"There was an end to all their grandeur!
"Idé and Anna Dorthea walked on each side of their father; Johanné turned round at the gate. Why did she do so? Fortune would not turn. She gazed at the red stones of the wall, the stones from Marshal Stig's castle, and she thought of his daughters:--
'The eldest took the younger's hand, And out in the wide world they went.'
She thought upon that song. Here there were three, and their father was with them. They passed as beggars over the same road where they had so often driven in their splendid carriage to SMIDSTRUP MARK, to a house with mud floors that was let for ten marks a year--their new manor-house, with bare walls and empty closets. The crows and the jackdaws flew after them, and cried, as if in derision, 'From the nest--from the nest! away--away!' as the birds had screeched at Borreby Wood when the trees were cut down.
"And thus they entered the humble house at Smidstrup Mark, and I wandered away over moors and meadows, through naked hedges and leafless woods, to the open sea--to other lands. Wheugh--wheugh! On--on--on!"
What became of Waldemar Daae? What became of his daughters? The wind will tell.
"The last of them I saw was Anna Dorthea, the pale hyacinth. She had become old and decrepit: that was about fifty years after she had left the castle. She lived the longest--she saw them all out."
* * * * *
"Yonder, on the heath, near the town of Viborg, stood the dean's handsome house, built of red granite. The smoke rolled plentifully from its chimneys. The gentle lady and her beautiful daughters sat on the balcony, and looked over their pretty garden on the brown heath. At what were they gazing? They were looking at the storks' nests, on a castle that was almost in ruins. The roof, where there was any roof, was covered with moss and houseleeks; but the best part of it sustained the storks' nests--that was the only portion which was in tolerable repair.
"It was a place to look at, not to dwell in. I had to be cautious with it," said the wind. "For the sake of the storks the house was allowed to stand, else it was really a disgrace to the heath. The dean would not have the storks driven away; so the dilapidated building was permitted to remain, and a poor woman was permitted to live in it. She had to thank the Egyptian birds for that--or was it a reward for having formerly begged that the nests of their wild black kindred might be spared in Borreby Wood? Then the wretched pauper was a young girl--a lovely pale hyacinth in the noble flower parterre. She remembered it well--poor Anna Dorthea!
"'Oh! oh! Yes, mankind can sigh as the wind does amidst the sedges and the rushes--Oh! No church bell tolled at thy death, Waldemar Daae! No charity-school children sang over his grave when the former lord of Borreby was laid in the cold earth! Oh, all shall come to an end, even misery! Sister Idé became a peasant's wife. That was the hardest trial to her poor father. His daughter's husband a lowly serf, who could be obliged by his master to perform the meanest tasks! He, too, is now under the sod, and thou art there with him, unhappy Idé! O yes--O yes! it was not all over, even then; for I am left a poor, old, helpless creature. Blessed Christ! take me hence!'
"Such was Anna Dorthea's prayer in the ruined castle, where she was permitted to live--thanks to the storks.
"The boldest of the sisters I disposed of," said the wind. "She dressed herself in men's clothes, went on board a ship as a poor boy, and hired herself as a sailor. She spoke very little, and looked very cross, but was willing to work. She was a bad hand at climbing, however; so I blew her overboard before any one had found out that she was a female; and I think that was very well done on my part," said the wind.
* * * * *
"It was one Easter morning, the anniversary of the very day on which Waldemar Daae had fancied that he had found out the secret of making gold, that I heard under the storks' nests, from amidst the crumbling walls, a psalm tune--it was Anna Dorthea's last song.
"There was no window. There was only a hole in the wall. The sun came like a mass of gold, and placed itself there. It shone in brightly. Her eyes closed--her heart broke! They would have done so all the same, had the sun not that morning blazed in upon her.
"The storks had provided a roof over her head until her death.
"I sang over her grave," said the wind; "I had also sung over her father's grave, for I knew where it was, and none else did.
"New times came--new generations. The old highway had disappeared in inclosed fields. Even the tombs, that were fenced around, have been converted into a new road; and the railway's steaming engine, with its lines of carriages, dashes over the graves, which are as much forgotten as the names of those who moulder into dust in them! Wheugh--wheugh!
"This is the history of Waldemar Daae and his daughters. Let any one relate it better who can," said the wind, turning round.
And he was gone!
The Girl who Trod upon Bread.
You have doubtless heard of the girl who trod upon bread, not to soil her pretty shoes, and what evil this brought upon her. The tale is both written and printed.
She was a poor child, but proud and vain. She had a bad disposition, people said. When she was little more than an infant it was a pleasure to her to catch flies, to pull off their wings, and maim them entirely. She used, when somewhat older, to take lady-birds and beetles, stick them all upon a pin, then put a large leaf or a piece of paper close to their feet, so that the poor things held fast to it, and turned and twisted in their endeavours to get off the pin.
"Now the lady-birds shall read," said little Inger. "See how they turn the paper!"
As she grew older she became worse instead of better; but she was very beautiful, and that was her misfortune. She would have been punished otherwise, and in the long run she was.
"You will bring evil on your own head," said her mother.
"As a little child you used often to tear my aprons; I fear that when you are older you will break my heart."
The Sand-Hills of Jutland · The Wunder Library — complete classics, free to read, with narration.