Part 10

“Phantasma est sentiendi actus, neque differt a sensione aliter quam fieri differt a factum esse.”

“A phantom is an act of thinking,” &c.

You have dipped deeply into Hobbes, Astrophel, and will correct me if I misquote this philosopher of Malmsbury.

It was in Paris, at the soirée of Mons. Bellart, and a few days after the death of Marshal Ney, the servant, ushering in the Mareschal Aîné, announced Mons. Le Mareschal Ney. We were startled; and may I confess to you, that the eidōlon of the Prince of Moskwa was for a moment as perfect to my sight as reality?

Now it is as easy to imagine a fairy infinitely small as a giant infinitely large. Between an idea and a phantom, then, there is only a difference in degree; their essence is the same as between the simple and transient thought of a child, and the intense and beautiful ideas of a Shakspere, a Milton, or a Dante.

“Consider your own conceptions,” said Imlac, “you will find substance without extension. An ideal form is no less real than material, but yet it has no extension.”

You hear I adopt the word idea, as referring to the organ of vision, but sight is not the only sense subject to illusion. Hearing, taste, smell, touch, may be thus perverted, because the original impression was on the focus of all the senses, the brain.

Indeed, two of these illusions are often synchronous: as when a deep sepulchral voice is uttered by a thin filmy spectre, like the ghosts of Ossian, through which the moonbeams and the stars were seen to glimmer. But the illusion of the eye is by far the most common, and hence our adopted terms refer chiefly to the sight: as spectre, phantom, phantasm, apparition, eidōlon, ghost, shadow, shade.

The ghost then is nothing more than an intense idea. And as I have caught the mood of story-telling, listen to some analogies of those deep impressions on the mind which are the spring of all this phantasy.

That destructive brainworm, Demonomania, is often excited in the mind of a proselyte by designing religious fanatics. Let the life of the selected person be ever so virtuous and exemplary, she (for it is usually on the softer sex that these impostures are practised) becomes convinced of the influence of the demon over her, and she is thus criminally taught the necessity of conversion—is won over to the erroneous doctrine of capricious and unqualified election.

These miseries do not always spring from self-interested impostors. The parent and the nurse, in addition to the nursery tales of fairies and of genii, too often inspire the minds of children with these diabolical phantoms. The effect is always detrimental,—too often permanently destructive. I will quote one case from the fourth volume of the Psychological Magazine, related by a student of the university of Jena.—“A young girl, about nine or ten years old, had spent her birth-day with several companions of her own age, in all the gaiety of youthful amusement. Her parents were of a rigorous devout sect, and had filled the child’s head with a number of strange and horrid notions about the devil, hell, and eternal damnation. In the evening, as she was retiring to rest, the devil appeared to her, and threatened to devour her. She gave a loud shriek, fled to the apartment where her parents were, and fell down apparently dead at their feet. A physician was called in, and she began to recover herself in a few hours. She then related what had happened, adding, that she was sure she was to be damned. This accident was immediately followed by a severe and tedious nervous complaint.”

The ghost will not appear to tell us what will happen, but it may rise, and with awful solemnity too, to tell us that which has happened. Such is the phantom of remorse,—the shadow of conscience,—which is indeed a natural penalty: a crime that carries with it its own consecutive punishment. Were the lattice of Momus fixed in the bosom, that window through which the springs of passion could be seen, there would be, I fear, a dark spot on almost every heart,—as there is, to quote the Italian proverb, “a skeleton in every house.” Of these pangs of memory, the pages both of history and fiction are teeming. Not in the visions of sleep alone, but in the glare of noonday, the apparition of a victim comes upon the guilty mind,—

“As when a gryphon through the wilderness, With winged course, o’er hill and moory dale, Pursues the Arimaspian, who, by stealth, Had from his wakeful custody purloined The guarded gold.”

Brutus, and Richard Plantagenet, and Clarence, and Macbeth, and Manfred, and Lorenzo, and Wallace, and Marmion, are but the archetypes of a very numerous family in real life,—for Shakspere, and Byron, and Schiller, and Scott, have painted in high relief these portraits from the life.

Many a real Manfred has trembled as he called up the phantom of Astarte; many a modern Brutus has gazed at midnight on the evil spirit of his Cæsar; many a modern Macbeth points to the vacant chair of his Banquo, the ghost in his seat, and he mentally exclaims,—“Hence, horrible shadow! unreal mockery, hence!”

