Part 96

Detective Mallory looked at him stupefied. There was a similar expression on Hatch's face.

"'What's--what's in there?" the detective asked. "Smash it," said the other, tartly. "Smash it, or God knows what you'll find in there."

The detective, a powerful man, and Hatch threw their weight against the door; it stood rigid. They pulled at the handle; it refused to yield.

"Lend me your revolver?" asked The Thinking Machine.

The weapon was in his hand almost before the detective was aware of it, and, placing the barrel to the keyhole, The Thinking Machine pulled the trigger. There was a resonant report, the lock was smashed and the detective put out his hand to open the door.

"Look out for a shot," warned The Thinking Machine, sharply.

VI.

The Thinking Machine drew Detective Mallory and Hatch to one side, out of immediate range of any person who might rush out, then pulled the closet door open. A cloud of suffocating fumes--the sweet, sickening odor of chloroform--gushed out, but there was no sound from inside. The detective looked at The Thinking Machine inquiringly.

Carefully, almost gingerly, the scientist peered around the edge of the door. What he saw did not startle him, because it was what he expected. It was Constans St. George lying prone on the floor as if dead, with a blood-spattered revolver clasped loosely in one hand; the other hand grasped the throat of a woman, a woman of superb physical beauty, who also lay with face upturned, staring glassily.

"Open the windows--all of them, then help me," commanded the scientist.

As Detective Mallory and Hatch turned to obey the instructions, The Thinking Machine took the revolver from the inert fingers of the artist. Then Hatch and Mallory returned and together they lifted the unconscious forms toward a window.

"It's Grace Field," said the reporter.

In silence for half an hour the scientist labored over the unconscious forms of his three patients. The detective and reporter stood by, doing only what they were told to do. The wind, cold and stinging, came pouring through the windows, and it was only a few minutes until the chloroform odor was dissipated. The first of the three unconscious ones to show any sign of returning comprehension was Victor Willis, whose presence at all in the apartments furnished one of the mysteries which Hatch could not fathom.

It was evident that his condition was primarily due to the wounds on his head--two of which bled profusely. The chloroform had merely served to further deaden his mentality. The wounds were made with the butt of the revolver, evidently in the hands of the artist. Willis's eyes opened finally and he stared at the faces bending over him with uncomprehending eyes.

"What happened?" he asked.

"You're all right now," was the scientist's assuring answer. "This man is your prisoner, Detective Mallory, for breaking and entering and for the attempted murder of Mr. St. George."

Detective Mallory was delighted. Here was something he could readily understand; a human being given over to his care; a tangible thing to put handcuffs on and hold. He immediately proceeded to put the handcuffs on.

"Any need of an ambulance?" he asked.

"No," replied The Thinking Machine. "He'll be all right in half an hour."

Gradually as reason came back Willis remembered. He turned his head at last and saw the inert bodies of St. George and Grace Field, the girl whom he had loved.

"She was here, then!" he exclaimed suddenly, violently. "I knew it. Is she dead?"

"Shut up that young fool's mouth, Mr. Mallory," commanded the scientist, sharply. "Take him in the other room or send him away."

Obediently Mallory did as directed; there was that in the voice of this cold, calm being, The Thinking Machine, which compelled obedience. Mallory never questioned motives or orders.

Willis was able to walk to the other room with help. Miss Field and St. George lay side by side in the cold wind from the open window. The Thinking Machine had forced a little whiskey down their throats, and after a time St. George opened his eyes.

The artist was instantly alert and tried to rise. He was weak, however, and even a strength given to him by the madness which blazed in his eyes did not avail. At last he lay raving, cursing, shrieking. The Thinking Machine regarded him closely.

"Hopeless," he said, at last.

Again for many minutes the scientist worked with the girl. Finally he asked that an ambulance be sent for. The detective called up the City Hospital on the telephone in the apartments and made the request. The Thinking Machine stared alternately at the girl and at the artist.

"Hopeless," he said again. "St. George, I mean."