Part 18

Pichou's leadership of his team became famous. Under his discipline the other dogs developed speed and steadiness. One day they made the distance to the Godbout in a single journey, a wonderful run of over eighty miles. But they loved their leader no better, though they followed him faster. And as for the other teams, especially Carcajou's, they were still firm in their deadly hatred for the dog with the black patch.

III

It was in the second winter after Pichou's coming to Seven Islands that the great trial of his courage arrived. Late in February an Indian runner on snowshoes staggered into the village. He brought news from the hunting-parties that were wintering far up on the Ste. Marguerite--good news and bad. First, they had already made a good hunting: for the pelletrie, that is to say. They had killed many otter, some fisher and beaver, and four silver foxes--a marvel of fortune. But then, for the food, the chase was bad, very bad--no caribou, no hare, no ptarmigan, nothing for many days. Provisions were very low. There were six families together. Then la grippe had taken hold of them. They were sick, starving. They would probably die, at least most of the women and children. It was a bad job.

Dan Scott had peculiar ideas of his duty toward the savages. He was not romantic, but he liked to do the square thing. Besides, he had been reading up on la grippe, and he had some new medicine for it, capsules from Montreal, very powerful--quinine, phenacetine, and morphine. He was as eager to try this new medicine as a boy is to fire off a new gun. He loaded the Cometique with provisions and the medicine-chest with capsules, harnessed his team, and started up the river. Thermometer thirty degrees below zero; air like crystal; snow six feet deep on the level.

The first day's journey was slow, for the going was soft, and the track, at places, had to be broken out with snow-shoes. Camp was made at the foot of the big fall--a hole in snow, a bed of boughs, a hot fire and a blanket stretched on a couple of sticks to reflect the heat, the dogs on the other side of the fire, and Pichou close to his master.

In the morning there was the steep hill beside the fall to climb, alternately soft and slippery, now a slope of glass and now a treacherous drift of yielding feathers; it was a road set on end. But Pichou flattened his back and strained his loins and dug his toes into the snow and would not give back an inch. When the rest of the team balked the long whip slashed across their backs and recalled them to their duty. At last their leader topped the ridge, and the others struggled after him. Before them stretched the great dead-water of the river, a straight white path to No-man's-land. The snow was smooth and level, and the crust was hard enough to bear. Pichou settled down to his work at a glorious pace. He seemed to know that he must do his best, and that something important depended on the quickness of his legs. On through the glittering solitude, on through the death-like silence, sped the COMETIQUE, between the interminable walls of the forest, past the mouths of nameless rivers, under the shadow of grim mountains. At noon Dan Scott boiled the kettle, and ate his bread and bacon. But there was nothing for the dogs, not even for Pichou; for discipline is discipline, and the best of sledge-dogs will not run well after he has been fed.

Then forward again, along the lifeless road, slowly over rapids, where the ice was rough and broken, swiftly over still waters, where the way was level, until they came to the foot of the last lake, and camped for the night. The Indians were but a few miles away, at the head of the lake, and it would be easy to reach them in the morning.

But there was another camp on the Ste. Marguerite that night, and it was nearer to Dan Scott than the Indians were. Ovide Boulianne had followed him up the river, close on his track, which made the going easier.

“Does that sacre bourgeois suppose that I allow him all that pelletrie to himself and the Compagnie? Four silver fox, besides otter and beaver? NON, MERCI! I take some provision, and some whiskey. I go to make trade also.” Thus spoke the shrewd Ovide, proving that commerce is no less daring, no less resolute, than philanthropy. The only difference is in the motive, and that is not always visible. Ovide camped the second night at a bend of the river, a mile below the foot of the lake. Between him and Dan Scott there was a hill covered with a dense thicket of spruce.

By what magic did Carcajou know that Pichou, his old enemy, was so near him in that vast wilderness of white death? By what mysterious language did he communicate his knowledge to his companions and stir the sleeping hatred in their hearts and mature the conspiracy of revenge?

Pichou, sleeping by the fire, was awakened by the fall of a lump of snow from the branch of a shaken evergreen. That was nothing. But there were other sounds in the forest, faint, stealthy, inaudible to an ear less keen than his. He crept out of the shelter and looked into the wood. He could see shadowy forms, stealing among the trees, gliding down the hill. Five of them. Wolves, doubtless! He must guard the provisions. By this time the rest of his team were awake. Their eyes glittered. They stirred uneasily. But they did not move from the dying fire. It was no concern of theirs what their leader chose to do out of hours. In the traces they would follow him, but there was no loyalty in their hearts. Pichou stood alone by the sledge, waiting for the wolves.

But these were no wolves. They were assassins. Like a company of soldiers, they lined up together and rushed silently down the slope. Like lightning they leaped upon the solitary dog and struck him down. In an instant, before Dan Scott could throw off his blanket and seize the loaded butt of his whip, Pichou's throat and breast were torn to rags, his life-blood poured upon the snow, and his murderers were slinking away, slavering and muttering through the forest.

Dan Scott knelt beside his best friend. At a glance he saw that the injury was fatal. “Well done, Pichou!” he murmured, “you fought a good fight.”

And the dog, by a brave effort, lifted the head with the black patch on it, for the last time, licked his master', hand, and then dropped back upon the snow--contented, happy, dead.

There is but one drawback to a dog's friendship. It does not last long enough.

