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Tahoser listened with inattention more apparent than real to the song of the musician.--Page 80.]
THE WORKS OF THÉOPHILE GAUTIER
VOLUME FIVE
TRANSLATED AND EDITED BY PROFESSOR F. C. DE SUMICHRAST Department of French, Harvard University
THE ROMANCE OF A MUMMY
WITH AN INTRODUCTION BY THE EDITOR
THE ATHENAEUM SOCIETY NEW YORK
Copyright, 1901, by GEORGE D. SPROUL
UNIVERSITY PRESS · JOHN WILSON AND SON · CAMBRIDGE, U.S.A.
Contents
THE ROMANCE OF A MUMMY
INTRODUCTION Page 3
PROLOGUE " 9
THE ROMANCE OF A MUMMY " 68
EGYPT
THE UNWRAPPING OF A MUMMY " 299
FROM ALEXANDRIA TO CAIRO " 308
EZBEKÎYEH SQUARE " 331
ANCIENT EGYPT " 338
List of Illustrations
Tahoser listened with inattention more apparent than real to the song of the musician. Frontispiece
The Pharaoh slew but a short time ago three messengers with a blow of his sceptre. Page 229
The Romance of a Mummy
THE ROMANCE OF A MUMMY
Introduction
The subject of "The Romance of a Mummy" was possibly suggested to Théophile Gautier by Ernest Feydeau, the author of "Fanny" and other works of purely light literature, who published in 1858 a "General History of Funeral Customs and Burials among the Ancients." This book was reviewed by Gautier when it appeared, and it is most likely that he had been previously made acquainted with its contents and had discussed Egyptian funeral rites and modes of sepulture with the author, for it was to Feydeau that he dedicated his novel when it was published in book form by Hachette in 1858. An omnivorous reader, Gautier had no doubt also perused the far more important works of Champollion, the decipherer of the inscriptions on the Rosetta stone, who first gave the learned world the key to the mysterious Egyptian hieroglyphic alphabet. Champollion's "Monuments of Egypt and Nubia" had appeared in four volumes from 1835 to 1845, and a continuation by himself and the Vicomte Emmanuel de Rougé was completed in 1872. Champollion-Figeac's "Ancient Egypt" had been published in 1840, having been preceded by Lenormant's "The Museum of Egyptian Antiquities in the Louvre," in 1830, and followed by Prisse d'Avennes' "Monuments of Egypt" in 1847. The explorations and discoveries of Mariette, summed up in that writer's "Selected Monuments and Drawings," issued in 1856, and the steady growth of the Egyptian Museum in the Louvre, to which was added in 1852 the magnificent Clot-Bey collection, must have attracted the attention of Gautier, always keenly interested in art, literature, and erudition.
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