Part 10

Mr. Locket stared again; he was unable to repress an unattenuated “You?”

“I have some new material,” said the young man, colouring a little. “That often freshens up an old story.”

“It buries it sometimes. It’s often only another tombstone.”

“That depends upon what it is. However,” Peter added, “the documents I speak of would be a crushing monument.”

Mr. Locket, hesitating, shot another glance under his glasses. “Do you allude to—a—revelations?”

“Very curious ones.”

Mr. Locket, still on his feet, had kept his body at the bowing angle; it was therefore easy for him after an instant to bend a little further and to sink into his chair with a movement of his hand toward the seat Baron had occupied. Baron resumed possession of this convenience, and the conversation took a fresh start on a basis which such an extension of privilege could render but little less humiliating to our young man. He had matured no plan of confiding his secret to Mr. Locket, and he had really come out to make him conscientiously that other announcement as to which it appeared that so much artistic agitation had been wasted. He had indeed during the past days—days of painful indecision—appealed in imagination to the editor of the Promiscuous, as he had appealed to other sources of comfort; but his scruples turned their face upon him from quarters high as well as low, and if on the one hand he had by no means made up his mind not to mention his strange knowledge, he had still more left to the determination of the moment the question of how he should introduce the subject. He was in fact too nervous to decide; he only felt that he needed for his peace of mind to communicate his discovery. He wanted an opinion, the impression of somebody else, and even in this intensely professional presence, five minutes after he had begun to tell his queer story, he felt relieved of half his burden. His story was very queer; he could take the measure of that himself as he spoke; but wouldn’t this very circumstance qualify it for the Promiscuous?

“Of course the letters may be forgeries,” said Mr. Locket at last.

“I’ve no doubt that’s what many people will say.”

“Have they been seen by any expert?”

“No indeed; they’ve been seen by nobody.”

“Have you got any of them with you?”

“No; I felt nervous about bringing them out.”

“That’s a pity. I should have liked the testimony of my eyes.”

“You may have it if you’ll come to my rooms. If you don’t care to do that without a further guarantee I’ll copy you out some passages.”

“Select a few of the worst!” Mr. Locket laughed. Over Baron’s distressing information he had become quite human and genial. But he added in a moment more dryly: “You know they ought to be seen by an expert.”

“That’s exactly what I dread,” said Peter.

“They’ll be worth nothing to me if they’re not.”

Peter communed with his innermost spirit. “How much will they be worth to me if they are?”

Mr. Locket turned in his study-chair. “I should require to look at them before answering that question.”

“I’ve been to the British museum—there are many of his letters there. I’ve obtained permission to see them, and I’ve compared everything carefully. I repudiate the possibility of forgery. No sign of genuineness is wanting; there are details, down to the very postmarks, that no forger could have invented. Besides, whose interest could it conceivably have been? A labor of unspeakable difficulty, and all for what advantage? There are so many letters, too—twenty-seven in all.”

“Lord, what an ass!” Mr. Locket exclaimed.

“It will be one of the strangest post-mortem revelations of which history preserves the record.”

Mr. Locket, grave now, worried with a paper-knife the crevice of a drawer. “It’s very odd. But to be worth anything such documents should be subjected to a searching criticism—I mean of the historical kind.”

“Certainly; that would be the task of the writer introducing them to the public.”

Again Mr. Locket considered; then with a smile he looked up. “You had better give up original composition and take to buying old furniture.”

“Do you mean because it will pay better?”

“For you, I should think, original composition couldn’t pay worse. The creative faculty’s so rare.”