Part 10

Botley Mill, though on the westernmost of the many streams into which the Thames divides at Oxford, was outside the walls. It dates from before the Conquest. This belonged to the Abbey of Abingdon, in the chronicles of which are some records of an injury done to the "aqueduct, which is vulgarly called the lake." This name is still the local term for all side streams and artificial cuts from the Upper Thames. The men of a now vanished village of Seckworth broke the banks of the "lake" when Odo, Bishop of Bayeux, was being besieged in Rochester Castle. The lord of the manor was subsequently sued for this by the abbot of Abingdon, and had to pay ten shillings damages. Doubtless the men of Seckworth had to contribute to pay for their indulgence in this mischief, but it looks as if the abbot's miller had been cheating them.

THE BIRDS THAT STAY

In the Vision of the Lots and Lives, when the souls chose their careers on a fresh register before taking another chance in the world above, Ulysses chose that of a stay-at-home proprietor, with a resolve, born of experience, never again to roam. If Plato had made a Myth of the Birds, he might have alleged some such reason to explain how it is that while most of them are incessant wanderers, ever flitting uncertain between momentary points of rest, so few remain fixed and constant, as if they had sworn at some distant date never more to make trial of the wine-dark sea. In the still, November woods, when the vapours curl like smoke among the dripping boughs, leaving a diamond on each sprouting bud where next year's leaf is hid; by the moorland river, on bright December mornings, when the grayling are lying on the shallows below the ripple where the rock breaks the surface; by the frozen shore where the land-springs lie fast, drawn into icicles or smeared in slippery slabs on the cliff faces, and hoar frost powders the black sea-wrack; on the lawns of gardens, where the winter roses linger and open dew-drenched and rain-washed in the watery sunbeams--there we see, hear, and welcome the birds that stay. Then and there we note their fewness, their lameness, and feel that they are really fellow-countrymen, native to the soil. The list of these home-loving birds is short; and those commonly seen are only a few of the total. In a winter stroll by the upper Thames, the absence of the birds which flocked along the banks in summer and spring, when the May was in blossom and the willow covered with cotton fleck, is among the first seasonal changes noticed. The chiff-chaffs, turtledoves, sedge-warblers, whitethroats, coots, sandpipers, and all the little river birds are gone. So are the greater number of the blackbirds, thrushes and missel-thrushes. All the fisherman sees, his daily companions by the deserted river, are the wren creeping in the flood-drift, the tits working over the alder bushes to see if any seeds are left in the cones, and the kingfishers. The grayling fisherman on the Northern streams has the water ousels for his constant and charming companions, true to the mountain river as in the days of Merlin and Vivien, busy as big black-and-white bees as they flit up-stream and down-stream, flying boldly into the waterfalls, dropping silently from mossy stones into the clear brown eddies, singing when the sunbeams shine and warm the crag-tops, and even floating and singing on the water, like aquatic robins. The ousels must have been the sacred birds of Tana, the Water Goddess, the ever attached votaries of her dripping and rustic shrines.

By the winter shore, untrodden by any but the fisher going down at the ebb to seek king-crab for bait, or by his children, gathering driftwood on the stones, one little bird stays ever faithful to the same short range of shore. This is the rock-pipit--the "sea-lark" of Browning's verse. But that is a summer song. It is not only when the cliff--

"Sets his bones, To bask i' the sun,"

but in the short winter days, that the sea-lark keeps constant to the fringe of ocean. It is the most narrowly local and stay-at-home of all birds, never leaving the very fringe and margin, not of sea, but of land, haunting only the last edge and precipice of the coast, nesting on those upright walls of granite or chalk, and creeping, flying, and twittering among the crumbling stones, the water-worn boulders, and the tufts of sea-pink and samphire. When the winter storms slam the roaring billows against the cliff faces and the spray flies up a hundred feet from the exploding mass, the little sea-larks only mount to higher levels of the cliff, never coming inland or forsaking its salt-spattered resting-place. Compared with these home-loving birds, all the gulls are wanderers, even though they do not desert our shores and come fifty miles up the Thames. Of the rock-fowl, the puffins fly straight away to the Mediterranean, and the guillemots and razorbills go out to sea and leave their nesting crags. Only the cormorants stay at home, flying in to roost on the same lofty crag every autumn and winter night, from the fishing grounds which the sea-crows have frequented for longer years even than the "many-wintered crow" of inland rookeries has his fat and smiling fields.

