“Dear ——, I wish to acquaint you that Windsor Castle belongs to me, that the palace of Brighton also belongs to me, also I purchased from the Duke of Wellington the splendid park and Palace of Stratfieldsea, wherein there are very extensive Forests of Oak and of Pines trees, together with a magnificent sheet of Water containing Ells and Salmon Trout.
“Dear ——, I have to beg that you give my love and duty to your wife—and give this letter to read, I pray you, according to my desire and wish.”
I may tell you that the very onset of frenzy is often but an elevated spirit of poesy, in which brilliancy and judgment shall be companions; but, like Æsop’s bow, the mind shall be warped and wrung by being constantly bent on its subject; and thus the source of brilliancy and wit may be the source of madness. A change of subject will often do much to unbend such a mind, as a change of posture will relieve muscular fatigue, or as a sudden impression of fear or fright has thwarted a suicide on the moment of his self-attempt. Indeed mania will often appear to induce an almost inspired talent, which, I may hint to you, may be explained by the oxygenizing of the blood in the brain.
In Van Swiéten, we read of a working female who, during fits of insanity, displayed the faculty of rhyming, or poetic talent; and (as I am fond of analogy) in Pinel, of one who, during his insane moments, argued (as if from concentrated memory) in an acute and intelligent manner, on the events of the Revolution.
Then Haller tells us of an idiot, who was wounded on the head, and, during its healing, the intellect became lucid (and this on the principle of a counteraction); but, on the healing being completed, again the creature was an idiot.
When we are roaming over the flowery fields of poesy, we are seldom inclined to reflect on the mental labour by which they are embellished. We may suppose that, whatever is born of the brain is ushered in by an easy birth; but poesy is often attended by a pang of parturition, and one single line may rankle in the brain for hours ere it struggle into light; and, perhaps, require a frontal blow, as violent as that which cleft the skull of Jupiter and gave birth to Pallas.
There are some minds which can support the effort of composition with impunity; but when we recollect the diseases which are entailed on genius—the melancholy of Cowper, and the distraction of the amiable Collins, who
“passed in madd’ning pain life’s feverish dream, While rays of genius only served to show The thick’ning horror, and exalt his woe;”
when we remember the gloomy setting of the brilliant sun of Scott, during the period of his apoplectic tendency, when his letter “filled the minds of his publishers with dismay,” and he sunk into the delusive hope that his debts were liquidated to the full; when we are told that Ariosto was never seen to laugh, and rarely to smile; that Rousseau was ever restless, and on the verge of mania; when we reflect on the premature decay of unhappy White—
“When science self destroyed her fav’rite son;”
on the painful conflicts of Byron, when his dark hour was on him; on Chatterton, “the sleepless boy who perish’d in his pride:” are incited, almost unconsciously to echo the apostrophe of Wordsworth:—
“We poets in our youth begin in gladness, But thereof comes in the end despondency and madness.”
IDA. The laurel, then, contains more poison than that of prussic acid in its leaf. The perils of romance are not ever in these extremes; yet the mere indulgence of poetic thoughts may so raise the beau-ideal of beauty in the sensitive and youthful mind, as to unfit it for the common duties of life. Like Narcissus, the heart perishes for love of its own shadow. It becomes so acutely sensitive, as to “die of a rose in aromatic pain:” or like the Sybarite, it cannot sleep, because a crumpled rose-leaf lay beneath the pillow.
I have often thought that the secret of happiness may lie in this precept: “Take the good of life as it is, a divine gift, and not an agreeable deception;” when evil is in your path, search its cause, analyze its nature, and if you discover not that you have yourself to thank for it, at least you may prove that the evil itself is made up of mere trifles, and thus you will learn to be resigned.
And with the beauty and treasures of earth: if you possess them, enjoy them with a prudent and a grateful heart. If they belong to others, sigh not—pine not for them, but analyze them also, and you may find that the hope of their enjoyment was a phantom; for aggregated beauties are often made up of deformed or unlovely atoms.
