wunder · Library

Part 25

The Prairie Mother · Arthur Stringer — chapter 25 of 50 · ~1,663 words · public domain

Read in the Wunder reader — free

We are a peaceful and humdrum family, very different from the westerners of the romantic movies. If we were the cinema kind of ranchers Pee-Wee would be cutting his teeth on a six-shooter, little Dinkie would be off rustling cattle, Poppsy would be away holding up the Transcontinental Limited, and Mummsie would be wearing chaps, toting a gun, and pretending to the sheriff that her jail-breaking brother was not hidden in the cellar!

Whereas, we are a good deal like the easterners who till the soil and try to make a home for themselves and their children, only we are without a great many of their conveniences, even though we do beat them out in the matter of soil. But breaking sod isn't so picturesque as breaking laws, and a plow-handle isn't so thrilling to the eye as a shooting-iron, so it's mostly the blood-and-thunder type of westerners, from the ranch with the cow-brand name, who goes ki-yi-ing through picture and story, advertising us as an aggregation of train-robbers and road-agents and sheriff-rabbits. And it's a type that makes me tired.

The open range, let it be remembered, is gone, and the cowboy is going after it. Even the broncho, they tell me, is destined to disappear. It seems hard to think that the mustang will be no more, the mustang which Dinky-Dunk once told me was the descendant of the three hundred Arab and Spanish horses which Cortez first carried across the Atlantic to Mexico. For we, the newcomers, mesh the open range with our barb-wire, and bring in what Mrs. Eagle-Moccasin called our "stink-wagon" to turn the grass upside down and grow wheat-berries where the buffalo once wallowed. But sometimes, even in this newfangled work-a-day world, I find a fresh spirit of romance, quite as glamorous, if one has only the eye to see it, as the romance of the past. In one generation, almost, we are making a home-land out of a wilderness, we are conjuring up cities and threading the continent with steel, we are feeding the world on the best and cleanest wheat known to hungry man. And on these clear and opaline mornings when I see the prairie-floor waving with its harvest to be, and hear the clack and stutter of the tractor breaking sod on the outer quarter and leaving behind it the serried furrows of umber, I feel there is something primal and poetic in the picture, something mysteriously moving and epic....

The weather has turned quite warm again, with glorious spring days of winy and heart-tugging sunlight and cool and starry nights. In my spare time I've been helping Whinnie get in my "truck" garden, and Peter, who has reluctantly forsaken the windmill and learned to run the tractor, is breaking sod and summer-fallowing for me. For there is always another season to think of, and I don't want the tin-can of failure tied to my spirit's tail. As I say, the days slip by. Morning comes, fresh as a new-minted nickel, we mount the treadmill, and somebody rolls the big red ball off the table and it's night again. But open-air work leaves me healthy, my children grow a-pace, and I should be most happy.

But I'm not.

I'm so homesick for something which I can't quite define that it gives me a misty sort of ache just under the fifth rib. It's just three weeks now since Dinky-Dunk has ventured over from Casa Grande. If this aloofness continues, he'll soon need to be formally introduced to his own offspring when he sees them.

Now that I have Peter out working on the land, I can safely give a little more time to my household. But meals are still more or less a scramble. Peter has ventured the opinion that he might get a Chinaman for me, if he could have a week off to root out the right sort of Chink. But I prefer that Peter sticks to his tractor, much as I need help in the house.

My new hired man is still a good deal of a mystery to me, just as I seem to remain a good deal of a mystery to him. I've been asking myself just why it is that Peter is so easy to get along with, and why, in some indescribable way, he has added to the color of life since coming to Alabama Ranch. It's mostly, I think, because he's supplied me with the one thing I had sorely missed, without being quite conscious of it. He has been able to give me mental companionship, at a time when my mind was starving for an idea or two beyond the daily drudgery of farm-work. He has given a fillip to existence, loath as I am to acknowledge it. He's served to knock the moss off my soul by more or less indirectly reminding me that all work and no play could make Chaddie McKail a very dull girl indeed.