The discovery that rooks, with their reputation for staunch attachment to locality, are regular and irrepressible migrants, crossing from Denmark and Holland to England, and from England to Ireland, has been followed by other curious revelations about the mobility of what were believed to be stationary birds. Our own beloved garden robin, whom we feed till he becomes a sturdy beggar, though he pays us with a song, stays with us, as we know, because he applies regularly for his rations. But he sends all his children away to seek their fortunes elsewhere, and on our coasts flights of migrant robins, whom either their parents, or the bad weather, have sent from Norway over the foam, arrive all through the autumn. Even the jenny-wrens migrate to some extent.

Because we see birds of certain kinds near our farms, gardens, and hedges it does not follow that these are those which were there in summer and spring. Such common finches as the greenfinches and chaffinches migrate in immense flocks, and over vast distances, considering their short wings and small size. In the gardens and shrubberies round the houses the parent robins stay. So do some of the blackbirds, the thrushes (except in very hard weather), the hedge-sparrow, the nuthatch (more in evidence in winter than at any other time, and a firm believer in eleemosynary nuts), all the tits, except the long-tailed tit, a little gipsy bird wandering in family hordes, and the crested and marsh tits (dwellers in the pine forest and sedge-beds), and the wood pigeon. Occasionally that shy bird, the hawfinch, is seen on a wet, quiet day picking up white-beam kernels and seeds. Except this, every one of the garden birds comes to be fed, and is well known and appreciated. It is in the woods and the hedges of the rain-soaked meadows that the general absence of bird life in winter is most marked, and the presence of the few which stay most appreciated. Those who, on sport intent, go round the hedges in November and December, or wait in rides while the woods are driven, or lie up quietly in the big covers for a shot at wood pigeons in the evening, are almost startled by the tameness and indifference of the birds, eagerly feeding so as to make the most of the short, dark days. When the hedges are beaten for rabbits the bullfinches appear in families, their beautiful grey backs and exquisite rosy breasts looking their very best against the dark-brown, purply twigs. Another home-staying bird of the hedgerows, or rather of the hedgerow timber, is the tree-creeper. It has no local habitation, being a bird which migrates in a drifting way from tree to tree, and so bound by no ties to mother-earth. But it is in the woods that the stay-at-home birds are most in evidence in winter. There they find abundant food, and there they make their home. The woodpeckers, the magpie, and the jay, the brown owl, the sparrow-hawk, the kestrel, the pheasant, the long-tailed tit, and all the rest of the tribe; and in the clearings where the teazle grows, the goldfinches feed. The barn owl and brown owl both stay with us. So does the long-eared owl. But the short-eared owl is a regular migrant, coming over in flights like woodcock. No one has satisfactorily answered the question why there are sedentary species and migratory species so closely allied in habits and food that the quest for a living must be ruled as outside the motive for migration.

If the long-eared owl can remain and find a living all the year round in the copses on the downs, why should not the short-eared owl make a practice of what is its occasional custom, and nest in the fens and marshes? If the kingfisher can find a living and abundant fish in our rivers and brooks, why does the dabchick migrate? The migration is only a partial one, for many remain on the Thames all the year round, especially near the eyots by Tilehurst; but it vanishes from most of the Northern pools and returns almost on the same date. Perhaps a conclusion might be hazarded from the behaviour of wild migratory birds which have become semi-domesticated. In Canada, the largest and best known of the wild geese is the black-necked Canadian goose. It is a regular migrant. The Indians believe it brings little birds on its back when it comes. At Holkham, where a large flock of these is acclimatised, but lives under perfectly wild conditions, the Canadian geese never attempt to migrate, though they often fly out on to the sands at ebb-tide. They show less disposition to leave the estate than the herons in the park. Yet during the winter they feed every day with flocks of wild geese in the marshes. These geese fly every spring away to the Lapland mountains or the tundras, and could show the Canada geese the way northwards if they wished to follow. The conclusion is that the Canada geese have no desire for change; and the reason that other birds do not migrate is probably the same.

