be pretty stern with me before I would quieten down.
Another thing that amuses me. People often ask if I ever eat anything besides oats and hay, and things of that kind. It amuses me because I like everything, just as most healthy boys and girls do. I eat bread and butter—and I like it with jam on or sugar or honey—and hard boiled eggs, and nuts, and every kind of fruit, raw, cooked or preserved. Candies I just dote on, and vegetables come as a welcome change. I can eat them raw or cooked, hot or cold, and I don’t object to lettuce put in sandwiches.
Sandwiches? Of course I eat them: ham, beef, chicken or tongue, with mustard or without. And nothing I like better, at times, than a ham bone to gnaw on. Sometimes Prince—Jasper’s pet dog—brings one in and shares it with me, and I enjoy it amazingly.
But one of my special delicacies is cake. My dear mistress, Mrs. Sigsbee, long ago found that out, and whenever she wants to make me feel extra good she makes a cake for me. My! My! She is a fine cake-maker. One day she had made a large cake for a party. I think it was Master’s birthday, and they had invited a lot of friends. That day Master loosed me from the stable and sent me up to the house to see Mistress. Sometimes he does this, and trusts me to go directly there. I did so this time, and when I got into the yard I went right to the kitchen window, which was open, and through which a delicious odor came. Right there on the table was the cake. It was this that smelled so good. I put my nose close to it and it made my mouth water. There was no one there to tell me not to do it, so I just bit right into the middle of it, took a large mouthful, and it—what do the boys say—“went to the right spot.” The trouble was that first mouthful whetted my appetite for more, and I had made a pretty big hole in that cake before Mistress came in and found what I had done. She drove me away, but began to laugh so heartily that when Master came running, in answer to her call, she could scarcely speak. She could just point to the cake and to me. There I was, with cake crumbs and jam or jelly all over my nose and in my whiskers, and Mistress at last managed to gasp out, between laughs, “Captain’s celebrating your birthday. He likes cake, too!”
At first Master was inclined to be mad, but Mistress laughed him out of it, and said why shouldn’t I like birthday cake as well as he. She’d make another, and even if she couldn’t, she would buy one. Then she put the rest of the cake away, and every day for another week I had a chance again to celebrate Master’s birthday.
Do I ever get ugly-tempered?
The Story of Captain, the Horse With the Human Brain · The Wunder Library — complete classics, free to read, with narration.