End of the story? Well, if you care for the other people in it, you shall hear what became of them. Dan Scott went on to the head of the lake and found the Indians, and fed them and gave them his medicine, and all of them got well except two, and they continued to hunt along the Ste. Marguerite every winter and trade with the Honourable H. B. Company. Not with Dan Scott, however, for before that year was ended he resigned his post, and went to Montreal to finish his course in medicine; and now he is a respected physician in Ontario. Married; three children; useful; prosperous. But before he left Seven Islands he went up the Ste. Marguerite in the summer, by canoe, and made a grave for Pichou's bones, under a blossoming ash tree, among the ferns and wild flowers. He put a cross over it.

“Being French,” said he, “I suppose he was a Catholic. But I'll swear he was a Christian.”

VI. THE WHITE BLOT

The real location of a city house depends upon the pictures which hang upon its walls. They are its neighbourhood and its outlook. They confer upon it that touch of life and character, that power to beget love and bind friendship, which a country house receives from its surrounding landscape, the garden that embraces it, the stream that runs near it, and the shaded paths that lead to and from its door.

By this magic of pictures my narrow, upright slice of living-space in one of the brown-stone strata on the eastward slope of Manhattan Island is transferred to an open and agreeable site. It has windows that look toward the woods and the sunset, watergates by which a little boat is always waiting, and secret passageways leading into fair places that are frequented by persons of distinction and charm. No darkness of night obscures these outlets; no neighbour's house shuts off the view; no drifted snow of winter makes them impassable. They are always free, and through them I go out and in upon my adventures.

One of these picture-wanderings has always appeared to me so singular that I would like, if it were possible, to put it into words.

It was Pierrepont who first introduced me to the picture--Pierrepont the good-natured: of whom one of his friends said that he was like Mahomet's Bridge of Paradise, because he was so hard to cross: to which another added that there was also a resemblance in the fact that he led to a region of beautiful illusions which he never entered. He is one of those enthusiastic souls who are always discovering a new writer, a new painter, a new view from some old wharf by the river, a new place to obtain picturesque dinners at a grotesque price. He swung out of his office, with his long-legged, easy stride, and nearly ran me down, as I was plodding up-town through the languor of a late spring afternoon, on one of those duty-walks which conscience offers as a sacrifice to digestion.

“Why, what is the matter with you?” he cried as he linked his arm through mine, “you look outdone, tired all the way through to your backbone. Have you been reading the 'Anatomy of Melancholy,' or something by one of the new British female novelists? You will have la grippe in your mind if you don't look out. But I know what you need. Come with me, and I will do you good.”

So saying, he drew me out of clanging Broadway into one of the side streets that run toward the placid region of Washington Square. “No, no,” I answered, feeling, even in the act of resistance, the pleasure of his cheerful guidance, “you are altogether wrong. I don't need a dinner at your new-found Bulgarian table-d'hote--seven courses for seventy-five cents, and the wine thrown out; nor some of those wonderful Mexican cheroots warranted to eradicate the tobacco-habit; nor a draught of your South American melon sherbet that cures all pains, except these which it causes. None of these things will help me. The doctor suggests that they do not suit my temperament. Let us go home together and have a shower-bath and a dinner of herbs, with just a reminiscence of the stalled ox--and a bout at backgammon to wind up the evening. That will be the most comfortable prescription.”

“But you mistake me,” said he; “I am not thinking of any creature comforts for you. I am prescribing for your mind. There is a picture that I want you to see; not a coloured photograph, nor an exercise in anatomical drawing; but a real picture that will rest the eyes of your heart. Come away with me to Morgenstern's gallery, and be healed.”

As we turned into the lower end of Fifth Avenue, it seemed as if I were being gently floated along between the modest apartment-houses and old-fashioned dwellings, and prim, respectable churches, on the smooth current of Pierrepont's talk about his new-found picture. How often a man has cause to return thanks for the enthusiasms of his friends! They are the little fountains that run down from the hills to refresh the mental desert of the despondent.

“You remember Falconer,” continued Pierrepont, “Temple Falconer, that modest, quiet, proud fellow who came out of the South a couple of years ago and carried off the landscape prize at the Academy last year, and then disappeared? He had no intimate friends here, and no one knew what had become of him. But now this picture appears, to show what he has been doing. It is an evening scene, a revelation of the beauty of sadness, an idea expressed in colours--or rather, a real impression of Nature that awakens an ideal feeling in the heart. It does not define everything and say nothing, like so many paintings. It tells no story, but I know it fits into one. There is not a figure in it, and yet it is alive with sentiment; it suggests thoughts which cannot be put into words. Don't you love the pictures that have that power of suggestion--quiet and strong, like Homer Martin's 'Light-house' up at the Century, with its sheltered bay heaving softly under the pallid greenish sky of evening, and the calm, steadfast glow of the lantern brightening into readiness for all the perils of night and coming storm? How much more powerful that is than all the conventional pictures of light-houses on inaccessible cliffs, with white foam streaming from them like the ends of a schoolboy's comforter in a gale of wind! I tell you the real painters are the fellows who love pure nature because it is so human. They don't need to exaggerate, and they don't dare to be affected. They are not afraid of the reality, and they are not ashamed of the sentiment. They don't paint everything that they see, but they see everything that they paint. And this picture makes me sure that Falconer is one of them.”

By this time we had arrived at the door of the house where Morgenstern lives and moves and makes his profits, and were admitted to the shrine of the Commercial Apollo and the Muses in Trade.