ANCIENT HEDGES

In the upper Thames valley, both in May and autumn, one of the prettiest sights is the great hedges which divide the meadows. In spring, those above Oxford look as though covered with snow, and in early October they are loaded with hips and haws, just turned red, with blackberries, elderberries (though the starlings have eaten most of these), with crab apples, with hazel nuts, scarlet wild guelder-rose berries, dog-wood berries, and sloes. Except the fields themselves, our hedges are almost the oldest feature with which Englishmen adorned rural England. They have gone on making them until the last parish "enclosures," some of which were made as late as thirty years ago, and when made they have always been regarded as property of a valuable kind. When Christ's Hospital was founded in Ipswich in Tudor days, partly as a reformatory for bad characters, "hedge-breakers" were more particularly specified as eligible for temporary domicile and discipline. "Hedges even pleached" were always a symbol of prosperity, care, and order. "Her fruit trees all unpruned, her hedges ruined," a token that something was amiss in our country economy.

One untidy habit, which the writer remembers as very common, has been discontinued in this connection. Twenty years ago the linen drying on the hedge, which Shakespeare evidently regarded as a "common object of the country," was constantly seen. It was always laid on well-trimmed hedges, or otherwise it would have been torn. Now it is always hung on lines, possibly because the hedges are not so well trimmed and kept. Bad times in farming have greatly helped the beauty of hedges. They are mostly overgrown, hung with masses of dog-rose, trailed over by clematis, grown up at bottom with flowers, ferns, and fox-gloves, festooned with belladonna, padded with bracken. The Surrey hedges are mostly on banks, a sign that the soil is light, and that a bank is needed because the hedge will not thicken into a barrier. But these, like most others, are set with the charming hedgerow timber that makes half England look like a forest at a distance of a mile or so. It is difficult to reconstruct our landscape as it was before the hedges were made. But any one curious as to the comparative antiquity of the fields can perhaps detect the nucleus or centre where enclosure started. Those having the ditch on the outer side are always the earlier, the ditch being the defence against the cattle that strayed on the unenclosed common or grazings outside.

The finest garden hedges in England are at Hall Barn, in Buckinghamshire. They must be thirty feet high, are immensely thick, and are clipped so as to present the smooth, velvety appearance peculiar to the finest yew and box hedges. The colour and texture of these walls of ancient vegetation, contrasting with the vivid green lawns at their feet, are astonishingly beautiful. One of the peculiar charms of such hedges is that where yew of a different kind or age, or a bush of box, forms part of the mass, it shows like an inlay of a different material, and the same effect is given merely by the trick that some yews have of growing their leaves or shoots at a different angle from that favoured by others. These surfaces give the variety of tint which is shown in such fabrics as "shot" or "watered" silk. Here there is a splash of blue from the box, or of invisible dull green, or of golden sheen, from different classes of yew. Box hedges of great size are less common than those of yew, and less durable, for the box is easily rent from the stem when old. But these two, the yew and the box, are the "precious" hedges, the silver and gold, of the garden-maker. Next, representing the copper and brass, are the hedges of beech and holly. Both are commonly planted and carefully tended as borders and shelters to the less important parts of gardens; as screens also to block out the humdrum but necessary portions of the curtilage, such as the forcing-pits for early plants, minor offices, timber yards, and the like; and to shelter vegetable gardens (for which the Dutch use screens of dried reeds). Holly makes the best and most impenetrable of all hedges when clipped, but it is not beautiful for that reason. Clipped holly grows no berries; it accumulates dust and dirt, and has a dull, lifeless look. Beech, on the other hand, should be in greater esteem than it is. If clipped when the sap is rising it puts on leaves which last all the winter. From top to bottom the wall of russet shines warm and bright. Its leaves are harmless in decay, for they contain an antiseptic oil, and no leaves of spring are more tenderly green or in more ceaseless motion at the lightest breeze. Privet makes the last and least esteemed of these "one-tree" hedges. Yet it is the most tractable of all hedge material, and was almost invariably used to form the intricate "mazes," once a favourite toy of the layers-out of stately gardens.