I was rather afraid, at one time, that he was going to spoil it all by making love to me, after the manner of young Bud Dyruff, from the Cowen Ranch, who, because I waded bare-kneed into a warm little slough-end when the horses were having their noonday meal, assumed that I could be persuaded to wade with equal celerity into indiscriminate affection. That rudimentary and ingenuous youth, in fact, became more and more offensive in his approaches, until finally I turned on him. "Are you trying to make love to me?" I demanded. "The surest thing you know," he said with a rather moonish smile. "Then let me tell you something," I hissed out at him, with my nose within six inches of his, "I'm a high-strung hell-cat, I am. I'm a bob-cat, and I'm not aching to be pawed by you or any other hare-brained he-mutt. So now, right from this minute, keep your distance! Is that clear? Keep your distance, or I'll break your head in with this neck-yoke!"

Poor Bud! That rather blighted the flower of Bud's tender young romance, and to this day he effects a wide detour when he happens to meet me on the trail or in the byways of Buckhorn.

But Peter Ketley is not of the Bud Dyruff type. He is more complex, and, accordingly, more disturbing. For I can see admiration in his eye, even though he no longer expresses it by word of mouth. And there is something tonic to any woman in knowing that a man admires her. In my case, in fact, it's so tonic that I've ordered some benzoin and cucumber-cream, and think a little more about how I'm doing my hair, and argue with myself that it's a woman's own fault if she runs to seed before she's seen thirty. I may be the mother of three children, but I still have a hankering after personal power--and that comes to women through personal attractiveness, disquieting as it may be to have to admit it. We can't be big strong men and conquer through force, but our frivolous little bodies can house the triumphant weaknesses which make men forget their strength.

Sunday the Fourteenth

I've had a talk with Peter. It simply had to come, for we couldn't continue to play-act and evade realities. The time arrived for getting down to brass tacks. And even now the brass tacks aren't as clear-cut as I'd like them to be.

But Peter is not and never was a car-thief. That beetle-headed suspicion has passed slowly but surely away, like a snow-man confronted by a too affectionate sun. It slipped away from me little by little, and began losing its lines, not so much when I found that Peter carried a bill-fold and a well-thumbed copy of Marius The Epicurean and walked about in undergarments that were expensive enough for a prima donna, but more because I found myself face to face with a Peter-Panish sort of honorableness that was not to be dissembled. So I cornered Peter and put him through his paces.

I began by telling him that I didn't seem to know a great deal about him.

"The closed makimono," he cryptically retorted, "is the symbol of wisdom."

I was ashamed to ask just what that meant, so I tried another tack.

"Folks are thrown pretty intimately together, in this frontier life, like worms in a bait-tin. So they naturally need to know what they're tangled up with."

Peter, at that, began to look unhappy.

"Would you mind telling me what brought you to this part of the country?" I asked.

"Would you mind telling me what brought you to this part of the country?" countered Peter.

"My husband," I curtly retorted. And that chilled him perceptibly. But he saw that I was not to be shuttled aside.

"I was interested," he explained with a shrug of finality, "in the nesting-ground of the Canada goose!"

"Then you came to the right point," I promptly retorted. "For I am it!"

But he didn't smile, as I'd expected him to do. He seemed to feel that something approaching seriousness was expected of that talk.

"I really came because I was more interested in one of your earliest settlers," he went on. "This settler, I might add, came to your province some three million years ago and is now being exhumed from one of the cut-banks of the Red Deer River. He belongs to the Mesozoic order of archisaurian gentlemen known as Dinosauria, and there's about a car-load of him. This interest in one of your cretaceous dinosaur skeletons would imply, of course, that I'm wedded to science. And I am, though to nothing else. I'm as free as the wind, dear lady, or I wouldn't be holidaying here with a tractor-plow that makes my legs ache and a prairie Penelope, who, for some reason or other, has the power of making my heart ache."

"Verboten!" I promptly interjected.

Peter saluted and then sighed.

← Previous chapterAll chaptersNext chapter →

The Prairie Mother · The Wunder Library — complete classics, free to read, with narration.

© 2026 Wunder Learning LLC · Terms & Privacy