I might illustrate my remarks by relating to you an episode of the life of my young friend Stanmore; from which I learned, with sorrow, that the heart may droop beneath its own excess of sensibility, (a mystery to those who were strangers to its secret,) and that the blossom of love may be self-blighted:
“His existence was a withered hope, that, like the icicle in the cup of the early flower, freezes the life-spring in which it is so deeply embosomed. In his mind was lighted a vision of Elysium, beyond what earth with all its virtue and beauty could give him: a spectral Utopia. His life was a blank. He found not happiness, because he knew not contentment. He was the leader of many a forlorn hope in Spain, and fell in a midnight enterprise among the guerillas in the Sierra Morena.”
EV. And had the sword spared him, he would have died a moral suicide.
What folly, thus to chase a butterfly, instead of yielding to the virtuous influence of woman, which, beyond aught else, softens and ennobles man’s heart; entrancing it in floods of human passion, which, with all its pains, yields happiness a thousand-fold more than the maudlin sentiments of Rousseau, that, reducing love to a mere phantom, leave the lone heart to prey on its own sensibility.
Such was the romantic poet of Endymion, who for the phantom of his waking dreams, gave up the study of that science, which might have nursed and fortified a mind, so soon chilled to death by the icy finger of criticism. Erato was the mistress of John Keats; but while he wooed, he perished: like the Rosicrucian, who, to save the life of his lady, took the oath of celibacy, and thus lost her love for ever. Even in the lecture-room of Saint Thomas’s, I have seen Keats in a deep poetic dream: his mind was on Parnassus with the muses. And here is a quaint fragment which he one evening scribbled in our presence, while the precepts of Sir Astley Cooper fell unheeded on his ear:—
“Whenne Alexandre the Conqueroure was wayfayringe in y^{e} londe of Inde, there mette hym a damoselle of marveillouse beautie slepynge uponne the herbys and flourys. He colde ne loke uponne her withouten grete plesance, and he was welle nighe loste in wondrement. Her forme was everyche whytte lyke y^{e} fayrest carvynge of Quene Cythere, onlie thatte y^{t} was swellyd and blushyd wyth warmthe and lyffe wythalle.
“Her forhed was as whytte as ys the snowe whyche y^{e} talle hed of a Norwegian pyne stelythe from y^{e} northerne wynde. One of her fayre hondes was yplaced thereonne, and thus whytte wyth whytte was ymyngld as y^{e} gode Arthure saythe, lyke whytest lylys yspredde on whyttest snowe; and her bryghte eyne whenne she them oped, sparklyd lyke Hesperus through an evenynge cloude.
“Theye were yclosyd yn slepe, save that two slauntynge raies shotte to her mouthe, and were theyre bathyd yn swetenesse, as whenne bye chaunce y^{e} moone fyndeth a banke of violettes and droppethe thereonne y^{e} sylverie dewe.
“The authoure was goynge onne withouthen descrybynge y^{e} ladye’s breste, whenne lo, a genyus appearyd—‘Cuthberte,’ sayeth he, ‘an thou canst not descrybe y^{e} ladye’s breste, and fynde a simile thereunto, I forbyde thee to proceede yn thy romaunt.’ Thys, I kennd fulle welle, far surpassyd my feble powres, and forthwythe I was fayne to droppe my quille.”
PHANTASY FROM SYMPATHY WITH THE BRAIN.
“My eyes are made the fools o’ the other senses.” MACBETH.
ASTR. I marvel not, lady, that those pencilled brows do frown upon the ruthless scholar, who thus dares to dismantle the fair realm of poesy, and bind the poppy, and the cypress, and the deadly nightshade, with the myrtle and the laurel.
We shall have, ere long, a statute of lunacy against the poet and the seer; or hapless, he will imprison thee, fair creature, within a cloven pine: and like Prospero, I must break my wand and bury it certain fathoms in the earth; and, deeper than ever plummet sounded, drown my books. The pages of Ptolemy, and Haly, and Agrippa, and Lily, will be but bygone fables: and the metaphysics of the mighty mind will be controverted by the slicing of the brain and marrow with the knife of these anatomists. Nay, we must devoutly believe what they so learnedly give out, that frontal headaches in the locality of form, colour, and number, and forsooth in the organ of wonder too, often accompany spectral illusions, and that white or grey ghosts result from excited form and deficient colour!!
The Philosophy of Mystery · The Wunder Library — complete classics, free to read, with narration.