Keeping these hedges in good repair and properly clipped and trimmed is one of the minor difficulties of the country. In large gardens there are always one or two professional gardeners who understand the topiary art. But it often happens that a quite modest garden possesses a splendid hedge of yew or box, the pride of the place, which needs attention once or twice every year. These hedges have frequently been clipped by the same man, some old resident in the village, for thirty or forty years. Clipping that hedge is part of his regular extra earnings to which he looks forward, and a source of credit and renown to him in his circle. He knows every weak place, what parts need humouring, what stems are crowding others between the furry screen of leaves, and where the wind got in and did mischief in the last January gale. When in the course of Nature the old hedge-trimmer dies, there is no one to take his place. The men do not learn these outside accomplishments as they once did, and the art is likely to be lost, just as ornamental thatching and the making of the more decorative kinds of oak paling are in danger of disappearing.

Mending, or still worse remaking, field-hedges is a difficult, expensive, and withal a very highly skilled form of labour. The workers have for generations been very humble men, who have scarcely been honoured for their excellent handiwork as they deserved. They appear in art only in John Leech's pictures of hunting in Leicestershire, in his endless jokes on "mending the gaps" towards the close of the hunting season. In February and March the scenes shown in Leech's pictures are reproduced on most of the Thames valley farms in Berkshire and Oxfordshire. The men wear in front an apron of sacking, torn and plucked by thorns. The hands are gloved in leather mits with no fingers; in them the hedger holds his light, sharp billhook, shaped much like the knife of the forest tribes of Southern India. When a whole fence has to be relaid the art of "hedge carpentry" is exhibited in its perfection. Few people not brought up to the business, which is only one minor branch of the many-sided handiness of a good field labourer, the kind of man whom every one now wants and whom few can find, would have the courage to attempt it. A ditch full of brambles, often with water at the bottom, has to be cleared. Then the man descends into the ditch, and strips the bank of brambles and briars. That is only the preliminary. When he has piled all the brambles in heaps at regular intervals along the brow of the ditch, he walks thoughtfully from end to end of the fence, and considers the main problem, or lets the idea sink into his mind, for he never talks, and probably never frames for himself any form of words or conscious plan. In front, with the bases of the stems bare where the bank is trimmed and slashed, stands the overgrown hedge which he is to cut, bend over, relay, and transform, to make another ten or twelve years of growth till it reaches the unmanageable size of that which stands before him. Most of it is great bushes of blackthorn, hard as oak, with thorns like two-inch nails, and sharper. These bushes, grow up in thick rods and stocks, spiny and intractable, from the bank to a height of perhaps twelve feet. The rest of the fence-stuff is whitethorn, nearly as ill to deal with as the blackthorn, and perhaps a few clumps of ash and wild rose. Slashing, hewing, tearing down, and bending in, he works steadily down the hedge day by day. All the time he is using his judgment at every stroke. Some he hews out at the base and flings behind him on the field. Much he cuts off at what will be the level of the hedge. But all the most vigorous stems of blackthorn and whitethorn he half cuts through and then bends over, twisting the heads to the next stocks or uprights, or, where there are no stocks, driving in stout stakes cut from the discarded blackthorns. When finished the newly mended hedge consists of uprights, mostly rooted in their native bank, and fascine-like bundles--the heads of these uprights, which are bent and bound horizontally to the other uprights or stakes. This is the universal "stake and bond" hedge of the shires, impenetrable to cattle, unbreakable, and imperishable, because the half-cut bonds, the stakes, and the small stuff all shoot again, and in a few years make the famous "bullfinch" with stake and bond below, and a tall mass of interlacing thorns and small stuff above.

During the last era of prosperous farming there was a mania for destroying hedges and cutting down the timber. If ever prosperity returns it will smile on a better-informed class of occupier and owner. It is now seen that the hedges were of the greatest value to shelter cattle, sheep, and horses, and benefited to some extent even the sown crops, especially at the blossoming time. As cattle are now the farmer's main reliance, it will be long before he grubs up or destroys the welcome shelter given by the hedges from sun, rain, and storm.

THE ENGLISH MOCKING BIRD

One winter an unusual number of peewits visited the flats near Wittenham and Burcote, and remained there for several months. One or two starlings which haunted the house in which we stayed, and slept in their old holes in the thatch, picked up all the various peewits' calls and notes, and used to amuse themselves by repeating these in the apple-trees on sunny mornings. The note was so exact a reproduction that I often looked up to see where the plover was before I made out that it was only the starling's mimicry.

