Part 44

Orde wasted no time in discussion, which no doubt saved the necessity of a more serious disturbance. He reached over suddenly, seized the youth by the collar, braced his knee against the seat, and heaved the interloper so rapidly to his feet that he all but plunged forward among the passengers sitting opposite.

“Your seat, madam,” said Orde.

The woman, frightened, unwilling to become the participant of a scene of any sort, stood looking here and there. Orde, comprehending her embarrassment, twisted his antagonist about, and, before he could recover his equilibrium sufficiently to offer resistance, propelled him rapidly to the open door, the passengers hastily making way for them.

“Now, my friend,” said Orde, releasing his hold on the other's collar, “don't do such things any more. They aren't nice.”

Trivial as the incident was, it served to draw Orde to the particular notice of an elderly man leaning against the rear rail. He was a very well-groomed man, dressed in garments whose fit was evidently the product of the highest art, well buttoned up, well brushed, well cared for in every way. In his buttonhole he wore a pink carnation, and in his gloved hand he carried a straight, gold-headed cane. A silk hat covered his head, from beneath which showed a slightly empurpled countenance, with bushy white eyebrows, a white moustache, and a pair of rather bloodshot, but kindly, blue eyes. In spite of his somewhat pudgy rotundity, he carried himself quite erect, in a manner that bespoke the retired military man.

“You have courage, sir,” said this gentleman, inclining his bead gravely to Orde.

The young man laughed in his good-humoured fashion.

“Not much courage required to root out that kind of a skunk,” said he cheerfully.

“I refer to the courage of your convictions. The young men of this generation seem to prefer to avoid public disturbances. That breed is quite capable of making a row, calling the police, raising the deuce, and all that.”

“What of it?” said Orde.

The elderly gentleman puffed out his cheeks.

“You are from the West, are you not?” he stated, rather than asked.

“We call it the East out there,” said Orde. “It's Michigan.”

“I should call that pretty far west,” said the old gentleman.

Nothing more was said. After a block or two Orde descended on his way to a small hotel just off Broadway. The old gentleman saluted. Orde nodded good-humouredly. In his private soul he was a little amused at the old boy. To his view a man and clothes carried to their last refinement were contradictory terms.

Orde ate, dressed, and set out afoot in search of Miss Bishop's address. He arrived in front of the house a little past eight o'clock, and, after a moment's hesitation, mounted the steps and rang the bell.

The door swung silently back to frame an impassive man-servant dressed in livery. To Orde's inquiry he stated that Miss Bishop had gone out to the theatre. The young man left his name and a message of regret. At this the footman, with an irony so subtle as to be quite lost on Orde, demanded a card. Orde scribbled a line in his note-book, tore it out, folded it, and left it. In it he stated his regret, his short residence in the city, and desired an early opportunity to call. Then he departed down the brownstone steps, totally unconscious of the contempt he had inspired in the heart of the liveried man behind him.

He retired early and arose early, as had become his habit. When he descended to the office the night clerk, who had not yet been relieved, handed him a note delivered the night before. Orde ripped it open eagerly.

“MY DEAR MR. ORDE:

“I was so sorry to miss you that evening because of a stupid play. Come around as early as you can to-morrow morning. I shall expect you.

“Sincerely yours,

“CARROLL BISHOP.”

Orde glanced at the clock, which pointed to seven. He breakfasted, read the morning paper, finally started leisurely in the direction of West Ninth Street. He walked slowly, so as to consume more time, then at University Place was seized with a panic, and hurried rapidly to his destination. The door was answered by the same man who had opened the night before, but now, in some indefinable way, his calm, while flawless externally, seemed to have lifted to a mere surface, as though he might hastily have assumed his coat. To Orde's inquiry he stated with great brevity that Miss Bishop was not yet visible, and prepared to close the door.

“You are mistaken,” said Orde, with equal brevity, and stepped inside. “I have an engagement with Miss Bishop. Tell her Mr. Orde is here.”

The man departed in some doubt, leaving Orde standing in the gloomy hall. That young man, however, quite cheerfully parted the heavy curtains leading into a parlour, and sat down in a spindle-legged chair. At his entrance, a maid disappeared out another door, carrying with her the implements of dusting and brushing.

Orde looked around the room with some curiosity. It was long, narrow, and very high. Tall windows admitted light at one end. The illumination was, however, modified greatly by hangings of lace covering all the windows, supplemented by heavy draperies drawn back to either side. The embrasure was occupied by a small table, over which seemed to flutter a beautiful marble Psyche. A rubber plant, then as now the mark of the city and suburban dweller, sent aloft its spare, shiny leaves alongside a closed square piano. The lack of ornaments atop the latter bespoke the musician. Through the filtered gloom of the demi-light Orde surveyed with interest the excellent reproductions of the Old World masterpieces framed on the walls--“Madonnas” by Raphael, Murillo, and Perugino, the “Mona Lisa,” and Botticelli's “Spring”--the three oil portraits occupying the large spaces; the spindle-legged chairs and tables, the tea service in the corner, the tall bronze lamp by the piano, the neat little grate-hearth, with its mantel of marble; the ormolu clock, all the decorous and decorated gentility which marked the irreproachable correctness of whoever had furnished the apartment. Dark and heavy hangings depended in front of a double door leading into another room beyond. Equally dark and heavy hangings had closed behind Orde as he entered. An absolute and shrouded stillness seemed to settle down upon him. The ormolu clock ticked steadily. Muffled sounds came at long intervals from behind the portieres. Orde began to feel oppressed and subdued.

For quite three quarters of an hour he waited without hearing any other indications of life than the muffled sounds just remarked upon. Occasionally he shifted his position, but cautiously, as though he feared to awaken some one. The three oil portraits stared at him with all the reserved aloofness of their painted eyes. He began to doubt whether the man had announced him at all.

Then, breaking the stillness with almost startling abruptness, he heard a clear, high voice saying something at the top of the stairs outside. A rhythmical SWISH of skirts, punctuated by the light PAT-PAT of a girl tripping downstairs, brought him to his feet. A moment later the curtains parted and she entered, holding out her hand.