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Part 18

The Philosophy of Mystery · Walter Cooper Dendy — chapter 18 of 73 · ~1,820 words · public domain

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A friend of Buffon had been watching the progress of an eclipse through a very minute aperture. For three weeks after this there was a perfect spectrum of the lucid spot marked on every object on which he fixed his eyes.

Dr. Brewster had been making protracted experiments on some brilliant object, and for several hours after this a dark spectrum, associated with intense pain, floated constantly before his eye.

In the third volume of his Physiology, Dr. Bostock thus concludes the account of his own ocular spectra: “It appeared as if a number of objects, principally human faces or figures, on a small scale, were placed before me, and gradually removed, like a succession of medallions. They were all of the same size, and appeared to be all situated at the same distance from the face. After one had been seen for a few minutes, it became fainter, and then another which was more vivid seemed to be laid upon it, or substituted in its place, which in its turn was superseded by a new appearance.”

Coloured vision may arise from permanent defect or from acute disorder: from some peculiar refraction of a ray of light on the lens of the eye, or by the optical laws of the accidental colours.

The ray of white light consists of the three prismatic or primitive colours. Now, if the eye is fatigued by one of these colours, or it be lost, mechanically or physiologically, the impression of two only will remain, and this accidental or complementary colour is composed of the two remaining constituents of the white ray. Thus, if the eye has been strained on a red colour, it is insensible to this, but perceives the blue and the yellow, the combination of which is green. So, if we look long on a green spot, and then fix the eye on white paper, the spectrum will be of light red. A violet spot will become yellow; a blue spot orange-red: a black spot will entirely disappear on a white ground, for it has no complementary colour; but it appears white on a dark ground, as a white spot will change to black.

By this law I may explain the impression made by black letters on the red ground of a play-bill, which appear blue. The accidental colour of orange-red is blue; that of black is white. By looking on this, the black letter first becomes white, and the accidental colour of the red—blue, is transferred to the white ground of the letters.

ASTR. Then, as D’Agessau recommended the parliament of Paris to leave the demoniac of our times to the physician and not the divine, you would delegate the management of all those, to whom the mysterious world of shadows is unfolded, to the sapient leech with his phials and his lancet.

EV. Nay, I presume not to so potent a faculty. Many of the slight imperfections of vision are, as I have confessed, merely exaggerations of romantic ideas floating in the memory; and this is not a novel notion, for Plato and other philosophers held it long before our time.

Muscæ volitantes are usually, though not always, substantial: i.e. depending on points or fibres in the axis of vision, on congestions, or varicose states of the vessels of the choroïd or retina, or of atoms floating in the humours. These specks, which do not appear alike in the eyes of all, and the brilliant beams in the suffusio scintillans, so varied and so whimsical, might be readily moulded into human form, by the imagination of an enthusiast, or the feelings of the ghost-seer, who is usually morose and melancholy, in a state of longing for a ghost or a mystery.

But when many of the more confirmed illusions are depending on structural disease in the membranes and humours of the eye, I am confident in the resources of our science to relieve, if not to remove. Coleridge indeed has expressed his belief, that by some convulsion of the eye, it may see projected before it part of its own body, easily magnified into the whole by slight imagination. If this be true, the whole mystery of the Death-fetch is unravelled.

The nerves and their ganglia are often diseased, when we least suspect: and calcareous and scrofulous tumours, pressing on the optic axis, in the brain, or on the pneumogastric nerve above its recurrent branch, and disease in the bronchial glands around the cardiac plexus, may exist, with the very slightest sensations of pain. Even in extreme disorganization of the brain, there may be remissions of painless repose; and in other cases, where pain is synchronous with illusion, the illusion may subside although the pain remains; an indication, or proof, indeed, of structural cause for the phantasy. And this discrimination, Astrophel, of the line of distinction between sanity and derangement, is often of a hair’s breadth; and the law confesses here the high value of pathology, seeing that, in cases of suicide or of idiocy, and other states which involve the rites of sepulture, the conveyance of entailed estates, or personal responsibility, the judgment of the physician is held to be oracular.

MYSTERIOUS FORMS AND SIGNS.

“Fierce fiery warriors fight upon the clouds, In ranks, and squadrons, and right form of war, Which drizzled blood upon the capitol: The noise of battle hurtled in the air.” JULIUS CÆSAR.

ASTR. Methinks you claim too much homage from our courtesy to your philosophy, Evelyn. Can we believe that all these wondrous forms and shadows are but an illusion of the eye, or of the mind’s eye? And, if I grant this truth in regard to the eye of one mind, can we so easily libel the evidence of a multitude, to whom the world of shadows is unlocked?

