“Please, please, dear,” pleaded Orde. He had nothing more to say than this, just the simple incoherent symbols of pleading; but in such crises it is rather the soul than the tongue that speaks. His hand met hers and closed about it. It did not respond to his grasp, nor did it draw away, but lay limp and warm and helpless in his own.
She shook her head slowly.
“Don't you care for me, dear?” asked Orde very gently.
“I have no right to tell you that,” answered she. “I have tried, oh, so hard, to keep you from saying this, for I knew I had no right to hear you.”
Orde's heart leaped with a wild exultation.
“You do care for me!” he cried.
They had mounted the steps and stood just within the vestibule. Orde drew her toward him, but she repulsed him gently.
“No,” she shook her head. “Please be very good to me. I'm very weak.”
“Carroll!” cried Orde. “Tell me that you love me! Tell me that you'll marry me!”
“It would kill mother if I should leave her,” she said sadly.
“But you must marry me,” pleaded Orde. “We are made for each other. God meant us for each other.”
“It would have to be after a great many years,” she said doubtfully.
She pulled the bell, which jangled faintly in the depths of the house.
“Good-night,” she said. “Come to me to-morrow. No, you must not come in.” She cut short Orde's insistence and the eloquence that had just found its life by slipping inside the half-open door and closing it after her.
Orde stood for a moment uncertain; then turned away and walked up the street, his eyes so blinded by the greater glory that he all but ran down an inoffensive passer-by.
At the hotel he wrote a long letter to his mother. The first part was full of the exultation of his discovery. He told of his good fortune quite as something just born, utterly forgetting his mother's predictions before he came East. Then as the first effervescence died, a more gloomy view of the situation came uppermost. To his heated imagination the deadlock seemed complete. Carroll's devotion to what she considered her duty appeared unbreakable. In the reaction Orde doubted whether he would have it otherwise. And then his fighting blood surged back to his heart. All the eloquence, the arguments, the pleadings he should have commanded earlier in the evening hurried belated to their posts. After the manner of the young and imaginative when in the white fire of emotion, he began dramatising scenes between Carroll and himself. He saw them plainly. He heard the sound of his own voice as he rehearsed the arguments which should break her resolution. A woman's duty to her own soul; her obligation toward the man she could make or mar by her love; her self-respect; the necessity of a break some time; the advantage of having the crisis over with now rather than later; a belief in the ultimate good even to Mrs. Bishop of throwing that lady more on her own resources; and so forth and so on down a list of arguments obvious enough or trivial enough, but all inspired by the soul of fervour, all ennobled by the spirit of truth that lies back of the major premise that a woman should cleave to a man, forsaking all others. Orde sat back in his chair, his eyes vacant, his pen all but falling from his hand. He did not finish the letter to his mother. After a while he went upstairs to his own room.
The fever of the argument coursed through his veins all that long night. Over and over again he rehearsed it in wearisome repetition until it had assumed a certain and almost invariable form. And when he had reached the end of his pleading he began it over again, until the daylight found him weary and fevered. He arose and dressed himself. He could eat no breakfast. By a tremendous effort of the will he restrained himself from going over to Ninth Street until the middle of the morning.
He entered the drawing-room to find her seated at the piano. His heart bounded, and for an instant he stood still, summoning his forces to the struggle for which he had so painfully gathered his ammunition. She did not look up as he approached until he stood almost at her shoulder. Then she turned to him and held out both her hands.
“It is no use, Jack,” she said. “I care for you too much. I will marry you whenever you say.”
XIX
Orde left that evening early. This was at Carroll's request. She preferred herself to inform her family of the news.
“I don't know yet how mother is going to get along,” said she. “Come back to-morrow afternoon and see them all.”
The next morning Orde, having at last finished and despatched the letter to his mother, drifted up the avenue and into the club. As he passed the smoking room he caught sight of Gerald seated in an armchair by the window. He entered the room and took a seat opposite the young fellow.
Gerald held out his hand silently, which the other took.
“I'm glad to hear it,” said Gerald at last. “Very glad. I told you I was on your side.” He hesitated, then went on gravely: “Poor Carroll is having a hard time, though. I think it's worse than she expected. It's no worse than I expected. You are to be one of the family, so I am going to give you a piece of advice. It's something, naturally, I wouldn't speak of otherwise. But Carroll is my only sister, and I want her to be happy. I think you are the man to make her so, but I want you to avoid one mistake. Fight it out right now, and never give back the ground you win.”
“I feel that,” replied Orde quietly.
“Mother made father resign from the army; and while he's a dear old boy, he's never done anything since. She holds me--although I see through her--possibly because I'm weak or indifferent, possibly because I have a silly idea I can make a bad situation better by hanging around. She is rapidly turning Kendrick into a sullen little prig, because he believes implicitly all the grievances against the world and the individual she pours out to him. You see, I have no illusions concerning my family. Only Carroll has held to her freedom of soul, because that's the joyous, free, sweet nature of her, bless her! For the first time she's pitted her will against mother's, and it's a bad clash.”
“Your mother objected?” asked Orde.
The Riverman · The Wunder Library — complete classics, free to read, with narration.