"Oh, I don't know. Some man. He said you were a Jekyll and Hyde. Which is Jekyll? You see, I only know your professional side."
"You must try to find out for yourself by deduction," he said, "as you picked out the other passengers. I am going to Grasse," he continued. "It's the capital of Hohenwald. Do you know it?"
"Yes," she said; "we were there once for a few days. We went to see the pictures. I suppose you know that the old Duke, the father of the present one, ruined himself almost by buying pictures for the Grasse gallery. We were there at a bad time, though, when the palace was closed to visitors, and the gallery too. I suppose that is what is taking you there?"
"No," Carlton said, shaking his head. "No, it is not the pictures. I am going to Grasse," he said, gravely, "to see the young woman with whom I am in love."
Miss Morris looked up in some surprise, and smiled consciously, with a natural feminine interest in an affair of love, and one which was a secret as well.
"Oh," she said, "I beg your pardon; we--I had not heard of it."
"No, it is not a thing one could announce exactly," said Carlton; "it is rather in an embryo state as yet--in fact, I have not met the young lady so far, but I mean to meet her. That's why I am going abroad."
Miss Morris looked at him sharply to see if he were smiling, but he was, on the contrary, gazing sentimentally at the horizon-line, and puffing meditatively on his pipe. He was apparently in earnest, and waiting for her to make some comment.
"How very interesting!" was all she could think to say.
"Yes, when you know the details, it is,----VERY interesting," he answered. "She is the Princess Aline of Hohenwald," he explained, bowing his head as though he were making the two young ladies known to one another. "She has several other names, six in all, and her age is twenty-two. That is all I know about her. I saw her picture in an illustrated paper just before I sailed, and I made up my mind I would meet her, and here I am. If she is not in Grasse, I intend to follow her to wherever she may be." He waved his pipe at the ocean before him, and recited, with mock seriousness:
"'Across the hills and far away, Beyond their utmost purple rim, And deep into the dying day, The happy Princess followed him.'
"Only in this case, you see," said Carlton, "I am following the happy Princess."
"No; but seriously, though," said Miss Morris, "what is it you mean? Are you going to paint her portrait?"
"I never thought of that," exclaimed Carlton. "I don't know but what your idea is a good one. Miss Morris, that's a great idea." He shook his head approvingly. "I did not do wrong to confide in you," he said. "It was perhaps taking a liberty; but as you have not considered it as such, I am glad I spoke."
"But you don't really mean to tell me," exclaimed the girl, facing about, and nodding her head at him, "that you are going abroad after a woman whom you have never seen, and because you like a picture of her in a paper?"
"I do," said Carlton. "Because I like her picture, and because she is a Princess."
"Well, upon my word," said Miss Morris, gazing at him with evident admiration, "that's what my younger brother would call a distinctly sporting proposition. Only I don't see," she added, "what her being a Princess has to do with it."
"You don't?" laughed Carlton, easily. "That's the best part of it--that's the plot. The beauty of being in love with a Princess, Miss Morris," he said, "lies in the fact that you can't marry her; that you can love her deeply and forever, and nobody will ever come to you and ask your intentions, or hint that after such a display of affection you ought to do something. Now, with a girl who is not a Princess, even if she understands the situation herself, and wouldn't marry you to save her life, still there is always some one--a father, or a mother, or one of your friends--who makes it his business to interfere, and talks about it, and bothers you both. But with a Princess, you see, that is all eliminated. You can't marry a Princess, because they won't let you. A Princess has got to marry a real royal chap, and so you are perfectly ineligible and free to sigh for her, and make pretty speeches to her, and see her as often as you can, and revel in your devotion and unrequited affection."
Miss Morris regarded him doubtfully. She did not wish to prove herself too credulous. "And you honestly want me, Mr. Carlton, to believe that you are going abroad just for this?"