We are now wandering in the very land of omens; and will this cold philosophy of thine presume to draw aside the veil of mystery, which hangs over the mountain and the cataract of yon wild principality?

E’en now the legends of many climes crowd on my memory; and, while this purple cloud is o’er the sun, listen, I pr’ythee, to the traditions which I have gathered; muse on the sequences of these strange appearances, and you will at length confess, with the Benedictine Calmet—“Realité des apparitions est prouvée par l’événement des choses prédites.”

The Tan-we or Tan-wed are streams of lucid fire, rolling along the lands of a freeholder, who, warned of his coming fate, immediately makes his will, and shortly after dies.

Among the gloomy gorges of Preselle, in Pembrokeshire, comes dancing on that blue wild-fire the “Canwyl y Cyrph,” or “Corpse-candle.” As the shades of evening are approaching, the spectre of the doomed comes flitting before us, with a lighted taper in its hand, and with a solemn step halts not until it rests on its destined grave, in the church-yard ground. If dignities and fortune have been the earthly lot of this doomed mortal, then is there shadowed forth an awful pageantry of hearse and ghostly steeds, and mute mourners, all gliding away to the place of the tomb, and, like the phantoms of the Aensprecker, in Holland, (a funeral procession of no less fatality,) they foretell the doom of some ill-fated friend.

Among the dingles of the Bachwy, in Radnorshire, amid scenery of wild and lonely beauty, a few rugged stones denote the site of an ancient castle of a Welsh prince; it is the ruin of the “Black Rock.” The opposing masses of this eternal rock, tapestried with deep green moss and lichen, fold in upon the stream directly over its matchless cataract, which falls abruptly from the upper to the lower valley into this gloomy gorge; the sunbeam playing on the upper ledge of the waterfall, while its deep basin is shrouded in Stygian darkness. Into this gulph it was the pleasure of the prince to hurl from his castle walls, those whom fate had made his prisoners. Often since the era of these cruelties, (as I learned from the oral legends of the peasants,) before a death, a strange unearthly groaning is heard, the “Kyhirraeth,” becoming fainter and fainter until the last gasp of the mortal whose doom it forebodes.

There is the dead-bell, which the Scottish peasants believe to foretell the death of a friend; and the death-cart of Lancashire, which is heard rattling along the streets like a whirlwind; and the Owke Mouraske, a demon of Norway, which never enters a house but some one of the family dies within the year. We are assured also by the Saxon, Cranmer, that ere one of the electoral house of Brandenburgh dies, a woman in white appears to many throughout the dominions of Prussia.

The wild mountains that surround us are prolific in the “Anderyn y Corff,” or “Corpse-bird,” and the “Cwm Amon,” or “Dogs of Hell,” which are believed to be demons of death, in the shape of hounds, and, like the mongrel of Faust, marked by a train of fire. These howl forth their awful warning, while the death-peal rings in the ears of the nearest kin of one about to die.

There is the legend of the “Ellyllon,” a prototype of the Scotch and Irish “Banshie,” which appears as an old crone, with streaming hair and a coat of blue, with her boding scream of death. The “Gwrach y Rhibyn,” or “Hag of the Dribble,” whose pastime is to carry stones in her apron across the mountains, and then to loosen her apron-string, and by the shower of stones to make a “dribble.” This hag, at twilight, flaps her raven wing against the chamber window of a doomed creature, and, with a howl, cries out, “A a a ui ui Anni.”

In the wilderness of Zin, which stretches between Palestine and the Red Sea, both the Bedouin Arab and the traveller are greeted by the sound of matin bells, like the convent peal which calls the nuns to their devotion; and this, according to tradition, has been heard ever since the crusades.

Then there is a fatal spirit of the desert, which, like an ignis fatuus, lures men to destruction, by

“Airy tongues that syllable men’s names.”

The Venetian traveller, Marco Polo, writes of those who, wandering unwarily from the track of the caravans in Tartary, hear the phantom voice of some dear friend (who indeed sometimes appears in person), which entices them from the route, and they perish in the desert.

And Lord Lindsay, in his travels through Egypt and the defiles of Edom, tells us one circumstantial story from Vincent de Blanc, of a man decoyed away from the caravan of an Arabian merchant by the entreaties of a phantom voice.

Before an heir of Clifton sleeps in death, a sturgeon is always, it is affirmed, taken in the river Trent. This incident, like many others, becomes important from its consequence.

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