wunder · Library

Part 6

The Principles of the Art of Conversation · J. P. Mahaffy — chapter 6 of 11 · ~2,938 words · public domain

Read in the Wunder reader — free

This remark suggests that the social virtues of the sexes are broadly distinguished by some such principle. Women ought not to be obliged to lead in a conversation, but it will grow dry and dull if they are not ready with their sympathy to hear what is said with pleasure, and to stimulate others by quick and intelligent appreciation. I have known a clever woman maintain a deservedly high character for her conversation who really said very little, but was so sympathetic that she made her guests eloquent, and thus so thoroughly pleased with themselves, that she was lit up by the glow of their satisfaction, and earned very justly the credit for talking well simply because she made others talk. There is probably no social talent higher than this—or rarer.

§ 23. But I suppose no one will be disposed to dispute this, or to underrate the value of sympathy as a quality for conversation. It is much more likely that people may think to simplify the whole matter by arguing that, with the postulate of some brains and some education, all that is required is sympathy, and the more of it the better, so that nothing else remains to be said. We must, therefore, consider carefully how far this is true, and whether there be not some important limitations which complicate the question.

There is one on the very surface. Sympathy must not be excessive in quality, which makes it demonstrative, and therefore likely to repel its object. We have an excellent word which describes the over-sympathetic person, and marks the judgment of society, when we say that he or she is gushing. Of course as women are more frequently endowed with this virtue than men, they also err more frequently in the excess, at least in Teutonic races, for among Latin races a gushing man is quite a common phenomenon. This sort of person not only volunteers to show his sympathy before it is required, and often spoils conversation at the outset, but is ever ready to agree with everybody, so making a discussion, which implies differences in opinion, impossible. There results a social impression of a mixed kind, which is even more disagreeable than downright dislike, and therefore socially worse—I mean that of feeling a dislike and contempt for a person who is known to be full of goodness and benevolence. Many people resent being obliged to confuse their judgment in this way, and feel a stronger antipathy to this marred goodness than to proclaimed evil.

In the next place, sympathy must not be excessive in quantity or indiscriminate, otherwise it ceases to have any great social value. The most seductive way of conveying your sympathy to another is to join with him in some strong antipathy, thus showing that all the world cannot claim your friendship, but that you distribute your likes and dislikes with judgment and discrimination. A man who is known to have a special sympathy for some particular age or sex or class in society is far more agreeable to that class than he who embraces all the world in his affections. Nay, if one usually reserved or shy expands for once, or to some few people, in contrast to his usual habit, this sympathy is indeed treasured as a real token of confidence.

These and many similar observations, which will occur to the intelligent reader, will indicate how important are the limitations of sympathy, and how essential it is that this, like every other social virtue, should be carefully husbanded, and not squandered at random without regard to its value. I should add that the foregoing remarks are specially applicable to English (I do not mean English-speaking) society. There is no people more distant and reserved in social intercourse, or that more resents any display of feeling, most of all of sympathy, without a careful introduction and considerable intimacy among the company. Thus those who are accustomed to freer and more outspoken societies, not to say French and Italian life, may make social mistakes in England on the score of sympathy, which are sins only in the heavy atmosphere of Anglo-Saxon manners.

------------------------------------------------------------------------

MORAL CONDITIONS—TACT

§ 24. The highest and best of all the moral conditions for conversation is what we call tact. I say a condition, for it is very doubtful whether it can be called a single and separate quality; more probably it is a combination of intellectual quickness with lively sympathy. But so clearly is it an intellectual quality, that of all others it can be greatly improved, if not actually acquired, by long experience in society. Like all social excellences it is almost given as a present to some people, while others with all possible labour never acquire it. As in billiard-playing, shooting, cricket, and all these other facilities which are partly mental and partly physical, many never can pass a certain point of mediocrity; but still even those who have the talent must practise it, and only become really distinguished after hard work. So it is in art. Music and painting are not to be attained by the crowd. Not even the just criticism of these arts is attainable without certain natural gifts; but a great deal of practice in good galleries and at good concerts, and years spent among artists, will do much to make even moderately-endowed people sound judges of excellence.

