Part 11

"Just as real as you or any one," she answered.

I was waiting to say: "Don't be in haste; you will all know from actual experience what she means by voices."

"Have you ever seen these forces at work?" asked Harris.

"No; not the way you mean. I had a terrible shock once that cured me of being too curious. I was holding an accordion under a table by its bellows end, as Home used to do, and while the playing was going on I just believed if I looked under the table I could see something. So I lifted the cover and peeped under. I didn't know any more for a long time. When I came to my father was bathing my face and rubbing my hands. I never tried to 'peek' after that."

"Do you mean that they did this to punish you for your peeping?"

"Yes. They don't like to have you look directly at them when they are at work."

"Why?"

"I don't know. I never was punished again. I didn't need it."

"Would 'they' bat me if I were to peek?" asked Howard.

"They might not; but they refuse to 'work' while any one is looking."

"All that is suspicious."

"I know it is, but that is the way they act."

"You believe 'they' are spirits?"

"I know they are," she repeated. "If I didn't, I would be desolate. I have been sitting now for over thirty years, and these friendly voices are a part of my life. They comfort me more than I can tell."

She gave this account of herself with an air of quiet conviction that deeply impressed the circle, and at the end of her little speech I added: "She has agreed to put herself into our hands for a series of experiments, and if her health does not fail I think we shall be able to rival the doings of Florence Cook and Daniel Home, whose mediumships were the basis of Crookes's report. Now let each one of you spread his hands, or her hands, upon the table, just touching the little fingers, in order that a complete circuit may be established. Miller and I will make connection with our psychic."

"It all seems childish folly, but we'll do it," said Harris.

"What may we expect to happen first, Mrs. Smiley?" asked Mrs. Cameron, after we were in position.

"I don't know," she answered, frankly. "I have very little control over these forces. Often, when I am most anxious, nothing happens. Please don't expect much of anything to-night: my first sittings in a new place are seldom very good, and so much depends upon those who make up the circle. I never sit without a fear that my power has gone never to come back."

I helped her out in explanation: "The honest medium does not advertise to perform regularly, for the reason that this force, whatever it is, seems to lie almost wholly outside the will. Flammarion says 'it may be set down as a rule that all professional mediums cheat.' That is putting it pretty strong; but it seems true that the condition which leads to these phenomena is a very subtle physical and mental adjustment, and that the slightest distraction or mental unrest defeats everything. If the medium is paid for her work she is too eager to serve, and everything tempts her to deceive. Furthermore, it has been proved that the psychic is in the very nature of the case extremely liable to suggestion, and the combined wills of the sitters focussed on one desired phenomena becomes an almost irresistible force to certain psychics. On the other hand, the best observers say that the most striking proofs of spiritualism lies in the fact that the most amazing phenomena come in opposition to the will of both the psychic and the sitters. We may not secure a single movement to-night, and, indeed, we may have two or three barren sittings, but I am confident that in the end you will be satisfied. I am going to attempt to put Mrs. Smiley to sleep now, and when she is in her trance we can discuss her methods freely."

I began to hum a low, monotonous tune, and one by one the others joined in the refrain; soon the psychic's breath became labored, and in the pauses of the song she moaned. At length she drew her hands as far away from Miller's and mine as the threads would permit, thus breaking the circuit.

"She is in trance," I reported. "Now we have nothing to do but wait. You may say anything you please, or tell stories or sing songs, only don't argue. We will remain as we are for a while, and if the 'guides' are dissatisfied, they will order a change. Generally speaking, the 'controls' are very notional, and when we get into full communication with 'them' the entire present arrangement may be broken up. The theory is that all success is due to the co-operation of those 'on the other side.'"

"It looks to me like a plain case of hypnotism from this side," remarked Harris.

"Aren't there any fixed rules to the game?" asked Howard.

"After many years' exhaustive study of these antic spirits (approaching them always from the naturalistic side), Maxwell deduces certain helpful rules: 'Use a small room,' he says, 'and have it warm. Medium and sitters must not have cold hands or feet.'"

"I can understand the psychic having cold feet now and then," interjected Harris.

"Maxwell finds dry air and clear weather most favorable; rainy and windy weather often cause failures. There seems to be some connection with the electrical condition of the atmosphere. After proving that a white light deters phenomena, he uses green, violet, or yellow screens for his lamps. 'Any kind of a table will do for the raps, or for levitation,' he says, 'but one with a double top seems to give best results.' His sitters use wooden chairs with cane seats, and my own experience is that a bare floor helps. He especially directs that the guide be consulted--'let the phenomena come as spontaneously as possible,' he adds."

"Does he find this sandwiching of the sexes helpful?"

"Yes. He says six or eight people, men and women alternating, make the best circle. 'Take things seriously, but not solemnly,' he advises. 'Don't argue; address the "control," and follow his advice. Avoid confusion by electing a director and asking for only one thing at a time. Keep the same people in the group for at least six sittings. Sit in a circle and touch hands. Be patient and good-tempered. A worried, irritated, sullen medium is a poor instrument. Finally'--and this is most important--'don't overwork the medium.' And with this important statement he ends: 'I am persuaded of the absolute harmlessness of these experiments, provided they are properly conducted.'"