"You see," Carlton answered her, "if you only knew me better you would have no doubt on the subject at all. It isn't the thing some men would do, I admit, but it is exactly what any one who knows me would expect of me. I should describe it, having had acquaintance with the young man for some time, as being eminently characteristic. And besides, think what a good story it makes! Every other man who goes abroad this summer will try to tell about his travels when he gets back to New York, and, as usual, no one will listen to him. But they will HAVE to listen to me. 'You've been across since I saw you last. What did you do?' they'll ask, politely. And then, instead of simply telling them that I have been in Paris or London, I can say, 'Oh, I've been chasing around the globe after the Princess Aline of Hohenwald.' That sounds interesting, doesn't it? When you come to think of it," Carlton continued, meditatively, "it is not so very remarkable. Men go all the way to Cuba and Mexico, and even to India, after orchids, after a nasty flower that grows in an absurd way on the top of a tree. Why shouldn't a young man go as far as Germany after a beautiful Princess, who walks on the ground, and who can talk and think and feel? She is much more worth while than an orchid."
Miss Morris laughed indulgently. "Well, I didn't know such devotion existed at this end of the century," she said; "it's quite nice and encouraging. I hope you will succeed, I am sure. I only wish we were going to be near enough to see how you get on. I have never been a confidante when there was a real Princess concerned," she said; "it makes it so much more amusing. May one ask what your plans are?"
Carlton doubted if he had any plans as yet. "I have to reach the ground first," he said, "and after that I must reconnoitre. I may possibly adopt your idea, and ask to paint her portrait, only I dislike confusing my social and professional sides. As a matter of fact, though," he said, after a pause, laughing guiltily, "I have done a little of that already. I prepared her, as it were, for my coming. I sent her studies of two pictures I made last winter in Berlin. One of the Prime Minister, and one of Ludwig, the tragedian at the Court Theatre. I sent them to her through my London agent, so that she would think they had come from some one of her English friends, and I told the dealer not to let any one know who had forwarded them. My idea was that it might help me, perhaps, if she knew something about me before I appeared in person. It was a sort of letter of introduction written by myself."
"Well, really," expostulated Miss Morris, "you certainly woo in a royal way. Are you in the habit of giving away your pictures to any one whose photograph you happen to like? That seems to me to be giving new lamps for old to a degree. I must see if I haven't some of my sister's photographs in my trunk. She is considered very beautiful."
"Well, you wait until you see this particular portrait, and--you will understand it better," said Carlton.
The steamer reached Southampton early in the afternoon, and Carlton secured a special compartment on the express to London for Mrs. Downs and her niece and himself, with one adjoining for their maid and Nolan. It was a beautiful day, and Carlton sat with his eyes fixed upon the passing fields and villages, exclaiming with pleasure from time to time at the white roads and the feathery trees and hedges, and the red roofs of the inns and square towers of the village churches.
"Hedges are better than barbed-wire fences, aren't they?" he said. "You see that girl picking wild flowers from one of them? She looks just as though she were posing for a picture for an illustrated paper. She couldn't pick flowers from a barbed-wire fence, could she? And there would probably be a tramp along the road somewhere to frighten her; and see--the chap in knickerbockers farther down the road leaning on the stile. I am sure he is waiting for her; and here comes a coach," he ran on. "Don't the red wheels look well against the hedges? It's a pretty little country, England, isn't it?--like a private park or a model village. I am glad to get back to it--I am glad to see the three-and-six signs with the little slanting dash between the shillings and pennies. Yes, even the steam-rollers and the man with the red flag in front are welcome."
"I suppose," said Mrs. Downs, "it's because one has been so long on the ocean that the ride to London seems so interesting. It always pays me for the entire trip. Yes," she said, with a sigh, "in spite of the patent-medicine signs they have taken to putting up all along the road. It seems a pity they should adopt our bad habits instead of our good ones."
"They are a bit slow at adopting anything," commented Carlton. "Did you know, Mrs. Downs, that electric lights are still as scarce in London as they are in Timbuctoo? Why, I saw an electric-light plant put up in a Western town in three days once; there were over a hundred burners in one saloon, and the engineer who put them up told me in confidence that--"
The Princess Aline · The Wunder Library — complete classics, free to read, with narration.