Tact, which is the sure and quick judgment of what is suitable and agreeable in society, is likewise one of those delicate and subtle qualities or a combination of qualities which is not very easily defined, and therefore not teachable by fixed precepts; but we can easily see that it is based on all the conditions we have already discussed. Some people attain it through sympathy; others through natural intelligence; others through a calm temper; others again by observing closely the mistakes of their neighbours. As its name implies, it is a sensitive touch in social matters, which feels small changes of temperature, and so guesses at changes of temper; which sees the passing cloud on the expression of one face, or the eagerness of another that desires to bring out something personal for others to enjoy. This quality of tact is of course applicable far beyond mere actual conversation. In nothing is it more useful than in preparing the right conditions for a pleasant society, in choosing the people who will be in mutual sympathy, in thinking over pleasant subjects of talk and suggesting them, in seeing that all disturbing conditions are kept out, and that the members who are to converse should be all without those small inconveniences which damage society so vastly out of proportion to their intrinsic importance.

§ 25. This social skill is generally supposed to be congenital, especially in some women, and no one thinks of laying down rules for it, as its application is so constant, various, and often sudden. Yet it is certain that any one may improve himself by reflection on the matter, and so avoid those shocking mistakes which arise from social stupidity. Thus in the company of a woman who is a man’s third wife, most people will instinctively avoid jokes about Blue Beard, or anecdotes of comparison between a man’s several wives, of which so many are current in Ireland. But quite apart from instinct, an experienced man who is going to tell a story which may have too much point for some of those present, will look round and consider each member of the party, and if there be a single stranger there whose views are not familiar to him, he will forego the pleasure of telling the story rather than make the social mistake of hurting even one of the guests. On the other hand, this very example shows how a single stranger may spoil a whole conversation by inducing caution in the speakers and imposing upon them such reserve as is inconsistent with a perfectly easy flow of talk.

Another evidence of tact is the perception that a topic has been sufficiently discussed, and that it is on the point of becoming tedious. There is nothing which elderly people should watch more carefully in themselves, for even those once gay and brilliant are almost certain to become prosy with age, and to dwell upon their favourite topics as if this preference were shared by all society. But even the young must be here perpetually upon the watch, and show their tact by refraining from too many questions or too much argument upon any single subject, which becomes a bore to others. Every host and hostess should make it their first duty to watch this human weakness, and should lead away the conversation when it threatens to stay in the same groove. It is better to do this bluntly and confessedly than to refrain from doing it. But the quality of tact, as it quickly perceives the growing mischief, is also quick of resource in devising such interruptions as may seem natural or unavoidable, so as to beguile the company into new paths, and even make the too persistent members lay aside their threadbare discussion without regret.

Footnote 6:

Even too careful an attention to grammar, and the careful rounding of periods in easy intercourse, is apt to be tedious, and should be avoided. The instant the company has grasped your idea, you should pass to something else without regard to the form of your sentence.

------------------------------------------------------------------------

CONDITIONS TOO GENERAL—MORAL WORTH AND TRUTHFULNESS

§ 26. In all the faculties hitherto enumerated, it has been my principle to select and specify those which are capable of improvement by conscious training. I have over and over again admitted that nature—probably meaning by nature heredity—has endowed some people with gifts which others must strive to attain by exercise. But I have hitherto excluded such conditions as are either too wide to be called conditions of conversation, or too special ever to be attained without great and peculiar natural gifts.

Of the first kind are general moral worth and truthfulness, which afford the proper ground for respect, and which therefore give weight and importance to anything the speaker says. In cases of moral doubt, in cases of disputed fact, the authority of such a person is a welcome haven of rest for those that distrust other evidence, and like a great authority in a science expounding the principles of that science, so a man or woman of high character may be of much service in conversation. But of course it would be ridiculous to recommend the cultivation of this lofty character for the sake of conversation. It is perhaps more practical to observe that an over-seriousness in morals may be detrimental to the ease and grace, above all to the playfulness, of talk. Let me not be misunderstood in this matter. There is no more valuable and useful check on the degenerating of talk into ribaldry, profanity, or indecency, than the presence of a mind of solid moral worth, which will not tolerate such licence. There are companies, especially of young men, where such things are taken for wit, and which thus show a degradation of the conception of talk that would very soon render conversation intolerable to any intelligent man, not only from its coarseness, but from its dulness. No man, no society, can be called witty, which has not far better credentials than that. Every company of men ought to import two or three grave and reverend people into their circle for the purpose of checking such ruinous excesses, if there be any probability that the conversation may stray into this slough of mire.

