He replies in a voice hoarse with pain and terror: "I can't help it."
I add, just to say something: "Courage, a little courage."
He does not even answer, and I feel that to exhort him to show courage, is to recommend an impossible thing, as if I were to advise him to have black eyes instead of his pale blue ones.
The dressing is completed in an atmosphere of general discomfort. Nothing could persuade me that Gregoire does not cordially detest me at this moment. While they are carrying him away, I ask myself bitterly why Gregoire is so deficient in grace, why he cannot suffer decently?
The Sergeant says, as he sponges the table: "He's working against one all the time." Well, the Sergeant is wrong. Gregoire is not deliberately hostile. Sometimes I divine, when he knits his brows, that he is making an effort to resist suffering, to meet it with a stouter and more cheerful heart. But he does not know how to set about it.
If you were asked to lift a railway-engine, you would perhaps make an effort; but you would do so without confidence and without success. So you must not say hard things of Gregoire.
Gregoire is unable to bear suffering, just as one is unable to talk an unknown language. And, then, it is easier to learn Chinese than to learn the art of suffering.
When I say that he is unable to bear suffering, I really mean that he has to suffer a great deal more than others.... I know the human body, and I cannot be deceived as to certain signs.
Gregoire begins very badly. He reminds one of those children who have such a terror of dogs that they are bound to be bitten. Gregoire trembles at once. The dogs of pain throw themselves upon this defenceless man and pull him down.
A great load of misery is heavy for a man to bear alone, but it is supportable when he is helped. Unfortunately Gregoire has no friends. He does nothing to obtain them, it almost seems as if he did not want any.
He is not coarse, noisy and foul-mouthed, like the rascal Groult who amuses the whole ward. He is only dull and reserved.
He does not often say "Thank you" when he is offered something, and many touchy people take offence at this.
When I sit down by his bed, he gives no sign of any pleasure at my visit. I ask him:
"What was your business in civil life?"
He does not answer immediately. At last he says: "Odd jobs; I carried and loaded here and there."
"Are you married?"
"Yes."
"Have you any children?"
"Yes."
"How many?"
"Three."
The conversation languishes. I get up and say: "Good-bye till to-morrow, Gregoire."
"Ah! you will hurt me again to-morrow."
I reassure him, or at least I try to reassure him. Then, that I may not go away leaving a bad impression, I ask:
"How did you get wounded?"
"Well, down there in the plain, with the others...."
That is all. I go away. Gregoire's eyes follow me for a moment, and I cannot even say whether he is pleased or annoyed by my visit.
Good-bye, poor Gregoire. I cross the ward and go to sit down by Auger.
The New Book of Martyrs · The Wunder Library — complete classics, free to read, with narration.