“Merci, monsieur. I stopped a moment to thank you for the flowers you sent me last night. It was lovely of you!” and she indicated the bunch of roses pinned to her corsage.
The man seemed astonished. For a moment he hesitated as though about to make some explanation, but the girl went on without regarding his visible embarrassment.
“You shall not escape with a denial,” she said. “There was no card and you did not do me the honor to wait at the door, but I know you sent them--an usher saw you; you shall not escape my appreciation. You did send them?” she said.
The man laughed. “Sure,” he said, “if you insist.” He was willing to profit by this unexpected error, and the girl went on:
“I have worn the roses to-day,” she said, “for you. Will you wear one of them to-morrow for me?”
She detached a bud and leaned out of the door of the motor. She pinned the bud to the lapel of the man's coat. She did it slowly, deliberately, like one who makes the touch of the fingers do the service of a caress.
Then she spoke to the driver and the motor went on, leaving the amazed man on the curb before the shabby Markheim Hotel with the rosebud pinned to his coat--astonished at the incredible fortune of this favor from an inaccessible idol about whom the city raved.
The woman accepted the enigma of this interview as she had accepted the wonder of the girl's sudden appearance and the other, incidents of this extraordinary night. She did not undertake to imagine what the drawing on the menu meant, the words about the one-armed man, the glove dropped for Thompson to pick up, the rose pinned on his coat; it was all of a piece with the mystery that she had stumbled into.
When the motor stopped and she was taken through a little door by an attendant into a theater box, she accepted that as another of these things into which she could not inquire; things that happened to her outside of her volition and directed by authorities which she could not control.
The staging of the opera refined and extended the illusion that she had been transported out of the world by some occult agency. The wonderful creature that had taken her up out of her abandoned misery before the sordid shop-shutter appeared now in a fairy costume glittering with jewels. And the gnomes, the monsters and goblins appearing about her were all fabulous creatures, as the girl herself seemed a fabulous creature.
She sighed like one who must awaken from the splendor of a dream to realities of which the sleeper is vaguely conscious. Only the girl's voice seemed real. It seemed some great, heavenly reality like the sunlight or the sweep of the sea. It filled the packed places of the theater. She sang and one believed again in the benevolence of heaven; in immortal love. To the distressed woman effacing herself in the corner of the empty box it was all a sort of inconceivable witch-work.
And it was witch-work, as potent if not as amply fitted with dramatic properties as the witchwork of ancient legend.
The daughter of an obscure juge d'instruction of the Canton of Vaud, singing in a Swiss meadow, had been taken up by a wealthy American, traveling in Switzerland on an April morning-old, enervated with the sun of the Riviera, and displeased with life. And this rich old woman, her rheumatic fingers loaded with jewels, had transformed the daughter of the juge d'instruction of the Canton of Vaud into a singing wonder that made every human creature see again the dreams of his youth before him leading into the Elysian Fields.
And to the girl herself this transformation also seemed the wonder of witch-work. Her early life lay so far below in a world remote and detached; a little house in a village of the Canton of Vaud with the genteel poverty that attended the slender salary of a juge d'instruction, and the weight of duties that accumulated on her shoulders. Her father's life was given over to the labors of criminal investigation, but it was a field that returned nothing in the way of material gain. Honorable mention, a medal, the distinction of having his reports copied into the official archives, were the fruits of the man's life. She remembered the minutely exhaustive details of those reports which she used to copy painfully at night by the light of a candle. The old man, absorbed by his deductions, with his trained habits of observation and his prodigious memory, never seemed to realize the drudgery imposed upon the girl by his endless dictation.
“To-morrow,” the heavenly creature had said softly, like a caress, in the woman's ear when an attendant had taken her through the little door into the empty box. But the to-morrow broke with every illusion vanished.
The woman sat beside her husband in the dismal court-room when the court convened. The judge, old and tired, was on the bench. A sulphurous, depressing fog entered from the city. The court-room smelled of a cleaner's mop. The jury entered; and a few spectators, who looked as though they might have spent the night on the benches of the park out, side, drifted in. The attorneys and the officials of the court were present and the trial resumed.
Every detail of the departed, evening was, to the woman, a mirage except the brutal threat of the attorney, uttered before she had gone down into the street. This threat, with that power of reality which evil things seem always to possess, now materialized. After the court had opened, but before the trial could proceed, the attorney for the defendant rose and addressed the court.
He spoke for some moments, handling his innuendoes with skill. His intent was to withdraw from the case. He realized that this was an unusual procedure and that the course must be justified upon a high ethical plane. He was a person of acumen and of no inconsiderable skill and he succeeded. Without making any direct charge, and disclaiming any intent to prejudice the prisoner and his defense, or to deprive him of any safeguard of the law, he was able to convey the impression that he had been misled in undertaking the defense of the case; that his confidence in the innocence of the accused had been removed by unquestionable evidence which he had been led to believe did not exist.
He made this explanation with profound regret. But he felt that, having been induced to undertake the defense by representations not justified in fact, and by an impression of the nature of the case which developments in the court-room had not confirmed, he had the right to step aside out of an equivocal position. He wished to do this without injury to the prisoner and while there was yet an opportunity for him to obtain other counsel. The whole tenor of the speech was the right to be relieved from the obligation of an error; an error that had involved him unwittingly by reason of assurances which the developments of the case had now set aside. And through it all there was the manifest wish to do the prisoner no vestige of injury.
After this speech of his attorney the conviction of the man was inevitable. He sat stooped over, his back bent, his head down, his thin hands aimlessly in his lap like one who has come to the end of all things; like one who no longer makes any effort against a destiny determined on his ruin.
The thing had the overpowering vitality which evil things seem always to possess, and the woman felt helpless against it; so utterly, so completely helpless that it was useless to protest by any word or gesture. She could have gotten up and explained the true motive behind this man's speech; she could have repeated the dialogue in his office; she could have asserted his unspeakable treachery; but she saw with an unerring instinct that against the skill of the man her effort would be wholly useless. With his resources and his dominating cunning he would not only make her words appear obviously false, but he would make them fasten upon her a malicious intent to injure the man who had undertaken her husband's defense; and somehow he would be able, she felt, to divert the obliquity and cause it to react upon herself.
This was all clear to her, and like some little trapped creature of the wood that finds escape closed on every side and no longer makes any effort, she remained motionless.
The judge was an honorable man, concerned to accomplish justice and not always misled by an obvious intent. The proceeding did not please him, but he knew that no benefit, rather a continued injury, would result to the prisoner by forcing the attorney to go on with a case which it was evident that he no longer cared to make any effort to support. He permitted the man to withdraw. Then he spoke to the prisoner.
“Have you any other counsel?” he asked.
The prisoner did not look up. He replied in a low, almost inaudible voice.
“No, Your Honor,” he said.
“Then I shall appoint some one to go on with the case,” and he looked up over the docket before him and out at the few attorneys sitting within the rail.
It was at this moment that the woman, crying silently, without a sound and without moving in her chair, heard behind her the voice which she had heard the evening before, when, as now, at the bottom of the pit, she stood before the shutter of the shop-window.
The Sleuth of St. James's Square · The Wunder Library — complete classics, free to read, with narration.