§ 27. But on the other hand, there is such a thing in society—Aristotle saw it long ago—as being over-scrupulous in truthfulness. Even a consummate liar, though generally vulgar, and therefore offensive, is a better ingredient in a company than the scrupulously truthful man, who weighs every statement, questions every fact, and corrects every inaccuracy. In the presence of such a social scourge I have heard a witty talker pronounce it the golden rule of conversation to know nothing accurately. Far more important is it, in my mind, to demand no accuracy. There is no greater or more common blunder in society than to express disbelief or scepticism in a story told for the amusement of the company. The object of the speaker is not to instruct, but to divert, and to ask him: Is that really true? or to exclaim: Really that is too much to expect us to believe! shows that the objector is a blockhead unfit for any amusing conversation. The only social criticism on such a story, if it be really beyond the bounds of reasonable belief, is to out-do it with another still more extravagant, and so to bring back the company with laughter, and by excess of exaggeration to a soberer vein. The seriousness of the blunder just noted is not felt till we have learned that there is a vast number of real facts in nature so strange at first hearing, that they excite active scepticism, and that you may lay a wager with any one to pass them off as lies. In fact, any society only familiar with one class of natural facts, can be furnished with facts from another sphere in nature which the majority will disbelieve.

Footnote 7:

For example, to men of town life, or of mere books, it will seem incredible that a fish should shoot flies with a drop of water, or a diver carry about its egg hugged against its breast, or that an otter should take a single bite out of a salmon and leave the rest, or that a woodcock should carry its young in its bill, all of which facts in natural history I have myself heard told to intelligent pedants, and set down by them as impudent inventions.

The point of importance in the present connection is that, if a man is reporting what he knows to be true, and finds himself disbelieved, he will certainly either feel hurt, or will conceive such contempt for the ignorance and bad manners of his hearers that he will make no further effort to help the conversation.

The outcome, therefore, of what has here been said about high moral worth and extreme truthfulness, is that these virtues, though lending the speaker dignity, must not be allowed to tyrannise. The great and good man must unbend; he must acquiesce in being amused; he must even connive at inaccuracies, and smile at what he considers inventions; he must for the nonce regard recreation as his direct object.

------------------------------------------------------------------------

CONDITIONS TOO SPECIAL—WIT AND HUMOUR

§ 28. There may have been times and nations where conversation was regarded as so serious and important an engine of education, that sound argument, brilliant illustration, and ample information, took the highest place as qualities of talk. Perhaps they do in some cases now, as, for example, everybody who knows him will concede to Mr. Gladstone the palm as a very charming man in society by reason of these qualities. But among hard-working and somewhat fatigued people, who have been pursuing information of various kinds in all their working hours, conversation must be of the nature of relaxation; it must be amusing first, instructive afterwards, and so it is that nowadays no qualities, however valuable, rank so high in popular estimation for social purposes, as wit and humour.

I will not ascend to a philosophical analysis of these terms, or attempt to answer the obscure and difficult question: What is it that makes us laugh, and why we seem to have in this somewhat trivial point a special feature distinguishing us from all the lower animals? They may have the faculty of reason; they seem entirely devoid of the faculty of ridicule. Nay, even in the scale of civilisation, it is remarkable that the savage and the ignorant laugh less and understand less of this great fund of enjoyment than civilised people. There are also, of course, national differences. The English boor seldom laughs, and then at very coarse fun; the Italian or the Irishman often, and very innocently; the modern Greek, though highly intelligent and keen, very seldom, apparently from want of taste for the ridiculous.

As regards the distinction between wit and humour, all I need here insist upon is that the former consists in quick flashes, in prompt repartee, in quaint comparison; while the latter is sustained; it is a comic way of looking at serious things, a flavouring of narrative, a perception of a ludicrous vein in human life and character. Both these are now esteemed very highly, perhaps beyond their value, in society, but they are so specially natural gifts, and are so impossible to attain by practice, that they cannot be enjoined as conditions to which every talker must conform; they can only be described, and their force or weakness illustrated.

§ 29. There is nothing that requires to appear spontaneous more stringently than either of these qualities, and yet we read of great wits, like Sheridan, who carefully prepared their sallies, and even suborned some one to lead up to them. The effect of knowing this is to detract greatly from the enjoyment of the company, and still more from the reputation of the speaker. Most of us would say, that however brilliant in writing comedies, Sheridan must have been distinctly wanting in that gift of spontaneous and ready wit which flashes out at the least provocation, and is mere intellectual playfulness, like the playfulness of a young and happy animal.

← Previous chapterAll chaptersNext chapter →

The Principles of the Art of Conversation · The Wunder Library — complete classics, free to read, with narration.

© 2026 Wunder Learning LLC · Terms & Privacy