Part 15

“But we are of the world’s people now, Miriam,” answered Josiah.

The girl persisted in her prudery, nor did the youth, in fact, seem altogether free from a similar sort of shyness; so they sat apart from each other, gazing up the hill, where the moonlight discovered the tops of a group of buildings. While their attention was thus occupied, a party of travellers, who had come wearily up the long ascent, made a halt to refresh themselves at the spring. There were three men, a woman, and a little girl and boy. Their attire was mean, covered with the dust of the summer’s day, and damp with the night-dew; they all looked woebegone, as if the cares and sorrows of the world had made their steps heavier as they climbed the hill; even the two little children appeared older in evil days than the young man and maiden who had first approached the spring.

“Good evening to you, young folks,” was the salutation of the travellers; and “Good evening, friends,” replied the youth and damsel.

“Is that white building the Shaker meeting-house?” asked one of the strangers. “And are those the red roofs of the Shaker village?”

“Friend, it is the Shaker village,” answered Josiah, after some hesitation.

The travellers, who, from the first, had looked suspiciously at the garb of these young people, now taxed them with an intention which all the circumstances, indeed, rendered too obvious to be mistaken.

“It is true, friends,” replied the young man, summoning up his courage. “Miriam and I have a gift to love each other, and we are going among the world’s people, to live after their fashion. And ye know that we do not transgress the law of the land; and neither ye, nor the elders themselves, have a right to hinder us.”

“Yet you think it expedient to depart without leave-taking,” remarked one of the travellers.

“Yea, ye-a,” said Josiah, reluctantly, “because father Job is a very awful man to speak with; and being aged himself, he has but little charity for what he calls the iniquities of the flesh.”

“Well,” said the stranger, “we will neither use force to bring you back to the village, nor will we betray you to the elders. But sit you here awhile, and when you have heard what we shall tell you of the world which we have left, and into which you are going, perhaps you will turn back with us of your own accord. What say you?” added he, turning to his companions. “We have travelled thus far without becoming known to each other. Shall we tell our stories, here by this pleasant spring, for our own pastime, and the benefit of these misguided young lovers?”

In accordance with this proposal, the whole party stationed themselves round the stone cistern; the two children, being very weary, fell asleep upon the damp earth, and the pretty Shaker girl, whose feelings were those of a nun or a Turkish lady, crept as close as possible to the female traveller, and as far as she well could from the unknown men. The same person who had hitherto been the chief spokesman now stood up, waving his hat in his hand, and suffered the moonlight to fall full upon his front.

“In me,” said he, with a certain majesty of utterance,—“in me, you behold a poet.”

Though a lithographic print of this gentleman is extant, it may be well to notice that he was now nearly forty, a thin and stooping figure, in a black coat, out at elbows; notwithstanding the ill condition of his attire, there were about him several tokens of a peculiar sort of foppery, unworthy of a mature man, particularly in the arrangement of his hair which was so disposed as to give all possible loftiness and breadth to his forehead. However, he had an intelligent eye, and, on the whole, a marked countenance.

“A poet!” repeated the young Shaker, a little puzzled how to understand such a designation, seldom heard in the utilitarian community where he had spent his life. “Oh, ay, Miriam, he means a varse-maker, thee must know.”

This remark jarred upon the susceptible nerves of the poet; nor could he help wondering what strange fatality had put into this young man’s mouth an epithet, which ill-natured people had affirmed to be more proper to his merit than the one assumed by himself.

“True, I am a verse-maker,” he resumed, “but my verse is no more than the material body into which I breathe the celestial soul of thought. Alas! how many a pang has it cost me, this same insensibility to the ethereal essence of poetry, with which you have here tortured me again, at the moment when I am to relinquish my profession forever! O Fate! why hast thou warred with Nature, turning all her higher and more perfect gifts to the ruin of me, their possessor? What is the voice of song, when the world lacks the ear of taste? How can I rejoice in my strength and delicacy of feeling, when they have but made great sorrows out of little ones? Have I dreaded scorn like death, and yearned for fame as others pant for vital air, only to find myself in a middle state between obscurity and infamy? But I have my revenge! I could have given existence to a thousand bright creations. I crush them into my heart, and there let them putrefy! I shake off the dust of my feet against my countrymen! But posterity, tracing my footsteps up this weary hill, will cry shame upon the unworthy age that drove one of the fathers of American song to end his days in a Shaker village!”

