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The Romance of a Mummy and Egypt · Théophile Gautier — chapter 22 of 31 · ~2,018 words · public domain

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"Yes," replied Thamar, stretching her withered hand in the right direction.

The horses, urged on by the whip, sprang forward, and the chariot leaped upon the stones with a noise of brass.

Meanwhile Tahoser slept by the side of Ra'hel. A strange dream filled her sleep. She seemed to be in a temple of immense size. Huge columns of prodigious height upbore the blue ceiling studded with stars like the heavens; innumerable lines of hieroglyphs ascended and descended along the walls between the panels of symbolic frescoes painted in bright colours. All the gods of Egypt had met in this universal sanctuary, not as brass, basalt, or porphyry effigies, but as living shapes. In the first rank were seated the gods Knef, Buto, Phtah, Pan-Mendes, Hathor, Phré, Isis; then came the twelve celestial gods,--six male gods: Rempha, Pi-Zeous, Ertosi, Pi-Hermes, Imuthi; and six female deities: the Moon, Ether, Fire, Air, Water, Earth. Behind these swarmed vaguely and indistinctly three hundred and sixty-five Decans, the familiar dæmons of each day. Next appeared the terrestrial deities: the second Osiris, Haroeri, Typhon, the second Isis, Nephthys, the dog-headed Anubis, Thoth, Busiris, Bubastis, the great Serapis. Beyond, in the shade, were faintly seen idols in form of animals,--oxen, crocodiles, ibises, hippopotami. In the centre of the temple, in his open mummy-case, lay the high-priest Petamounoph, who, the bandages having been unwound from his face, gazed with an ironical air at that strange and mysterious assembly. He was dead, not living, and spoke, as it often happens in dreams; and he said to his daughter, "Question them and ask them if they are gods."

And Tahoser proceeded to put to each one that question, and each and all replied: "We are only numbers, laws, forces, attributes, effluvia, and thoughts of God, but not one of us is the true God."

Then Poëri appeared on the threshold of the temple, and took Tahoser by the hand and led her to a light so brilliant that in comparison with it the sun would have seemed black, and in the centre of which blazed in a triangle words unknown to her.

Meanwhile Pharaoh's chariot flew over all obstacles, and the axles of the wheels rayed the walls in the narrow lanes.

"Pull in your horses," said Thamar to the Pharaoh; "the noise of the wheels in this solitude and silence might startle the fugitive, and she would again escape you."

The Pharaoh thought this advice sound, and in spite of his impatience made his horses slacken their impetuous pace.

"There is the place," said Thamar; "I left the door open. Go in. I shall look after the horses."

The king descended from the chariot, and bowing his head, entered the hut. The lamp was still burning, and shed its dying beams on the two sleeping girls. The Pharaoh caught up Tahoser in his strong arms and walked towards the door of the hut.

When the priest's daughter awoke, and saw flaming near her face the shining face of the Pharaoh, she thought at first that it was one of the fancies of her dream transformed; but the air of night which struck her face soon restored her to the sense of reality. Mad with terror, she tried to scream, to call for help; the cry remained in her throat,--and then, who would have helped her against the Pharaoh?

With one bound the King sprang on to his chariot, threw the reins around his back, and pressing to his breast the half-dead Tahoser, sent his coursers at their top speed towards the Northern Palace.

Thamar glided like a serpent into the hut, crouched down in her accustomed place, and gazed with a look almost as tender as a mother's on her dear Ra'hel, who was still sound asleep.

XIII

The draught of cold air, due to the speed of the chariot, soon made Tahoser recover from her faint. Pressed and crushed against the breast of the Pharaoh, by his two stony arms, her heart had scarce room to beat, and the hard enamelled collars were making their mark on her heaving bosom. The horses, whose reins the King slackened by bending towards the front of the car, rushed furiously forward, the wheels went round like whirlwinds, the brazen plates justled, the heated axles smoked. Tahoser, terrified, saw vaguely, as in a dream, flash to the right and left vast masses of buildings, clumps of trees, palaces, temples, pylons, obelisks, colossi, which the night made more fantastic and terrible. What were the thoughts that filled her mind during that mad rush? She thought as little as thinks a dove, fluttering in the talons of a hawk which is carrying it away to its eyrie. Mute terror stupefied her, made her blood run cold and dulled her feelings. Her limbs hung limp; her will was relaxed like her muscles, and, had she not been held firmly in the arms of the Pharaoh, she would have slipped and fallen in a heap on the bottom of the chariot like a piece of stuff which is let drop. Twice she thought she felt upon her cheek a burning breath and two lips of fire; she did not attempt to turn away her head, terror had killed modesty in her. When the chariot struck violently against a stone, a dim instinct of self-preservation made her cling with her hands to the shoulder of the King and press closer to him; then she let herself go again and leaned with her whole weight, light though it was, upon those arms which held her.