IDA. Aye, and many a false heart, like Marmion, hears, as his life ebbs on the battle-field, the phantom voice of Constance Beverly:

“The monk, with unavailing cares, Exhausted all the church’s prayers. Ever he said, that, close and near, A lady’s voice was in his ear, And that the priest he could not hear, For that she ever sung: ‘In the lost battle, borne down by the flying, Where mingles war’s rattle with groans of the dying’— So the notes rung.”

We read in Moreton an exquisite story of the trial of a murderer, who had with firmness pleaded—“not guilty.” On a sudden, casting his eyes on the witness-box, he exclaimed, “This is not fair; no one is allowed to be witness in his own case.” The box was empty, as you may suppose; but the eye of his conscience saw his bleeding victim glaring on him, and ready to swear to his murder. He felt that his fate was sealed, and pleaded guilty to the crime.

“——Deeds are done on earth, Which have their punishment ere the earth closes Upon the perpetrators. Be it the working Of the remorse-stained fancy, or the vision Distinct and real of unearthly being: All ages witness that, beside the couch Of the fell homicide, oft stalks the ghost Of him he slew, or shows his shadowy wound.”

It is this utter humiliation of the spirit, and the conviction of our polluted nature, that rankle so intensely in the wounded heart; and thence the repentant sinner feels so deeply that awful truth, that there is a Being infinitely more pure and godlike than himself.

EV. A very fertile source of spectral illusion is the devotion to peculiar studies and deep reflection on interesting subjects. Mons. Esquirol records the hallucination of a lady, who had been reading a terrific account of the execution of a criminal. Ever after, in all her waking hours, and in every place, she saw above her left eye the phantom of a bloody head, wrapped in black crape,—a thing so horrible to her, that she repeatedly attempted the commission of suicide. And of another lady, who had dipped so deeply into a history of witches, that she became convinced of her having, like Tam O’Shanter’s lady of the “cutty sark,” been initiated into their mysteries, and officiated at their “sabbath” ceremonies.

Monsieur Andral, in his youth, saw in La Pitié the putrid body of a child covered with larvæ, and during the next morning, the spectre of this corpse lying on his table was as perfect as reality.

We have known mathematicians whose ghosts even appeared in the shape of coloured circles and squares, and Justus Martyr was haunted by the phantoms of flowers. Nay, our own Sir Joshua, after he had been painting portraits, sometimes believed the trees, and flowers, and posts to be men and women.

I knew myself a bombardier, whose brain had been wounded in a battle. To this man a post was an enemy, and he would, when a sudden frenzy came on him, attack it in the street with his cane, and not leave it until he believed that his foeman was beaten or lay prostrate at his feet.

Intense feeling, especially if combined with apprehension, often raises a phantom. The unhappy Sir R—— C——, on being summoned to attend the Princess Charlotte of Wales, saw her form robed in white distinctly glide along before him as he sat in his carriage: a parallel, nay, an explanation, to the interesting stories of Astrophel.

Then the sting of conscience may warp a common object thus. Theodric, the Gothic king, unjustly condemned and put to death Boëthius and Symmachus. It chanced at that time, that a large fish was served to him at dinner, when his imagination directly changed the fish’s head into the ghastly face of Symmachus, upbraiding him with the murder of innocence; and such was the effect of the phantom, that in a few days he died. But these spectral forms were seen, like the dagger of Macbeth, and the hand-writing on the wall, by none but the conscience-stricken, a proof of their being ideal and not real.

Not long after the death of Byron, Sir Walter Scott was engaged in his study during the darkening twilight of an autumnal evening, in reading a sketch of his form and habits, his manners and opinions. On a sudden he saw as he laid down his book, and passed into his hall, the eidōlon of his departed friend before him. He remained for some time impressed by the intensity of the illusion, which had thus created a phantom out of skins, and scarfs, and plaids, hanging on a screen in the gothic hall of Abbotsford.

I learn from Doctor T. that a certain lady was on the eve of her marriage, but her lover was killed as he was on his way to join her. An acute fever immediately followed this impression; and on each subsequent day, when the same hour struck on the clock, she fell into a state of ecstacy, and believed that the phantom of her lover wafted her to the skies; then followed a swoon of two or three hours’ duration, and her diurnal recovery ensued.