During this harangue, the speaker gesticulated with great energy, and, as poetry is the natural language of passion, there appeared reason to apprehend his final explosion into an ode extempore. The reader must understand that, for all these bitter words, he was a kind, gentle, harmless, poor fellow enough, whom Nature, tossing her ingredients together without looking at her recipe, had sent into the world with too much of one sort of brain, and hardly any of another.

“Friend,” said the young Shaker, in some perplexity, “thee seemest to have met with great troubles; and, doubtless, I should pity them, if—if I could but understand what they were.”

“Happy in your ignorance!” replied the poet, with an air of sublime superiority. “To your coarser mind, perhaps, I may seem to speak of more important griefs when I add, what I had well-nigh forgotten, that I am out at elbows, and almost starved to death. At any rate, you have the advice and example of one individual to warn you back; for I am come hither, a disappointed man, flinging aside the fragments of my hopes, and seeking shelter in the calm retreat which you are so anxious to leave.”

“I thank thee, friend,” rejoined the youth, “but I do not mean to be a poet, nor, Heaven be praised! do I think Miriam ever made a varse in her life. So we need not fear thy disappointments. But, Miriam,” he added, with real concern, “thee knowest that the elders admit nobody that has not a gift to be useful. Now, what under the sun can they do with this poor varse-maker?”

“Nay, Josiah, do not thee discourage the poor man,” said the girl, in all simplicity and kindness. “Our hymns are very rough, and perhaps they may trust him to smooth them.”

Without noticing this hint of professional employment, the poet turned away, and gave himself up to a sort of vague reverie, which he called thought. Sometimes he watched the moon, pouring a silvery liquid on the clouds, through which it slowly melted till they became all bright; then he saw the same sweet radiance dancing on the leafy trees which rustled as if to shake it off, or sleeping on the high tops of hills, or hovering down in distant valleys, like the material of unshaped dreams; lastly, he looked into the spring, and there the light was mingling with the water. In its crystal bosom, too, beholding all heaven reflected there, he found an emblem of a pure and tranquil breast. He listened to that most ethereal of all sounds, the song of crickets, coming in full choir upon the wind, and fancied that, if moonlight could be heard, it would sound just like that. Finally, he took a draught at the Shaker spring, and, as if it were the true Castalia, was forthwith moved to compose a lyric, a Farewell to his Harp, which he swore should be its closing strain, the last verse that an ungrateful world should have from him. This effusion, with two or three other little pieces, subsequently written, he took the first opportunity to send, by one of the Shaker brethren, to Concord, where they were published in the New Hampshire Patriot.

Meantime, another of the Canterbury pilgrims, one so different from the poet that the delicate fancy of the latter could hardly have conceived of him, began to relate his sad experience. He was a small man, of quick and unquiet gestures, about fifty years old, with a narrow forehead, all wrinkled and drawn together. He held in his hand a pencil, and a card of some commission-merchant in foreign parts, on the back of which, for there was light enough to read or write by, he seemed ready to figure out a calculation.

“Young man,” said he, abruptly, “what quantity of land do the Shakers own here, in Canterbury?”

“That is more than I can tell thee, friend,” answered Josiah, “but it is a very rich establishment, and for a long way by the roadside thee may guess the land to be ours, by the neatness of the fences.”

“And what may be the value of the whole,” continued the stranger, “with all the buildings and improvements, pretty nearly, in round numbers?”

“Oh, a monstrous sum,—more than I can reckon,” replied the young Shaker.

“Well, sir,” said the pilgrim, “there was a day, and not very long ago, neither, when I stood at my counting-room window, and watched the signal flags of three of my own ships entering the harbor, from the East Indies, from Liverpool, and from up the Straits, and I would not have given the invoice of the least of them for the title-deeds of this whole Shaker settlement. You stare. Perhaps, now, you won’t believe that I could have put more value on a little piece of paper, no bigger than the palm of your hand, than all these solid acres of grain, grass, and pasture-land would sell for?”