“It was not the creature's plea that moved me, nor his pretended deductions; I'm a bit old to be soft. It was the 'banker man' sticking like a bur in the hobo's talk. I wanted to keep him in sight until I understood where he got it. No doubt that seems a slight reason for going out to the Inlet with the creature; but you must remember that slight things are often big signboards in our business.”
He continued, his voice precise and even
“We went directly from the end of the Boardwalk to the old shed; it was open, an unfastened door on a pair of leather hinges. The shed is small, about twenty feet by eleven, with a hard dirt floor packed down by the workmen who had used it; a combination of clay and sand like the Jersey roads put in to make a floor. All round it, from the sea to the board fence, was soft sand. There were some pieces of old junk lying about in the shed; but nothing of value or it would have been nailed up.
“The hobo led right off with his deductions. There, was the track of a man, clearly outlined in the soft sand, leading from the board fence to the shed and returning, and no other track anywhere about.
“'Now, Governor,' he began, when he had taken a look at the tracks, 'the man that made them tracks carried something into this shed, and he left it here, and it was something heavy.'
“I was fairly certain that the hobo had salted the place for me, made the tracks himself; but I played out a line to him.
“'How do you know that?' I said.
“'Well, Governor,' he answered, 'take a look at them two lines of tracks. In the one comin' to the shed the man was walkin' with his feet apart and in the one goin' back he was walkin' with his feet in front of one another; that's because he was carryin' somethin' heavy when he come an' nothin' when he left.'
“It was an observation on footprints,” he went on, “that had never occurred to me. The hobo saw my awakened interest, and he added:
“'Did you never notice a man carryin' a heavy load? He kind of totters, walkin' with his feet apart to keep his balance. That makes his foot tracks side by side like, instead of one before the other as he makes them when he's goin' light.”'
Walker interrupted his narrative with a comment:
“It's the truth. I've verified it a thousand times since that hobo put me onto it. A line running through the center of the heel prints of a man carrying a heavy burden will be a zigzag, while one through the heel prints of the same man without the burden will be almost straight.
“The tramp went right on with his deductions:
“'If it come in and didn't go out, it's here.'
“And he began to go over the inside of the shed. He searched it like a man searching a box for a jewel. He moved the pieces of old castings and he literally fingered the shed from end to end. He would have found a bird's egg.
“Finally he stopped and stood with his hand spread out over his mouth. And I selected this critical moment to touch the powder off under his game.
“'Suppose,' I said, 'that this man with the heavy load wished to mislead us; suppose that instead of bringing something here he took one of these old castings away?'
“The hobo looked at me without changing his position.
“'How could he, Governor; he was pointin' this way with the load?'
“'By walking backward,' I said. For it occurred to me that perhaps the creature had manufactured this evidence for the occasion, and I wished to test the theory.”
Walker went on in his slow, even voice:
“The test produced more action than I expected.
“The hobo dived out through the door. I followed to see him disappear. But it was not in flight; he was squatting down over the footprints. And a moment later he rocked back on his haunches with a little exultant yelp.
“'Dope's wrong, Governor,' he said; 'he was sure comin' this way.' Then he explained: 'If a man's walkin' forward in sand or mud or snow the toe of his shoe flirts out a little of it, an' if he's walkin' backward his heel flirts it out.'
“At this point I began to have some respect for the creature's ability. He got up and came back into the shed. And there he stood, in his old position, with his fingers over his mouth, looking round at the empty shed, in which, as I have said, one could not have concealed a bird's egg.
“I watched him without offering any suggestion, for my interest in the thing had awakened and I was curious to see what he would do. He stood perfectly motionless for about a minute; and then suddenly he snapped his fingers and the light came into his face.
“'I got it, Governor!' Then he came over to where I stood. 'Gimme a quarter to git a bucket.'
“I gave him the coin, for I was now profoundly puzzled, and he went out. He was gone perhaps twenty minutes, and when he came in he had a bucket of water. But he had evidently been thinking on the way, for he set the bucket down carefully, wiped his hands on his canvas breeches, and began to speak, with a little apologetic whimper in his voice.
The Sleuth of St. James's Square · The Wunder Library — complete classics, free to read, with narration.