A correspondent of the Newcastle Journal, writing from Yeare, near Wooler, in Northumberland, recently described the performances of a wild starling which has settled near his house. It is such an excellent mimic of other birds' notes that no one can help noticing its performances. A record has been kept of the variety entertainments provided by the bird. Besides its own calls, whistles, and song, it reproduces the song of the blackbird and thrush absolutely correctly, and mimics with equal nicety the calls of the curlew, the corncrake, and the jackdaw.

It is appropriate that this eulogy of the starling should appear in a Newcastle paper, for Bewick when residing there always regretted the absence of these birds from the town, and hoped that they might in time become numerous, as in the South and West. Starlings are such intelligent, interesting, and really remarkable birds that if they were rare they would be among the most prized of pets. Their open-air vocal performances are quite as remarkable as their latest admirer says. They are the British mocking-birds, able, when and if they choose, to reproduce almost any form of song. They do this partly, no doubt, because their throats are adaptable, but more from temperament and a kind of objective mind not very common in birds. Like parrots, starlings are given to spending a good deal of every fine morning in contemplating other people, including other birds, and then in thinking them over, or talking them over to themselves. Any one who is sitting or working quietly near a room where a parrot is in its cage alone can fairly follow the train of thought in the parrot's mind. It is evidently recalling episodes or things which form part of its daily mental experiences. It begins by barking like the dog, then remembers the dog's mistress, and tells it to be quiet, as she does. Then it hears the housemaid, and imitates a window-sash being let down, or some phrase it has picked up in the servants' quarters. If it has been lately struck with some new animal noise or unusual sound, it will be heard practising that. Starlings do exactly the same thing. When the sun begins to be hot on any fine day, summer or winter, the cock bird goes up usually alone, to a sunny branch, gable, or chimney, and there indulges in a pleasant reverie, talking aloud all the time. Its own modes of utterance are three. One is a melodious whistle, rather low and soft; another is a curious chattering, into which it introduces as many "clicks" as a Zulu talking his native language; and the third is a short snatch of song, either its own, or one which has become a national anthem or morning hymn common to all starlings, though it may originally have been a "selection" from other birds' notes. Then, or amongst the rest of the ordinary notes, the starling inserts or practises its accomplishments. Not all starlings do this, and only a few attain great eminence in that line. Obviously it is only personal feeling that induces them to do it, and they get no encouragement from other starlings, though when kept in cages, as they very seldom are now, and rewarded and taught, they might develop the most striking talents. It should be added that, like all good bird-mimics, they are ventriloquists. They can reproduce perfectly the sound of another bird's note, not as that bird utters it, but as it is heard, faint and low, softened by distance. They can also sing over bars of bird-songs in a low tone perfectly correctly, and repeat them in a high one.

To give a rather striking example. Last spring the writer was in the Valley of the Eden, opposite Eden-hall. The vale is a wide one, and on the north-east side are high fells, Cross Fell among others. On these the curlews breed, and occasionally fly right over the valley at a great height to the hills above Edenhall, uttering their long, musical call. When heard, this call is generally uttered several hundred feet above the valley. A curlew was heard flying above, and repeating its cry, but was not discernible. Again the call was heard, but no curlew seen, though such a large bird must have been visible. In the line of sound was a starling sitting on a chimney-pot. Again the curlew called, the long-drawn notes sounding from exactly the same place in the sky. It was the starling, reproducing with perfect accuracy the call, as it was used to hear it from the high-flying curlews crossing the valley. Apparently the tradition that they were good talkers has died out in rural England. It was always one of the firm beliefs of East Anglia that if a starling's tongue were slit with a thin sixpence it would learn to talk at once, but that otherwise it would only mimic other birds. The operation, like most other traditional brutalities, was absolutely unnecessary. Talking starlings were common enough, and must have been for many years previous to the time when they were no longer valued as cage-birds. Has not Sterne in his "Sentimental Journey" immortalised the poor bird whose one and leading sentiment, had he been able to find words for it, was "I can't get out! I can't get out!"?

