Part 21

Be careful you stumble not over the cat. She will worm herself insidiously between your legs. It is her way; she means it in friendship. Neither bark your shins against the coal-box. Why the kitchen coal-box has its fixed place in the direct line between the kitchen door and the gas-bracket I cannot say. I merely know it as an universal law; and I would that you escaped that coal-box, lest the frame of mind I desire for you on this Sabbath morning be dissipated.

A spoon to stir your tea, I fear you must dispense with. Knives and forks you will discover in plenty; blacking brushes you will put your hand upon in every drawer; of emery paper, did one require it, there are reams; but it is a point with every housekeeper that the spoons be hidden in a different place each night. If anybody excepting herself can find them in the morning, it is a slur upon her. No matter, a stick of firewood, sharpened at one end, makes an excellent substitute.

Your breakfast done, turn out the gas, remount the stairs quietly, open gently the front door and slip out. You will find yourself in an unknown land. A strange city grown round you in the night.

The sweet long streets lie silent in sunlight. Not a living thing is to be seen save some lean Tom that slinks from his gutter feast as you approach. From some tree there will sound perhaps a fretful chirp: but the London sparrow is no early riser; he is but talking in his sleep. The slow tramp of unseen policeman draws near or dies away. The clatter of your own footsteps goes with you, troubling you. You find yourself trying to walk softly, as one does in echoing cathedrals. A voice is everywhere about you whispering to you “Hush.” Is this million-breasted City then some tender Artemis, seeking to keep her babes asleep? “Hush, you careless wayfarer; do not waken them. Walk lighter; they are so tired, these myriad children of mine, sleeping in my thousand arms. They are over-worked and over-worried; so many of them are sick, so many fretful, many of them, alas, so full of naughtiness. But all of them so tired. Hush! they worry me with their noise and riot when they are awake. They are so good now they are asleep. Walk lightly, let them rest.”

Where the ebbing tide flows softly through worn arches to the sea, you may hear the stone-faced City talking to the restless waters: “Why will you never stay with me? Why come but to go?”

“I cannot say, I do not understand. From the deep sea I come, but only as a bird loosed from a child’s hand with a cord. When she calls I must return.”

“It is so with these children of mine. They come to me, I know not whence. I nurse them for a little while, till a hand I do not see plucks them back. And others take their place.”

Through the still air there passes a ripple of sound. The sleeping City stirs with a faint sigh. A distant milk-cart rattling by raises a thousand echoes; it is the vanguard of a yoked army. Soon from every street there rises the soothing cry, “Mee’hilk—mee’hilk.”

London like some Gargantuan babe, is awake, crying for its milk. These be the white-smocked nurses hastening with its morning nourishment. The early church bells ring. “You have had your milk, little London. Now come and say your prayers. Another week has just begun, baby London. God knows what will happen, say your prayers.”

One by one the little creatures creep from behind the blinds into the streets. The brooding tenderness is vanished from the City’s face. The fretful noises of the day have come again. Silence, her lover of the night, kisses her stone lips, and steals away. And you, gentle Reader, return home, garlanded with the self-sufficiency of the early riser.

But it was of a certain week-day morning, in the Strand that I was thinking. I was standing outside Gatti’s Restaurant, where I had just breakfasted, listening leisurely to an argument between an indignant lady passenger, presumably of Irish extraction, and an omnibus conductor.

“For what d’ye want thin to paint Putney on ye’r bus, if ye don’t go to Putney?” said the lady.

“We do go to Putney,” said the conductor.

“Thin why did ye put me out here?”

“I didn’t put you out, yer got out.”

“Shure, didn’t the gintleman in the corner tell me I was comin’ further away from Putney ivery minit?”

“Wal, and so yer was.”

“Thin whoy didn’t you tell me?”

“How was I to know yer wanted to go to Putney? Yer sings out Putney, and I stops and in yer jumps.”

“And for what d’ye think I called out Putney thin?”

“’Cause it’s my name, or rayther the bus’s name. This ’ere is a Putney.”

“How can it be a Putney whin it isn’t goin’ to Putney, ye gomerhawk?”

“Ain’t you an Hirishwoman?” retorted the conductor. “Course yer are. But yer aren’t always goin’ to Ireland. We’re goin’ to Putney in time, only we’re a-going to Liverpool Street fust. ’Igher up, Jim.”

The bus moved on, and I was about cross the road, when a man, muttering savagely to himself, walked into me. He would have swept past me had I not, recognizing him, arrested him. It was my friend B—, a busy editor of magazines and journals. It was some seconds before he appeared able to struggle out of his abstraction, and remember himself. “Halloo,” he then said, “who would have thought of seeing you here?”

“To judge by the way you were walking,” I replied, “one would imagine the Strand the last place in which you expected to see any human being. Do you ever walk into a short-tempered, muscular man?”

“Did I walk into you?” he asked surprised.

“Well, not right in,” I answered, “I if we are to be literal. You walked on to me; if I had not stopped you, I suppose you would have walked over me.”

“It is this confounded Christmas business,” he explained. “It drives me off my head.”