The chariot entered the avenue of sphinxes, at the end of which rose a giant pylon crowned with a cornice on which the symbolic globe displayed its wings; the lessening darkness allowed the priest's daughter to recognise the King's palace. Then despair filled her heart; she struggled, she strove to free herself from the embrace which held her close; she pressed her frail hands against the stony breast of the Pharaoh, stiffened out her arms, throwing herself back over the edge of the chariot. Her efforts were useless, her struggles were vain. Her ravisher brought her back to his breast with an irresistible, slow pressure, as if he would have driven her into it. She tried to scream; her lips were closed with a kiss.

Meanwhile the horses in three or four strides reached the pylon, under which they passed at full gallop, glad to return to the stable, and the chariot rolled into the vast court. The servants hastened up and sprang to the heads of the horses, whose bits were white with foam.

Tahoser cast a terrified glance around her. High brick walls formed a vast square enclosure in which rose on the east a palace, on the west a temple, between two great pools, the piscinæ of the sacred crocodiles. The first rays of the sun, the orb of which was already rising behind the Arabian mountains, flushed with rosy light the top of the buildings, the lower portions of which were still plunged in bluish shadows.

There was no hope of flight. The buildings, though in no wise gloomy, had a look of irresistible strength, of absolute will, of eternal persistence: a world catastrophe alone could have opened an issue through these thick walls, through these piles of hard sandstone. To overthrow the pylons built of fragments of mountains, the earth itself would have had to quake; even a conflagration could only have licked with its fiery tongues those indestructible blocks.

Poor Tahoser did not have at her command such violent means, and she was compelled to allow herself to be carried like a child by the Pharaoh, who had sprung from his chariot.

Four high columns with palm-leaf capitals formed the propylæum of the palace into which the king entered, still pressing to his breast the daughter of Petamounoph. When he had passed through the door, he gently placed his burden on the ground, and seeing Tahoser stagger, he said to her: "Be reassured. You rule the Pharaoh, and the Pharaoh rules the world."

These were the first words he had spoken to her.

If love followed the dictates of reason, Tahoser would certainly have preferred the Pharaoh to Poëri. The King was endowed with supreme beauty. His great, clean, regular features seemed to be chiselled, and not the slightest imperfection could be detected in them. The habit of command had given to his glance that penetrating gleam which makes divinities and kings so easily recognisable. His lips, one word from which would have changed the face of the world and the fate of nations, were of a purple red, like fresh blood upon the blade of a sword, and when he smiled, they possessed that grace of terrible things which nothing can resist. His tall, well proportioned, majestic figure presented the nobility of form admired in the temple statues; and when he appeared solemn and radiant, covered with gold, enamels, and gems, in the midst of the bluish vapour of the censers, he did not seem to belong to that frail race which from generation to generation falls like leaves, and is stretched, sticky with bitumen, in the dark depths of the mummy pits.

What was poor Poëri by the side of this demigod? Nevertheless, Tahoser loved him.

The wise have long since given up attempting to explain the heart of woman. They are masters of astronomy, astrology, and arithmetic; they know the origin of the world, and can tell where were the planets at the very moment of creation; they are sure that the moon was then in the constellation of Cancer, the sun in that of the Lion, Mercury in that of the Virgin, Venus in the Balance, Mars in the Scorpion, Jupiter in Sagittarius, Saturn in Capricorn; they trace on papyrus or granite the direction of the celestial ocean, which goes from the east to the west; they have summed up the number of stars strewn over the blue robe of the Goddess Neith, and make the sun travel in the lower or the superior hemisphere with the twelve diurnal and the twelve nocturnal baris under the conduct of the hawk-headed pilot and of Neb Wa, the Lady of the Bark; they know that in the second half of the month of Tobi, Orion influences the left ear, and Sirius the heart; but they are absolutely ignorant why a woman prefers one man to another, a wretched Israelite to an illustrious Pharaoh.

After having traversed several halls with Tahoser, whom he led by the hand, the King sat down on a seat in the shape of a throne in a superbly decorated room.

Golden stars gleamed in the blue ceiling, and against the pillars which supported the cornice were placed the statues of kings wearing the pschent, their legs merging into the block of stone and their arms crossed on their chest, looking into the room with frightful intensity out of their black-lined eyes. Between every two pillars burned a lamp placed upon a pedestal, and on the base of the walls was represented a sort of ethnographic procession: the nations of the four quarters of the world were represented there with their particular faces and their particular dress.

At the head of the series, guided by Horus the shepherd of the nations, walked the man of men, the Egyptian, the Rot'en'no with a gentle face, slightly aquiline nose, plaited hair, and his dark red skin brought out by the whiteness of the loin-cloth; next came the negro or Nahasi, with his black skin, thick lips, protruding cheekbones and woolly hair; then the Asiatic or Namou, with yellow flesh-colour, strongly aquiline nose, thick black beard cut to a point, wearing a striped skirt fringed with tufts; then the European or Tamhou, the least civilised of all, differing from the others by his white complexion, his red beard and hair, his blue eyes, an undressed ox-skin cast over his shoulder, and his arms and legs tattooed. The other panels were filled with various subjects, scenes of war and triumph and hieroglyphic inscriptions.

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