* * * * *

From early spring until after midsummer the starlings have young broods in more varied places and positions than probably any other birds in England. They like the homes of men, and build with equal pleasure in thatched roofs, under tiles, in the eaves and under the leads of churches (though a recent edict by the Bench of Bishops has forbidden them the towers by causing wire netting to be placed over the louvre boards), and also in places the most remote from mankind. In the most solitary groves on Beaulieu Heath, under the ledges of stark Cornish precipices, and in ruins on islets in mountain lochs in Scotland, they tend their hungry nestlings with the same assiduous care. The good done by the starlings throughout the spring, summer, and autumn is incalculable. The young are fed entirely on insect food, and as the birds always seek this as close to home as possible, they act as police to our gardens and meadows. They do a little mischief when nesting and in the fruit season, partly because they have ideas. It was alleged recently that they picked off the cherry blossoms and carried them off to decorate their nests with. Later they are among the most inveterate robbers of cherry orchards and peckers of figs, which they always attack on the ripest side. But they have never developed a taste for devouring corn, like the rice-birds and starlings of the United States. They have a good deal in common with those bright, clever, and famous mimics, the Indian mynahs, which they much resemble physically. This was the bird which Bontius considered "went one better" than Ovid's famous parrot:--

"Psittacus, Eois quamvis tibi missus ab oris Jussa loquar; vincit me sturnus garrulus Indis."

The mynahs have also the starling's habit of building in houses, and especially in temples. There is a finish about the mynah's and the starling's mimicry which certainly beats that of the parrots.

In their attendance on sheep and cattle the starlings have another creditable affinity. They are very like the famous rhinoceros-birds of Africa, to which also they are related. The rhinoceros-birds always keep in small flocks, every member of which sits on the back of the animal, whether antelope, buffalo, or rhinoceros, on which it is catching insects. The starlings do not keep so closely to the animal's body, though they frequently alight on the back of a sheep or cow and run all over it. But when seeking insect food among cattle the little groups of starlings generally keep in a pack and attend to a single animal. Mr. J.G. Millais, watching deer in a park with his glasses, saw a starling remove a fly from the corner of a deer's eye. When they have run round it, and over it, and caught all the flies they can there, they rise with a little unanimous exclamation, and fly on to the next beast. Their winter movements are also interesting. By day they associate with other birds, mainly with rooks. Gilbert White thought they did this because the rooks had extra nerves in their beaks, and were able to act as guides to the smaller birds searching for invisible food. Probably it is only due to the sociable instinct. Towards night they nearly always repair in innumerable flocks to some favourite roosting-place, either a reed-bed or a wood of evergreens, where they assemble in thousands. One of these communal sleeping-places is the duck island in St. James's Park. In hard weather they feed on the saltings and round the shore, especially where rotten seaweed abounds, with great quantities of insect life in it. At such times they roost in the crevices of the great sea cliffs. Under Culver Cliff, for instance, they may be seen flying along the shore and coming in to bed in the frost fog with the cormorants and other fishers of the deep.

