Mr. St. George had been asleep when the door of his apartments was burst in by the thief. The artist arose at the noise, and as he stepped into the reception-room had been shot. The wound was trivial. The burglar escaped; there was no clew.
IV.
It was a long story of seemingly hopeless complications that Hatch told The Thinking Machine that morning. Nothing connected with anything, and yet here was a series of happenings, all apparently growing out of the disappearance of Miss Field, and which must have some relation one to the other. At the conclusion of the story, Hatch passed over the newspaper containing the account of the burglary in the studio. The artist had been removed to a hospital.
The Thinking Machine read the newspaper account and turned to the reporter with a question:
"Did you see Willis's handwriting?"
"Not yet," replied the reporter.
"See it at once," instructed the other. "If possible, bring me a sample of it. Did you see St. George's handwriting?"
"No," the reporter confessed.
"See that and bring me a sample if you can. Find out first if Willis has a revolver now or has ever had. If so, see it and see if it is loaded or empty--its exact condition. Find out also if St. George has a revolver--and if he has one, get possession of it if it is in your power."
The scientist twisted the two gloves and the veil which Hatch had given to him in his fingers idly, then passed them to the reporter again.
Hatch arose and stood waiting, hat in hand.
"Also find out," The Thinking Machine went on, "the exact condition of St. George--his mental condition particularly. Find out if Willis is at his office in the bank to-day, and, if possible, where and how he spent last night. That's all."
"And Miss Stanford?" asked Hatch.
"Never mind her," replied The Thinking Machine. "I may see her myself. These other things are of immediate consequence. The minute you satisfy yourself come back to me. Quickness on your part may prevent a tragedy."
The reporter went away hurriedly. At four o'clock that afternoon he returned. The Thinking Machine greeted him; he held a piece of letter-paper in his hand.
"Well?" he asked.
"The handwriting is Willis's," said Hatch, without hesitation. "I saw a sample--it is identical, and the paper on which he writes is identical."
The scientist grunted.
"I also saw some of St. George's writing," the reporter went on, as if he were reciting a lesson. "It is wholly dissimilar."
The Thinking Machine nodded.
"Willis has no revolver that anyone ever heard of," Hatch continued. "He was at dinner with several of his fellow employees last night, and left the restaurant at eight o'clock."
"Been drinking?"
"Might have had a few drinks," responded the reporter. "He is not a drinking man."
"Has St. George a revolver?"
"I was unable to find that out or do anything except get a sample of his writing from another artist," the reporter explained. "He is in a hospital, raving crazy. It seems to be a return of the trouble he had once before, except it is worse. The wound itself is not bad."
The scientist was studying the sheet of paper. "Have you that scrap?" he asked.
Hatch produced it, and the scientist placed it on the sheet; Hatch could only conjecture that he was fitting it to something else already there. He was engaged in this work when Martha entered.
"The young lady who was here earlier to-day wants to see you again," she announced.
The Problem of Cell 13 · The Wunder Library — complete classics, free to read, with narration.