FLOWERS OF THE GRASS FIELDS

Just before hay-time, the crowning glory of the Thames-side flats is given by the flowers growing in the grass. Their setting, among the uncounted millions of green grass stems, appeals not only by the contrast of colour, but by the sense of coolness and content which these sheltered and softly bedded blossoms suggest. The meadows which they adorn are best-loved of all the fields of England; but they would never be as dear to Englishmen as they are were it not for the flowers which deck them. The blossoms and plants found in the tall grasses differ from those on lawns and grazing pastures. They are taller, more delicate, and of a more graceful growth. The daisy, so dear to pastoral poets, is not a flower of the hayfield. The myriads of springing stems choke the daisy flowers, which love to lie low, on their flat and shallow-rooted stars of leaves. The daisy is a lawn plant that loves low turf, and only in early spring on the pasture-fields does it whiten the unmown grasses. The turf glades of the New Forest, grazed short by cattle for eight hundred years, are very properly called "lawns"; and on these the daisies grow in thousands, showing that they are true lawns, and not grassfields mown yearly by the scythe. What makes a flower of the grasses it is difficult to say. Bulbs flourish among them, and clovers, trefoils, and vetch. White ox-eye daisies love the grass, and many orchids, and in shady places white cow-parsley, and blue wild geraniums, and all the buttercups. Others, like the yellow snapdragon and the scarlet poppy, will have none of it, but love a dry and dusty fallow or a cornfield that has run to waste, shimmering with heat and drought. Up the valley of the Pang, you may see acres of poppies on a fallow as scarlet as a field-marshal's coat, and not one in the meadows by the stream. Even before the sheltering grass stems shoot upward and around them, drawing all the flower-life skywards as trees draw other trees upright towards the light, there are plants which are found only growing in the meadows, springing from the turf carpet, and happy in no other setting. Chief of these are the wild daffodils or Lent-lilies, the ornaments of old orchards and of the green meadows of Devon and the Isle of Wight. Why they, like the snowdrops, and in other parts of Europe the narcissi, should choose the turf in which to flower, instead of the woods, where grass does not grow, is one of the secrets of the flower-world. So, too, the wild hyacinths grow not in the meadows, though the fritillaries, the chequered red or pale "snake flowers," are grass-lovers, and grow only in the alluvial meadows by the streams and brooks of the valleys. Early though the fritillaries are, they are a real "grass flower," flourishing best where there is some early succulent growth around them, for they like the shelter so given. This they enjoy even early in the year, because their favourite home is in meadows over which flood-waters run in winter, and there the grass grows fast. With the cowslip comes the early common orchis, with its red-purple flower, and later the masses of buttercups, and the ox-eye daisies. Both these flowers are increasing in our meadows, the former to the detriment of the grass itself, and to the loss of the butter-makers, for the cows will not eat the buttercups' bitter stems. Like the ox-eye daisy, the buttercup is a typical meadow flower, tall, so that it tops the grasses and catches the sun in its petals, thin-foliaged, for no real grass-growing flower has broad or remarkable leaves, and with a habit of deep, underground growth far below the upper surface of the matted grass roots. You cannot easily pull up a buttercup root, or that of any flower of the meadows. The stems break first, for they draw their sustenance from a deep stratum of earth. Most of the meadow flowers and blossoms in the mowing grass belong to the beautiful, rather than to the useful, order of plants. They are fitted to weave a garland from rather than to distil into simples and potions. As Gerard says of the butterfly orchis, "there is no great use of these in physicke, but they are chiefly regarded for the pleasant and beautiful flowers wherewith Nature hath seemed to play and disport herselfe." Herein they differ from the roadside plants and the blossoms of waste-lands and woods, for these, especially the former, swell the list of the medicinal plants, the garden not of Flora, but of Aesculapius. It is these which have been gathered for centuries by the wise men and wise women of the villages from the Apennines to Exmoor, while, if we may infer from the story of agriculture, the flowers of the grassfields are in a sense modern and artificial. They owe their numbers to the discovery of the art of haymaking. Before men learnt to cut, dry, and stack hay, which, after fermenting partly in the stacks under pressure, becomes a manufactured food, it may be concluded that there were no such flower-spangled fields, in this country at least, as now form such a striking feature of rural England. Cattle and sheep wandered all over the common pastures, and ate the grass down, or trampled it under foot. Consequently, it never grew long, or formed the protecting bed in which the flowers now lie, and many of the meadow plants could seldom have flowered at all. The hungry cattle would graze down all the soft, juicy young buds and leaves, wandering at will over the valleys, under charge only of the herdsman. When haymaking became general the cattle were confined in spring and early summer, and the fields of "mowing grass" appeared, and nourished year by year the plants peculiar to this form of cultivation. The proof that this is so may be seen in the New Forest. There the private fields, carefully protected during the spring, from the tread or bite of cattle, and mown yearly in the summer, have all the wealth of flowers peculiar to our hay-meadows. Outside, in the forest itself, these flowers hardly exist, except by some pool-side, or on the meadow-like border of a bog. They are only natural in the second sense, because our mowing grass is a natural product of enclosed ground, when cattle are excluded. Some flowers just invade the meadows, venturing out a few yards from the hedges or woods, but never spreading broadcast over the sun-warmed central acres. Such are the blue bird's-eye, which just colours the mowing grass in shady spots and patches near the fence, and occasionally the bee-orchis and the butterfly-orchis. The latter does not grow tall in the meadows as it does in the woods, but affects a humbler growth. Blue wild geraniums also flourish in patches in the meadows, and sometimes cranesbill and campion. But campions do not seed well among the thick grasses and seldom hold their own, as they do where a copse has been cut down, or on a hedgeside. And, though it is not a flower, there is the "quaking grass" beloved of children, though useless as cattle food, and a sign of bad pasturage, but the only grass which cottage people gather to keep, as a memento of the hayfields.